February news round-up

Lots to catch up on so here’s a quick round-up of some upcoming concerts and events that could well be worth your time

If you’re looking for the more social side of things to go along with your theatregoing, then have a look here. Getgo Club is like a book club for theatre. Each month they take members to amazing London theatre & host a pre-show mingle, followed by a post-show discussion. The event is curated and hosted by working artists who will  ensure that discussions take place in a safe, fun, & open environment. Members also receive extra goodies such as discounts on tickets & drinks. All for £5!

Getgo Club is a great way to join a community of arts lovers, and head to a variety of theatre as a group. It has  and The first meet-up is at the end of February and I hear they have very limited spaces left so why not find out more here or even just apply directly for a membership here. Continue reading “February news round-up”

fosterIAN awards 2019

 WinnerRunner-upOther nominees
Best Actress in a PlaySarah Niles/Natalie Simpson/Racheal Ofori,
Three Sisters
Marieke Heebink,
Medea
Adjoa Andoh,
Richard II

Sharon D Clarke,
Death of a Salesman

Claire Foy,
Lungs

Leah Harvey,
Small Island

Chris Nietvelt,
De Kersentuin
Best Actor in a Play
Lucian Msamati, ‘Master Harold’…and the boysCary Crankson,
Country Music
Tobias Menzies,
The Hunt

Daniel Monks,
Teenage Dick

Wendell Pierce,
Death of a Salesman

Matt Smith,
Lungs

Zubin Varla,
Equus
Best Supporting Actress in a PlayMonica Dolan,
All About Eve
Jackie Pulford,
Karaoke Play
Ronkẹ Adékoluẹjo,
Three Sisters

Janni Goslinga,
De Kersentuin

Pippa Nixon,
The Ocean at the End of the Lane

Cecilia Noble,
Faith Hope and Charity

Gemma Whelan,
Pinter Seven
Best Supporting Actor in a PlayNick Holder,
Faith Hope and Charity
Hugo Koolschijn,
De Kersentuin
Rupert Graves,
Pinter Five

John Heffernan,
Pinter Seven

Martins Imhangbe/Natey Jones,
Death of a Salesman

Arinzé Kene/Sope Dirisu,
Death of a Salesman

Ken Nwosu,
Three Sisters
Best Actress in a MusicalAudrey Brisson,
Amélie the Musical
Kirsty Findlay/Bethany Tennick,
Islander
Lucie Jones/Katherine McPhee,
Waitress

Miriam-Teak Lee,
& Juliet

Samantha Pauly,
Evita

Joanna Riding,
Follies

Zizi Strallen,
Mary Poppins
Best Actor in a MusicalJamie Muscato,
West Side Story (Curve Leicester)
Keith Ramsay,
Preludes
Andy Coxon,
West Side Story (Royal Exchange)

Jordan Fox/Michael Vinsen,
[title of show]

David Hunter,
Waitress
,
Charlie Stemp,
Mary Poppins

Oliver Tompsett,
& Juliet
,
Best Supporting Actress in a Musical
Cassidy Janson/Melanie La Barrie,
& Juliet 
Jocasta Almgill/Emily Langham,
West Side Story (Royal Exchange)
Laura Baldwin/Marisha Wallace,
Waitress

Tiffany Graves/Gabrielle Lewis-Dodson,
The Boy Friend

Claire Machin/Claire Moore,
Mary Poppins

Rebecca McKinnis/Lauren Ward,
Dear Evan Hansen

Carly Mercedes Dyer/Victoria Hamilton-Barritt,
The View UpStairs
,
Best Supporting Actor in a MusicalDavid Bedella,
& Juliet
Jack Butterworth,
The Boy Friend
Ricardo Afonso,
Jesus Christ Superstar

Rob Houchen,
The Light in the Piazza

Samuel Holmes,
Curtains

Cedric Neal,
The View UpStairs

Jez Unwin,
Amélie the Musical

2019 Best Supporting Actor in a Play + in a Musical

Best Supporting Actor in a Play

Nick Holder, Faith Hope and Charity
Holder chooses his stage performances carefully and sparingly and in returning to Alexander Zeldin’s work, he impressed once again on the stage of the Dorfman.

Honourable mention: Hugo Koolschijn, De Kersentuin
Such a memorably heartbreaking performance, the final image of the prostrate Frits (Firs) lying across the stage is seared on my mind.

Rupert Graves, Pinter Five
John Heffernan, Pinter Seven
Martins Imhangbe/Natey Jones, Death of a Salesman
Arinzé Kene/Sope Dirisu, Death of a Salesman
Ken Nwosu, Three Sisters

8-10

Toby Jones, Glass. Kill. Bluebeard. Imp.; Ira Mandela Siobhan, Equus; Colin Morgan, All My Sons

 

Best Supporting Actor in a Musical

David Bedella, & Juliet
All about the accent, Bedella’s commitment to playing Lance entirely straight just adds to the delight that he brings to an already delightful production. 

