Rightly or wrongly, I never once wanted to go and see We Will Rock You but there’s no doubting how fun this cover of ‘Bohemian Rhapsody’ is
Raising money for Acting for Others – please consider donating here
“She screamed, I think – it was hard to hear”
Surrounded by the Sounds – the music of Tim Prottey-Jones is the second of actor/writer Prottey-Jones’ albums featuring a whole array of his West End pals, but the third that I’ve reviewed (see reviews of More With Every Line and To Do. To Be.) It features songs from two of Prottey-Jones musicals – Once Bitten and After The Turn – and has a decidedly more pronounced rock feel to it than either of his other collections.
As such, it didn’t quite tickle my fancy in the way that I might have liked, especially since To Do. To Be. had impressed me. And it’s not that this is a collection of bad songs, they’re just not my cup of tea. Such guitars, much rock, so not wow. Even when the tempo slows a little into ballad territory, as with Michael Xavier’s ‘Chance In A Lifetime’ or Jodie Jacobs’ ‘Colour Me’, it is still just too monotonely guitar-heavy for my liking.
I’m not one to deny anyone their fandom and Lord know Rent has some of the most devoted of the lot. But for whatever reason, the show has left me cold every time I’ve seen it, increasingly so in its determination to defend artistic excess.
I was bought a ticket as a Christmas present so I was able to go and test my feelings once again but no change, no matter how good Layton Williams’ performance was. So for once, I’m just going to leave it here.
“When the men folks see me shimmy by
Gonna break right out in shingles”
Bobby Cronin is a new musical theatre composer in the mould of Jason Robert Brown and the International Studio Cast Recording of his show The Concrete Jungle is a rather appealing listen. Aided by a strong cast – including Rebecca Trehearn, Alex Gaumond, and Jos Slovick – this modern riff on Cyrano is witty and tuneful and well worth the tracking down. Continue reading “Album Reviews: The Concrete Jungle / 110 in the Shade / Theseus”
“Would I oblige?
Michael John LaChiusa is one of those composers of the new American musical theatre mould, or maybe even beyond, in adopting a dense and complex compositional style that means his work hasn’t always had the credit it deserves. This original Broadway cast recording of his 1999 show Marie Christine feels like a case in point – a Tony-nominated book and score that has rarely been revived, never mind made it to the UK. An adaptation of the Medea story that relocates it to 1890s New Orleans, it is blessed by a stunning central performance from Audra McDonald as a remarkably vicious leading lady. The score is made up of fragmented pieces of music rather than conventional notions of what we would consider a song but its operatic drama hits the mark for me. And I’d love to see it the UK some time soon please… Continue reading “Album Reviews: Peter Pan A Musical Adventure / The Confession Room / Marie Christine”
“If we make it through together”
Songs was the debut album from Richard Beadle, a songwriter, composer and conductor of television and production music, as well as a well-established musical supervisor/director on a wide range of West End shows from Betty Blue Eyes, The Bodyguard to the forthcoming The Girls. I actually attended a concert showcasing Beadle’s music back in 2013 but it has taken me a little time to get round to properly listening to the album.
His style seems to sit somewhere equidistant between ‘traditional’ and ‘new’ musical theatre writing – the nervy angst of ‘The Wedding Song’, sung perfectly by Julie Atherton, owes a debt to Jason Robert Brown whereas Rachael Wooding’s beautiful declaration of love in ‘Here We Are’ has a much more classic feel to it. And what comes across these 12 tracks is a pleasing sense of confidence in musicality, these are songs that stand as well individually as in the musicals from which they come. Continue reading “Album Review: Richard Beadle – Songs (2012)”
“I believe that the Garden of Eden was in Jackson County, Missouri”
In terms of first world problems, being constantly distracted by fellow audience member Kate Winslet probably ranks fairly highly but it is symbolic of the utter randomness that can accompany a gala performance. I was lucky enough to attend the opening night of The Book of Mormon which meant that in the haze of A-list to Z-list celebrities, the battle to get into the theatre, the newspaper reviews that had already been published and a thousand and one opinion pieces of one of the cannier marketing campaigns of recent times, it was difficult to separate out just what I really thought of the show itself.
With the show not exactly being the cheapest – premium tickets have now apparently broken the £200 mark for Saturday nights – it hasn’t been easy to find the optimum opportunity to go back (or taken my chances on their lottery). Until now that is, when a rare deal popped into my Twitter feed courtesy of @BargainTheatre and a £40 ticket on the end of row B in the stalls saw me making the trip once again to the Prince of Wales theatre, unencumbered by expectation or excitement and much more able to take in Trey Parker, Robert Lopez and Matt Stone’s show on its own merits. Continue reading “Review: The Book of Mormon, Prince of Wales Theatre”
“Do we ever really know?”
Joe Sterling’s debut album Somewhere In My Mind has lingered in my iTunes folder for ages now and I’ve never quite got round to listening to it. But thanks to the randomness of the shuffle function and the inspired use of Virgin Pendolino in a rhyme, its presence reasserted itself and I gave the collection a listen. With lyricist Robert Gould, Sterling has written a couple of musicals, one of which – Roundabout – is featured heavily here, and he’s gathered an interesting collection of performers to sing their way through his first songbook.
I say interesting because it eschews many of the familiar names who pop up on this type of album and thus showcases a range of talent who may not necessarily be familiar to you or I. Rosa O’Reilly’s gorgeous pop vocal on the plaintive ‘Ships That Pass In The Night’ immediately marks her out as someone I want to know more about, Jonathan Williams find a similar purity in early track ‘Gone’ and Sterling delivers the guitar-led charms of ‘You Could Be The One, They Said’ with a lovely lightness that is persuasive and not a little attractive. Continue reading “CD Review: Somewhere In My Mind – The Songs of Joe Sterling”
I find it hard to resist certain things, and albums showcasing new musical theatre writing with all-star ensembles singing them have been a particular weakness for me this year. The latest temptation was Gareth Peter Dick’s debut album The Music Box which I liked the look of mainly because it was nice to see a rather different line-up of singers rather than the usual suspects lining up and names like Richard Dempsey, Laura Pitt-Pulford and Katie Rowley Jones got me to part with my money quite easily.
Dick is a Nottingham-based composer who has a range of diverse projects on the go: Ancient Egypt, Jack the Ripper and wartime dramas all seem to feature in shows, though I’m not sure how widely they’ve been produced and his was a new name to me. But one I was instantly intrigued by and could well be one to look out for. His rather eclectic musical palate takes in driving power ballads, Gothic pop numbers and some atmospheric instrumental pieces and creates an album that is undeniably a tiny bit insane, but really rather entertaining with it. Continue reading “CD Review: The Music Box – the music and songs of Gareth Peter Dicks”