Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration

On the one hand, so much to love with such an inordinate array of talent assembled to mark Sondheim’s 90th birthday. But on the other, where’s the editor, there’s a real sense of the rambling here too. Fortunately as this has been put together in lockdown (and very well too) it is easier than ever to skip to the bits you want (in the spirit of these times, I ain’t telling you who disappointed me).

For me, I loved the unexpectedness of Katrina Lenk’ ‘Johanna’, the cuteness of Beanie Feldstein & Ben Platt’s ‘It Takes Two’, and the energy of Alexander Gemignani’s ‘Buddy’s Blues’. And of the heavy hitters in the finale, Donna Murphy and Patti LuPone nailed ‘Send in the Clowns’ and ‘Anyone Can Whistle’ respectively, and there’s huge fun (if not finesse) in Christine Baranski, Meryl Streep & Audra McDonald giving us their ‘Ladies Who Lunch’. Continue reading “Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration”

Broadway Album Reviews: The New Yorkers / Kiss Me, Kate! / Beetlejuice

I tackle a trio of  Broadway cast recordings in the shape of Cole Porter’s The New Yorkers, Kiss Me, Kate! and Beetlejuice 

“Most gentlemen can’t be profound”

As it only played a handful of performances, the release of Cole Porter’s The New Yorkers (2017 Encores! Cast Recording) is a welcome chance to revisit this rarely seen musical. The recording is certainly aided by the presence of such musical theatre stalwarts as Scarlett Strallen and Tam Mutu (scintillating together on ‘Where Have You Been?’), the revelation for me is jazz singer Cyrille Aimée, who delivers a slinkily devastating rendition of ‘Love for Sale’ that makes it feel like the song was written for her. Continue reading “Broadway Album Reviews: The New Yorkers / Kiss Me, Kate! / Beetlejuice”

The Curtain Up Show Album of the Year 2019 nominees

You can now vote for the Best London Cast Recording, Best Broadway Cast Recording and Best Solo Album here. Then fill in your details and click Vote and one lucky voter will win £100 worth of Theatre Tokens!

Best UK Cast Recording
& Juliet – Original London Cast Recording
Company – 2018 London Cast Recording
Follies – 2018 National Theatre Cast Recording
Heathers (Original West End Cast Recording)
The Secret Diary of Adrian Mole Aged 13 ¾ – 2019 Original London Cast
Tina – The Tina Turner Musical Original Cast Recording

Best American Cast Recording
Beetlejuice (Original Broadway Cast Recording)
Hadestown (Original Broadway Cast Recording)
Jagged Little Pill (Original Broadway Cast Recording)
Moulin Rouge (Original Broadway Cast Recording)
Oklahoma! (2019 Broadway Cast Recording)
Tootsie (Original Broadway Cast Recording)

Best Solo Album
Cassidy Janson – Cassidy
Ramin Karimloo – From Now On
John Owen-Jones –Spotlight
Ben Platt – Sing To Me Instead
Jon Robyns – Musical Directions
Hayden Tee – Face to Face

TV Review: The Split Series 1 / The Good Fight Series 2

If female-fronted lawyer shows are your bag (and why wouldn’t they be!), the twin joys of The Split and The Good Fight have marvellous to behold

“Kill all the lawyers”

If I’m completely honest, Abi Morgan’s The Split did leave me a tad disappointed as it veered away from its legal beginnings to something considerably more soapy over its six episodes. The personal lives of the Defoe clan well and truly took over at the expense of any of the cases they were looking after and even if that family includes Nicola Walker, Annabel Scholey and Deborah Findlay, it’s still a bit of a shame that it ended up so schlocky. Continue reading “TV Review: The Split Series 1 / The Good Fight Series 2”

Theatre World Awards 2012-2013

Bertie Carvel – Matilda the Musical
Carrie Coon – Edward Albee’s Who’s Afraid of Virginia Woolf?
Brandon J. Dirden – The Piano Lesson
Shalita Grant – Vanya and Sonia and Masha and Spike
Tom Hanks – Lucky Guy
Valisia LeKae – Motown: The Musical
Rob McClure – Chaplin
Ruthie Ann Miles – Here Lies Love
Conrad Ricamora – Here Lies Love
Keala Settle – Hands on a Hardbody
Yvonne Strahovski – Golden Boy
Tom Sturridge – Orphans

Dorothy Loudon Award for Excellence in the Theater: Johnny Orsini – The Nance

John Willis Award for Lifetime Achievement in the Theatre: Alan Alda

67th Tony Award nominations

Best Performance by a Leading Actor in a Play 
Tom Hanks – Lucky Guy as Mike McAlary
Nathan Lane – The Nance as Chauncey
Tracy Letts – Who’s Afraid of Virginia Woolf? as George
David Hyde Pierce – Vanya and Sonia and Masha and Spike as Vanya
Tom Sturridge – Orphans as Phillip

Best Performance by a Leading Actress in a Play
Laurie Metcalf – The Other Place as Juliana Smithton
Amy Morton – Who’s Afraid of Virginia Woolf? as Martha
Kristine Nielsen – Vanya and Sonia and Masha and Spike as Sonia
Holland Taylor – Ann as Ann Richards
Cicely Tyson – The Trip to Bountiful as Miss Carrie Watts

Best Performance by a Leading Actor in a Musical 
Bertie Carvel – Matilda the Musical as Miss Trunchbull
Santino Fontana – Rodgers & Hammerstein’s Cinderella as Prince Topher
Rob McClure – Chaplin as Charlie Chaplin
Billy Porter – Kinky Boots as Lola
Stark Sands – Kinky Boots as Charlie Price Continue reading “67th Tony Award nominations”

Nominations for 2012-2013 Outer Critics Circle Awards

John Gassner Playwriting Award
Ayad Akhtar, Disgraced
Paul Downs Colaizzo, Really Really
Joshua Harmon, Bad Jews
Samuel D. Hunter, The Whale
Aaron Posner, My Name Is Asher Lev

Outstanding Actor in a Musical
Bertie Carvel, Matilda the Musical
Santino Fontana, Rodgers & Hammerstein’s Cinderella
Rob McClure, Chaplin: The Musical
Billy Porter, Kinky Boots
Matthew James Thomas, Pippin
Continue reading “Nominations for 2012-2013 Outer Critics Circle Awards”