“Just when the fun is starting,
Comes the time for parting”
Fred Haig must have thought that this was his year after landing starring roles in two of the big musicals of the summer but during Monday evening’s performance, he sustained an injury to his foot which has now been confirmed as a fracture. Sadly, this means that he has had to withdraw from On The Town at the Open Air Theatre in Regent’s Park (the second actor to do so after Jeremy Taylor withdrew during rehearsals due to injury) and will be replaced by his understudy Jacob Maynard. We’ll have to wait and see if he recuperates in time to play Young Buddy in Follies at the National.
It is a real shame for Haig as I was at the show on Monday, scarcely believing that we actually had lovely weather for the first musical this year at the Open Air. And Haig’s appealingly charismatic Chip, along with Lizzy Connolly’s vibrant Hildy, was among the highlights of Drew McOnie’s production and he seemed to be very much on top of the choreography. It is a dance-heavy show, and in McOnie’s hands doubly so and as so many in this venue, it is one that benefits from being seen as night falls, to behold the full beauty of Howard Hudson’s lighting which is gorgeously conceived. Continue reading “Get well soon Fred Haig aka Not-A-Review: On The Town, Open Air Theatre”
“You’re a blockbuster buster”
It’s been five years since the Menier’s glorious revival of Sweet Charity so London has been waiting a wee while for the misadventures of Charity Hope Valentine to return to our stages but with this semi-staged concert version at Cadogan Hall, it’s been largely worth the wait. A cast led by Denise Van Outen, the Royal Philharmonic Concert Orchestra, and an ensemble of bright young things from ArtsEd Ensemble combine to joyous effect and with barely a week’s rehearsal, it’s all the more impressive for that.
Van Outen makes a great Charity, infusing a wonderfully wry sense of humour into her demeanour which cleverly reinforces her indefatigable spirit. Supremely confident vocals and a smooth move or two in Matt Flint’s choreography make her a constant joy to watch and one could well imagine her nailing the role in a full-blown production too, especially if she were joined by Michael Xavier as the various men she encounters. Never mind the frozen peaches and cream, HE’S the stuff of dreams whether the appealing nerdishness of Oscar or the hapless lothario that is Vittorio, his lusciously rich voice undoubtedly one of the best in British musical theatre. Continue reading “Review: Sweet Charity in concert, Cadogan Hall”
I can’t honestly tell you what it was that attracted me by buy tickets for On The Town at the Coliseum: the chance to make my first trip to this venue, the cheap balcony seats, Leonard Bernstein’s name or maybe it was just the hot guy in a sailors uniform on the poster, but I have never been so glad to take a punt on something unknown as I was here. This is proper old-school Broadway musical entertainment at its dazzling best, perhaps unsurprising given Bernstein’s pedigree. The combination of a huge ensemble with a full orchestra means the total personnel involved is over 100 which is mightily impressive and lends an epic scale to the set pieces and Stephen Mears’ excellently choreographed routines. And it was all the more so considering I wasn’t expecting any of it!
We’re in 1944 and three sailors have just 24 hours of leave to kill in New York and they decide to use it on looking for a girl. It is a simple premise, but one given wonderful life here as the guys variously drink in the sights of the city, sample its cultural delights, chase some skirt but also keep an eye out for romance too. All fun and games but this production never loses sight of the fact that we’re smack in the middle of World War II and that the solace these men are looking for is a strictly temporary measure and so there’s a real bittersweet kick to proceedings that lends a real depth to the show. Continue reading “Review: On The Town, Coliseum”