Film review: Making Noise Quietly (2019)

Despite an excellent cast, Robert Holman’s Making Noise Quietly gains little in this transfer to the big screen

“I think you’re being very hard on him”

Being asked to review things is always a privilege but when the matter at hand is based on a play I found interminably dull, it can be a tricky business. Directed by Dominic Dromgoole, Making Noise Quietly is based on an elliptical triptych of short plays by Robert Holman, all centred on the human effects of war.

From 1944 to 1982 and then on again to 1996, the film examines how the shellshock of major conflict can reverberate all the way back to the home front, and the varying routes it can take. From conscientous objectors to death in service to inescapable cycles of abusive and violence, the scope is huge. Continue reading “Film review: Making Noise Quietly (2019)”

Film news: trailer for Making Noise Quietly released

Ahead of the film’s release on 19th July, a new trailer has been released for Making Noise Quietly

“Not with those muddy boots on”

Since his decade at the helm of Shakespeare’s Globe, Dominic Dromgoole has turned his hand to Oscar Wilde seasons with his new theatre company Classic Spring and has also set up the film company Open Palm Films – no resting on his laurels here. Not only that, but he’s also now making his directorial feature film debut with an adaptation of Robert Holman’s Making Noise Quietly. Continue reading “Film news: trailer for Making Noise Quietly released”

2016 Offie Award Winners

Offies Awards - Off West End Theatre Awards

Best Female 
Clare Higgins for Clarion at the Arcola Theatre 
Gemma Whelan for Radiant Vermin at Soho Theatre
Nadia Nadarajah for Grounded at Park Theatre
Olivia Poulet for Product at the Arcola Theatre

Best Supporting Female 
Emilie Patry for The Christians at the Gate Theatre
Kate Kennedy for Three Short Plays at the Old Red Lion
Lucy Ellinson for The Christians at the Gate Theatre
Rochenda Sandall for Little Malcolm And His Struggle Against The Eunuchs at Southwark Playhouse

Best Male 
David Fielder for And Then Come The Nightjars at Theatre503
Ian Gelder for Gods and Monsters at Southwark Playhouse
Matthew Tennyson for A Breakfast Of Eels at The Print Room
Rob Compton for Bat Boy at Southwark Playhouse Continue reading “2016 Offie Award Winners”

Review: Making Noise Quietly, Donmar Warehouse

“You must risk. Risk being wrong”

The term ‘elliptical triptych’ strikes fear into my heart – memories of Wastwater still make me shudder – but I hadn’t quite made the connection that this was the area where Robert Holman’s Making Noise Quietly lay until the likes of David Eldridge and Simon Stephens recently started proclaiming his major, if unsung, influence on their work. And as the second entry in Josie Rourke’s debut season at the Donmar Warehouse, there’s something of a statement of intent in her programming of this revival this trio of small plays directed by Peter Gill.

Quite what that statement is though, I am unsure. Everything about this production from the three stories presented here and the connection between the three, through Paul Wills’ minimalist green set, to the acting, is understated to the point where barely a ripple of consequence seemed apparent to me. The first tale was my favourite and not just because both guys ended up naked, honest P-O-V…;-) – a 1944 countryside encounter between a fey young writer and a strapping conscientious objector becomes charged with curiosity and sexuality as the former flirts outrageously with the latter and both men lay themselves bare with a moving level of introspection. Both men are perfectly cast here, Matthew Tennyson could have walked out of 1940s central casting and Jordan Dawes’ open handsomeness  fits perfectly as this pair create a wonderful sense of chemistry. Continue reading “Review: Making Noise Quietly, Donmar Warehouse”