Review: The Dazzle, Found111

“Tragedy is when a few people sink to the level of where most people always are”

For all the trumpeting of the finding a new theatrical space at Found111 – the former Central St Martins School of Art building at 111 Charing Cross Road where The Dazzle is playing – I’ll tell you what they haven’t found, a half-decent pre-theatre experience. It’s all very well cultivating a hipsterish air with your pop-up bar and swanky cocktails but at the point when over 100 theatregoers are being corralled into a space which barely fits them, with no FOH controlling the crowd or at least guiding them into a queue as there’s unreserved seating to boot, it makes for a deeply unpleasant beginning to the evening.

And given that ticket prices are £35 (the earlybird £10 seats have long gone though day seats are being released from 6pm each night) it’s a shoddy way to do business and one which fails to recognise that for many, the show starts long before the curtain rises. After the crushing rush to get into the actual theatre, it was hard not to be a little underwhelmed by the space – there’s nothing that particularly commends it to theatrical use and certainly nothing that pertains to the play in question, so it’s a little baffling as to why the Michael Grandage Company and Emily Dobbs Productions chose it in lieu of one of London’s many, many theatres.  Continue reading “Review: The Dazzle, Found111”

Nominations for 2013-2014 Outer Critics Circle Awards

John Gassner Playwriting Award
Scott Z. Burns, The Library
Eric Dufault, Year of the Rooster
Madeleine George, The (Curious Case of the) Watson Intelligence
Steven Levenson, The Unavoidable Disappearance of Tom Durnin
Lauren Yee, The Hatmaker’s Wife

Outstanding Actor in a Musical
Michael Cerveris, Fun Home
Neil Patrick Harris, Hedwig and the Angry Inch
Andy Karl, Rocky
Jefferson Mays, A Gentleman’s Guide to Love Murder
Bryce Pinkham, A Gentleman’s Guide to Love & Murder Continue reading “Nominations for 2013-2014 Outer Critics Circle Awards”

Review: The American Plan, St James Theatre

“If ever there were such a one, I am she”

Perhaps with an eye to the crowded marketplace that is London theatreland and trying to find a niche for itself, the St James Theatre has taken to transferring in productions, providing a mid-sized space for shows like Finborough transfer London Wall, Northern Broadsides’ Rutherford and Son and now The American Plan, fresh from the Theatre Royal Bath. Some of the risk may be mitigated this way but the choice of play remains equally important and with Richard Greenberg’s 1990 work, I’m not so sure they’ve hit on a great success.

David Grindley first directed this play in New York in 2009 and clearly enamoured of it, has returned to the show and assembled an excellent cast to do so, not least Diana Quick, Doña Croll and Emily Taaffe. And he undoubtedly encourages some marvellous performances from them and the men of the cast, Luke Allen-Gale and Mark Edel-Hunt, but it just never struck me as a play that was worth reviving – it’s heavy-handed, tonally confused and ultimately for me, just not engaging enough.  Continue reading “Review: The American Plan, St James Theatre”

Nominations for the 2013 Drama Desk Awards

Outstanding Play
Annie Baker, The Flick
Christopher Durang, Vanya and Sonia and Masha and Spike
Joe Gilford, Finks
Richard Greenberg, The Assembled Parties
Amy Herzog, Belleville
Deanna Jent, Falling
Richard Nelson, Sorry

Outstanding Musical
A Christmas Story: The Musical
Giant
Hands on a Hardbody
Here Lies Love
Matilda
Natasha, Pierre & The Great Comet of 1812
The Other Josh Cohen
Continue reading “Nominations for the 2013 Drama Desk Awards”