Rehearsal imagery by Helen Murray for Trouble In Mind by Alice Childress has been released by the National Theatre today. Opening in the Dorfman on 2nd December and running until 19th January, the production is directed by Nancy Medina with Tanya Moodie performing the role of Wiletta.
First staged over 60 years ago, Trouble In Mind is widely considered the masterpiece of actress and playwright Alice Childress.
Continue reading “Rehearsal photos for Trouble In Mind at the National Theatre released”
Second Coming makes for an atmospheric if challenging cinematic debut for writer/director debbie tucker green with another cracking lead role for Nadine Marshall
“Have you had any more visions?”
Following her TV adaptation of her own play random, Second Coming sees writer-director debbie tucker green making her big screen debut. And perhaps unsurprisingly, it is an uncompromising artistic statement – again showcasing Black British lives – from this idiosyncratic and intriguing artist.
The film centres on Nadine Marshall’s Jackie, a social worker and mother-of-one who finds herself pregnant despite having been told she couldn’t carry again. Not only that, she hasn’t had intercourse with her husband Mark for quite some time, despite him being Idris Elba. So far so immaculate. Continue reading “Film Review: Second Coming (2014)”
The National Theatre today announces the on-sale dates of upcoming productions Trouble in Mind, Wuthering Heights and Small Island, as well as the return of daytime opening for visitors. Tickets go on sale to the public on 7 October.
For the first time since March 2020, the public spaces at the National Theatre will be open during the day for visitors and audiences alike. The National Theatre has partnered with independent street food pioneers KERB on a completely refreshed food and drink experience. With a focus on locally-sourced produce, KERB will curate an outstanding food offering throughout the 11 spaces and restaurants with their renowned network of street food start-ups and independent restaurateurs. The first phase of this transformation will begin from today with KERB at The Understudy and the opening of the Atrium Café on the ground floor. Further restaurant and bar redevelopments will follow this year and next. Continue reading “News: National Theatre plans November 2021 – February 2022”
The use of real-life couples makes Episode 2 of Unprecedented a very strong entry – superb work from Gemma Arterton, Arthur Darvill and Cecilia Noble among others
“I can be there for you, even from here”
Episode 2 of Unprecedented, Headlong and Century Film’s creative rapid-response to coronavirus definitely managed to take advantage of acting households, as husbands and wives abounded (Arthur Darvill and Inès De Clercq, Gemma Arterton and Rory Keenan, Olivia Williams and Rhashan Stone), offering up a different texture than just the single person shots that dominated the first episode.
Tim Price’s Romantic Distancing, directed by Jeremy Herrin, was really rather swooningly lovely. Darvill and De Clercq playing a couple who’ve only been together for a couple of months and trying to work out if staying together, whilst isolating apart, is worth it. The switch into Once-style balladry worked beautifully for me and it’s kinda hard not to root for this pair. Continue reading “TV Review: Unprecedented, Episode 2”
Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.
Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”
I might have taken a break from reviewing in June, but I didn’t stop going to the theatre – I had too many things already booked in. Here’s some brief thoughts on what I saw.
Betrayal, Harold Pinter
Shit-Faced Shakespeare – Hamlet, Barbican
The Knight of the Burning Pestle, Cheek By Jowl at the Barbican
Somnium, Sadler’s Wells
Les Damnés, Comédie-Française at the Barbican
Vanya and Sonia and Masha and Spike, Theatre Royal Bath
Blithe Spirit, Theatre Royal Bath
The Hunt, Almeida
Present Laughter, Old Vic
Europe, Donmar Warehouse
The Deep Blue Sea, Minerva
Plenty, Chichester Festival Theatre
Pictures of Dorian Gray, Jermyn Street
The Light in the Piazza, Royal Festival Hall
Hair of the Dog, Tristan Bates Continue reading “June theatre round-up”
Has Lesley Manville ever been better? She scorches through a beautiful production of Long Day’s Journey Into Night
“Who wants to see life as it is, if they can help it?”
Between scoring an Oscar nomination for Phantom Thread, returning to TV screens in superlative sitcom Mum and conquering one of the almighty stage roles written for a woman in Long Day’s Journey Into Night, it is safe to say that Lesley Manville is having a ‘moment’ as a potential queen of all media, and a well-deserved one at that – she is the kind of rare talent that is genuinely due this kind of adulation.
Richard Eyre’s production of Eugene O’Neill’s classic play was first seen at the Bristol Old Vic in 2016 (have a gander at m’review here) and it transfers to the Wyndham’s pretty much intact – Manville and Jeremy Irons leading the cast once again as the troubled Mary and Joseph Tyrone, with Rory Keenan and Matthew Beard stepping in as their sons. The returning Jessica Regan rounds out the cast as housemaid Kathleen. Continue reading “Review: Long Day’s Journey Into Night, Wyndham’s Theatre”
There’s all sorts of big productions arriving in the months to come (Long Day’s Journey Into Night, the return of Amadeus, PATTI LUPONE!) but I’m using this spot to highlight some of the shows on the London fringe and around the UK (and Amsterdam…) that have piqued my interest and which I hope to get to review.
So in no particular order… Continue reading “20 shows to look forward to in 2018”
“Must a Christ perish in every age to save those that have no imagination”
This is Bernard Shaw’s Saint Joan but very much via Josie Rourke, as the medieval piety of the pre-show entertainment gives way to the uber-modernity of this interpretation with the opening flourish of a tablecloth being whipped away (more impressive than it sounds!). The gods being worshipped here are high finance and business as scenes are set in companies like Vaucouleur Commodities Brokerage and Dauphin Holdings, Evan Davies and Bloomberg news tickers give us regular updates and it is in the midst of all this that Gemma Arterton’s Joan arrives, the sole figure in period dress.
Dealing with an amusing take on the egg crisis of the first scene, and using Skype to correctly identify Fisayo Akinade’s spoiled manchild heir of a Dauphin in the next, the modern take is clever but there’s a strange tension that never quite resolves. The text has been cut but not completely modernised, so talk of battles and forts sit alongside the rise and fall of stocks and shares and it doesn’t settle into an interpretation that didn’t leave me going ‘you what now’ until it starts to play the drama straight as in the English plot to bring about the downfall of the woman uniting the French against them. Continue reading “Review: Saint Joan, Donmar Warehouse”