One of the joys of seeing so much theatre in London is that sense of seeing any number of actors at the beginning of their careers and Tristram Kenton has been doing that for years now. Here’s just some of those big names as whippersnappers on the British stage:
Photos: Tristram Kenton
Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
I’m loving this deep dive in to Tristram Kenton’s archive, this time taking a turn into the many Chekhov productions he has been witness to. Highly recommended:
Photos: Tristram Kenton
With a long list of major founding donors, including Danny Boyle, Emilia Clarke, Tom Hiddleston, James McAvoy, Ian McKellen, Daniel Radcliffe, Emma Thompson and Rachel Weisz, the Theatre Community Fund has received a pledge of £1 million.
Some of the biggest names from British stage and screen have joined together to support creatives in the beleaguered theater industry as it struggles to survive the COVID-19 crisis.
Created by Phoebe Waller-Bridge, Olivia Colman and theatre producer Francesca Moody (who was the original producer of Waller-Bridge’s Fleabag stage show), the newly-launched Theatre Community Fund has already received a pledge of £1 million and amassed £500,000, having signed up a who’s who of actors, directors, writers and producers as founding donors. Continue reading “News: Phoebe Waller-Bridge and Olivia Colman launch theatre support fund”
The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
Playing with form, Ella Hickson’s The Writer is a bold new production from Blanche McIntyre at the Almeida. This review also plays with form…
“I want awe. I feel like I need blood. All the time. And anything less than that makes me feel desperate. It makes me feel like I want to die.”
Running time: 2 hours (without interval)
The Writer is booking at the Almeida Theatre until 26th May
PS: I did really enjoy, I’m just going to let other people do the heavy lifting in probing it apart!
It’s a no for me for The Miniaturist
“Cornelia will fetch you a herring”
I haven’t read Jessie Burton’s 2014 novel The Miniaturist so I came into watching it with zero expectations. But even then, I wasn’t expecting that…!
To steal from the Guardian, the plot was “an everyday tale of girl marries man, moves from the sticks to old Amsterdam, discovers he’s gay, husband’s boyfriend stabs the dog, girl gets spooky doll’s house in which the miniature replicas begin changing to reflect real life, hubby is thrown into the sea while lashed to a stone wheel after suicidal courtroom speech denouncing Hanseatic cant, girl sells loaf/cones of sugar, and almost all, um, live happily ever after”.
But much as I love a story from Amsterdam, I found this a real challenge. The 90 minute episodes didn’t help, nor the heavy-handed shifts in tone which were a constant jolt. Maybe I should read the book instead…
Best Supporting Actress in a Play
Bríd Brennan, The Ferryman
Thinking about this most well-received of plays, it is the role of Aunt Maggie Faraway who lingers most in my mind, the elegiac beauty of her speeches an elegant way of folding in traditions of Irish storytelling and emphasising the deep bonds of family. Breathtaking work from Brennan.
Honourable mention: Kate Kennedy, Twelfth Night (Royal Exchange)
When done well, Olivia is one of my favourite Shakespearean roles and the statuesque Kennedy didn’t disappoint with a highly-sexed take on the character which embraced all the physical potential of her height.
Sheila Atim, Girl From the North Country
Laura Carmichael, Apologia
Romola Garai, Queen Anne
Lashana Lynch, a profoundly affectionate, passionate devotion to someone (-noun)
Kate O’Flynn, The Glass Menagerie
Susan Brown, Angels in America; Jessica Brown Findlay, Hamlet; Denise Gough, Angels in America
Best Supporting Actress in a Musical
Tracie Bennett, Follies
All I have to say is ‘I’m Still Here’. I’M STILL HERE!
Honourable mention: Rachel John, Hamilton
Only the tiniest of margins separated these two and it’s only really the fact that she’s not Renée Elise Goldsberry that held John back from the title.
Christine Allado, Hamilton
Julie Atherton, The Grinning Man
Sharon D Clarke, The Life
Joanna Riding, Romantics Anonymous
Lucie Shorthouse, Everybody’s Talking About Jamie
Nicola Hughes, Caroline or Change ; Cathy Read, Little Women; Sharon Sexton, Bat Out of Hell
“Lie down madam and legs apart
Now brace yourself for this may smart”
Helen Edmundson’s Queen Anne played a well-received run at the RSC the winter before last and it has now transferred to the Theatre Royal Haymarket for a summer season. It contains two excellent performances from Romola Garai as Sarah Churchill (stepping into the role created by Natasha McElhone) and Emma Cunniffe as the titular monarch and you can read my four star review for Cheap Theatre Tickets right here.
Running time: 2 hours 50 minutes (with interval)
Booking until 30th September