The National Theatre, in partnership with Bloomberg Philanthropies, has today launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren, Othello with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.
In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel). Continue reading “News: NT launches new streaming service National Theatre at Home”
The Bridge Theatre has announce a repertoire of twelve one-person plays during September and October, using the theatre’s flexible auditorium to provide around 250 socially distanced seats.
An Evening With an Immigrant by Inua Ellams
Award-winning poet and playwright Inua Ellams left Nigeria for England in 1996 aged 12.
An Evening With An Immigrant is a potent and personal account of life as an immigrant told through poetry and music telling Ellam’s ridiculous, fantastic and poignant story – escaping fundamentalist Islam, experiencing prejudice and friendship in Dublin, performing solo at the National Theatre and drinking wine with the Queen of England – all the while without a country to belong to or place to call home. Continue reading “News: the Bridge Theatre plots an autumn season of monologues”
Chloë Moss, Nathaniel Martello-White and Jasmine Lee-Jones make Episode 5 of Unprecedented unmissable
“I want people not screens”
One of the main strengths, for me, of Unprecedented has been the sheer variety of the writing that has responded to Covid-19 here. Previous episodes (#1, #2, #3, #4) have all impressed but the combination of writers in this fifth instalment really captures that lightning-in-a-bottle potential that makes the best theatre spark.
I watched Chloë Moss’ Everybody’s Talkin’ whilst hungover but not even I can blame the huge weeping tears on that alone, this is a beautifully pitched, gorgeously performed slice of family drama in miniature. Three daughters gather on Zoom to speak with their recently bereaved mother but the trials of finding a new normal, within the context of already having find a new normal is full of unimaginable pain. Moss’ writing and Caitlin McLeod’s direction speaks directly to the challenges that so many faced even before coronavirus hit, and during, and Sue Johnston leads the cast marvellously.
Continue reading “TV Review: Unprecedented, Episode 5”
The National Theatre has today announced further productions that will be streamed live on YouTube every Thursday at 7PM BST via the National Theatre’s YouTube channel as part of National Theatre at Home; the new initiative to bring content to the public in their homes during the Coronavirus outbreak. The titles announced today include productions from partner theatres which were previously broadcast to cinemas by National Theatre Live. Continue reading “News: National Theatre at Home Phase 3”
Along with the rest of theatreland, I’m already over-excited and impatient for all of these.
Filming begins today on new productions of Alan Bennett’s critically acclaimed and multi-award-winning Talking Heads monologues, which first aired on BBC Television in 1988 and 1998. Ten of the original pieces will be re-made with the addition of two new ones written by Bennett last year. They are produced by Nicholas Hytner’s London Theatre Company and Kevin Loader.
The monologues which will air on BBC One in the coming months are as follows: Continue reading “News: Alan Bennett’s Talking Heads returns to TV”
Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.
Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”
Series 5 of Line of Duty has some cracking moments, some big revelations and one of Anna Maxwell Martin’s best ever performances
“There’s no secrets in AC12”
So we make it to the end of Series 5 of Line of Duty and it was a lot wasn’t it. A properly tragic couple of deaths, a deep suspicion of a core team member or two and perhaps inevitably, one step forwards and two steps back in the ongoing H conspiracy.
Jed Mercurio’s plotting remains as tightly wound and full of surprises as ever, the reveals in the organised crime group were well done but I think the gang stuff was nowhere near as much fun as the internecine conflicts within the police force itself. Continue reading “TV Review: Line of Duty (Series 5)”
“Just make them shag each other and sell all the littluns to rich people who want pets of something”
There’s something unremittingly bleak about Simon Longman’s Gundog that makes it a real challenge. It’s an impressively bold depiction of the complete decline of a way of life, the kind of rural farming that the Common Agricultural Policy hasn’t managed to reach and protect. None of the loneliness or impoverished desperation is spared in what can feel a tad like punishment by the end.
After the death of their parents, and with their grandfather’s illness and their brother’s listlessness, sisters Anna and Becky find themselves landed with the thankless task of looking after the remotest of farms in an area that can’t even sustain a local pub. The arrival of a foreigner with a nifty line in knitwear is a rare harkening of the potential of change but we’re never allowed to forget that times really are tough. Continue reading “Review: Gundog, Royal Court”
Clare Higgins for Clarion at the Arcola Theatre
Gemma Whelan for Radiant Vermin at Soho Theatre
Nadia Nadarajah for Grounded at Park Theatre
Olivia Poulet for Product at the Arcola Theatre
Best Supporting Female
Emilie Patry for The Christians at the Gate Theatre
Kate Kennedy for Three Short Plays at the Old Red Lion
Lucy Ellinson for The Christians at the Gate Theatre
Rochenda Sandall for Little Malcolm And His Struggle Against The Eunuchs at Southwark Playhouse
David Fielder for And Then Come The Nightjars at Theatre503
Ian Gelder for Gods and Monsters at Southwark Playhouse
Matthew Tennyson for A Breakfast Of Eels at The Print Room
Rob Compton for Bat Boy at Southwark Playhouse Continue reading “2016 Offie Award Finalists”
“Our ultimate goal’ll be t’realise all our dreams, take our proper place in the scheme of things, an’ achieve absolute power”
You don’t get many plays set in Huddersfield but Little Malcolm And His Struggle Against The Eunuchs is such a one, written by the late David Halliwell who also wrote a play called K D Dufford Hears K D Dufford Ask K D Dufford How K D Dufford’ll Make K D Dufford and wrote a story for the Sixth Doctor that was tantalisingly never produced. This 50th anniversary production at the Southwark Playhouse is not without its challenges – the trimmed text still flirts with the three hour mark plus the late starting time in the smaller studio and both audience and duffle-coated cast alike are suffering from the lack of air-con.
Duly warned, there’s a fascinating density to the torrent of verbosity here. Expelled from art school, Malcolm Scrawdyke fumes in his cluttered bedsit and decides to form his own political party from whence he can wreak vengeance on those who have wronged him and then wage rebellion against the world at large. Gathering fellow disillusioned souls around him, the fury of his rage elevates him – in his mind’s eye at least – to an exalted position as he rants and raves and plans and paves the way for revolution, if they could make it out of the front door that is. Continue reading “Review: Little Malcolm And His Struggle Against The Eunuchs, Southwark Playhouse”