Just a few days left to capture this recent West End production of Chekhov’s Uncle Vanya with Toby Jones and Richard Armitage
“You have some kind of sauce all over your trousers”
When its West End run was curtailed by th’pandemic, wheels were put in motion to get a filmed version of this Uncle Vanya produced. Sadly, Ciarán Hinds was unable to reprise his role but Roger Allam is a fine substitute and the rest of this cracking cast were able to return for Ross MacGibbon’s filmic direction of Ian Rickson’s stage work in the emptied surroundings of the Harold Pinter Theatre.
There’s not too much more to say about Conor McPherson’s vibrantly colloquial adaptation that I didn’t already cover in my stage review but as ever, the benefits of the close-up camera work adds a stunning intimacy to an already stellar performance level. Indeed, being swept up even further into the despair of Aimee Lou Wood’s Sonya is almost too much to bear but well worth the exquisite agony.
From Thursday 25th November, Schools, universities, and educational institutions all over the world will be able to see Conor McPherson’s stunning adaptation of Chekov’s masterpiece Uncle Vanya thanks to a partnership with producers Sonia Friedman Productions and Digital Theatre+, Digital Theatre’s education platform.
The original run of Sonia Friedman Production’s sold-out stage production of Uncle Vanya at the Harold Pinter Theatre was cut short due to the COVID-19 pandemic. In the midst of the first lockdown Sonia Friedman Productions and Angelica Films, in association with BBC Arts, commissioned a film of the stage production, which received critical acclaim and went onto win the Theatre Award at the South Bank Sky Arts Awards 2021. Continue reading “News: Digital Theatre+ partners with Sonia Friedman Productions to Provide Education Platform for Uncle Vanya”
The Black British Theatre Awards (BBTAs) is the UK’s first award show to celebrate the excellence and influence of Black performers and creatives within the UK theatre industry.
BEST DIRECTOR AWARD FOR A PLAY OR MUSICAL
Anthony Simpson-Pike, Lava, Bush Theatre
Miranda Cromwell, and breathe…, Almeida Theatre
Tinuke Craig, The Color Purple – at Home, Curve, in association with Birmingham Hippodrome
BEST MUSICAL DIRECTOR
Femi Temowo, and breathe…, Almeida Theatre
Ian Oakley, From Here, Chiswick Playhouse
Nadine Lee, Bagdad Cafe, The Old Vic
BEST PRODUCER AWARD
Almeida Theatre, and breathe…
Chris Steward and Shanay Holmes, West End Musical Celebration at Palace Theatre
Tanisha Spring, A Killer Party
BEST CHOREOGRAPHER AWARD
Dannielle ‘Rhimes’ Lecointe, The Sun, The Moon and The Stars, Theatre Royal Stratford East
Ingrid Mackinnon, Romeo and Juliet, Regent’s Park Open Air Theatre
Sarah Golding, Cruise, Duchess Theatre Continue reading “Nominations for the 2021 Black British Theatre Awards”
In this ‘special circumstances’ year, the Offies 2021 Awards Ceremony celebrated the creativity and resilience of artists in fringe, alternative and independent theatre in a time of crisis who have found new ways to produce fresh and inventive work for thousands of stay-at-home audiences.
The Offies are OffWestEnd’s main awards, for shows with at least 10 performances, and awards were given to the best of the shows presented before lockdown and the few who managed to go ahead in the summer
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in May 2020. Additionally, the winner of the OffFest award for theatre shows in festivals was also announced, alongside extra OneOff awards for innovative work and initiatives in 2020, especially in the light of the Covid lockdown. Continue reading “2021 Offie & ONCOMM Award Winners”
UK – Best male in a supporting role
Luke Thallon in Leopoldstadt
UK – Best female in a supporting role
Rosalind Eleazar in Uncle Vanya
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in
1. Recording pre-lockdown (direct)
(i.e. with little or no editing)
Going Viral / Daniel Bye
Hysteria / Spymonkey
Jane Clegg / Finborough Theatre
The House Of Bernarda Alba / Graeae
2. Recording pre-lockdown (edited)
(i.e. with significant editing)
Bubble / Theatre Uncut
Cyprus Avenue / Royal Court & Abbey Theatre
SeaWall / Simon Stephens
The Encounter / Complicité Continue reading “The finalists of The ONCOMMs 2021”
In lieu of trying to make sense of this shitshow of a year through the normal year-end lists, I thought I’d just stick with an unranked list of 10 of my top theatrically based productions of the year
For reference, here’s my 2019 list, 2018 list, 2017 list, 2016 list, 2015 list and 2014 list.
Uncle Vanya, Harold Pinter Theatre
A rather exhilaratingly good take on the familiar Chekhov classic, a worthy presence in the West End.
The Wicker Husband, Watermill Theatre
One of the last things I saw before lockdown and what a gorgeous lingering memory to have, I pray that this is not the last we hear of this beautiful new musical. Continue reading “10 top theatrical moments of 2020”
Reinterpreting the women of Greek mythology for today, the theatrical enterprise of 15 Heroines is a major achievement and a highlight of the year, digital or otherwise
“The gods should protect me”
15 Heroines comes to us in collaboration between the Jermyn Street Theatre and Digital Theatre as fifteen female and non-binary playwrights tackle Ovid’s Heroides, giving voice to the women of classical mythology anew. Split into three groups of five 15-minute monologues – The Labyrinth, The War, The Desert – this is a major theatrical enterprise that offers startlingly fresh perspective on these tales of old and serves as a reminder, as if it were needed, that men are trash.
Or more specifically, the men that we often describe as heros have serious issues when it comes to the women in their lives. There may be some excuse for the women left behind by The Trojan War – Sophia Eleni’s Love Island-esque but still sweet Laodamia is the wife of the first soldier killed as explored by Charlotte Jones – but more often than not it is just men being (fuck)boys. Lettie Precious delves beautifully into Oenone’s feelings about being abandoned by Paris for Helen, Ann Ogbomo’s righteous fury scalds the screen. Continue reading “Review: 15 Heroines”
Indra Ové, Rosalind Eleazar, Eleanor Tomlinson, Nicholle Cherrie and Martina Laird star in 15 Heroines – The Desert, featuring writing from April De Angelis, Stella Duffy, Isley Lynn, Chinonyerem Odimba and Lorna French
“The gods should protect me”
Read my overview of 15 Heroines here
Five women deserted – with stories to tell
⭐️Deianaria: The Striker by April De Angelis, starring Indra Ové
⭐️Dido: The Choice by Stella Duffy, starring Rosalind Eleazar
⭐️Canace: A Good Story by Isley Lynn, starring Eleanor Tomlinson
⭐️Hypermestra: Girl On Fire by Chinonyerem Odimba, starring Nicholle Cherrie
⭐️Sappho: I See You Now by Lorna French, starring Martina Laird
Running time: each 5 play part of 15 Heroines is around 80 minutes
Photos: Sonay Shote/Marc Brenner
15 Heroines is streaming Monday 9 – Saturday 14 November at 7.30pm / 3.00pm
The Desert Tuesday 10th 3.00pm; Wednesday 11th 7.30pm; Friday 13th 7.30pm
The War Monday 9th 7.30pm; Thursday 12th 7.30pm; Saturday 14th 3.00pm
The Labyrinth Tuesday 10th 7.30pm; Thursday 12th 3.00pm; Saturday 14th 7.30pm
Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”