Honourable mention: Jack Butterworth, The Boy Friend
Such dancing. SUCH DANCING!

Ricardo Afonso, Jesus Christ Superstar
Rob Houchen, The Light in the Piazza
Samuel Holmes, Curtains
Cedric Neal, The View UpStairs
Jez Unwin, Amélie the Musical

8-10
Jack McBrayer, Waitress; Caolan McCarthy, Amélie the Musical; Dale Rapley, Gypsy

July theatre round-up

I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw  in July.

On Your Feet, aka the rhythm will get you, sometimes
the end of history…, aka how can you get cheese on toast so wrong
Equus, aka hell yes for Jessica Hung Han Yun’s lighting design
Games for Lovers, aka straight people be crazy
Captain Corelli’s Mandolin, aka the one that got my goat
The Girl on the Train, aka Philip McGinley in shorts
A Midsummer Night’s Dream, aka Another Dream? dream on
Uncle Vanya, aka I really need to stop booking for plays like this with casts like that 
Jellyfish, aka justice for the second best play of last year
Sweat, aka Clare Perkins should always be on in the West End
Sue Townsend’s The Secret Diary of Adrian Mole Aged 13 3/4 The Musical, aka yay for lovely new musicals in the West End
The Light in the Piazza, aka Molly Lynch fricking nails it
Jesus Christ Superstar, aka was third time the charm?
Continue reading “July theatre round-up”

Album Review: Surrounded by the Sounds – the music of Tim Prottey-Jones (2011)

“She screamed, I think – it was hard to hear”

Surrounded by the Sounds – the music of Tim Prottey-Jones is the second of actor/writer Prottey-Jones’ albums featuring a whole array of his West End pals, but the third that I’ve reviewed (see reviews of More With Every Line and To Do. To Be.) It features songs from two of Prottey-Jones musicals – Once Bitten and After The Turn – and has a decidedly more pronounced rock feel to it than either of his other collections.

As such, it didn’t quite tickle my fancy in the way that I might have liked, especially since To Do. To Be. had impressed me. And it’s not that this is a collection of bad songs, they’re just not my cup of tea. Such guitars, much rock, so not wow. Even when the tempo slows a little into ballad territory, as with Michael Xavier’s ‘Chance In A Lifetime’ or Jodie Jacobs’ ‘Colour Me’, it is still just too monotonely guitar-heavy for my liking.

 

 

Album Review: Women on the Verge of a Nervous Breakdown (2015 Original West End Cast Recording)

“I’m halfway up a tree and completely in a jam.
I’m out here in a desert and nobody gives a damn”

After the abortive first run on Broadway, dubbed “a very expensive out-of-town try-out” by composer David Yazbek, a reconceived version of Women on the Verge of a Nervous Breakdown made its way to the West End in early 2015 but it only managed the same 4 months of a run there before closing in ignominy once again. Some things just aren’t meant to be it would seem.

I saw the show at the Playhouse and saw first-hand how ill-conceived this reconceived conception was and listening back to the score, you’re just reminded of how very random the whole thing is. At times, it seems on the verge of working – the manic patter of ‘Model Behavior’ is well delivered by Anna Skellern and Haydn Gwynne brings her customary class to Lucia and her lament to ageing in ‘Invisible’.  Continue reading “Album Review: Women on the Verge of a Nervous Breakdown (2015 Original West End Cast Recording)”

Album Review: Paradise Lost

“If I go to Heaven, my fate is assured” 

Full disclosure first, I was a contributor to the Kickstarter campaign for this studio cast recording of new musical Paradise Lost as attested on this page here (although darn that pesky line break!) I can’t really remember what prompted such benevolence from me, ‘twas just the second thing I have helped to fund in the smallest way but something about this musical treatment of John Milton’s poem clearly caught my attention and with the finished product now in hand, I can clearly see why. 

Lee Ormsby’s music and story and Jonathan Wakeham’s book and lyrics has a self-confessed aim of “epic storytelling” and through a determination to forefront character and bold, accessible music, the 24 tracks that make up this double album offer a tantalising glimpse into what has the potential to be a truly spectacular musical. Bucking contemporary trends somewhat, it looks back to a time of 80s mega-musicals but infuses it with real heart to make a beguiling confection.  Continue reading “Album Review: Paradise Lost”

Review: Women on the Verge of a Nervous Breakdown, Playhouse Theatre

“The car’s OK but where’s the wheels…?”

The Broadway production of Women on the Verge of a Nervous Breakdown was less than a stellar success so it is little surprise that it is a majorly reworked version of the show that has opened at the Playhouse Theatre four years later. But even after all the reconstruction and renovation that has been done to Jeffrey Lane’s book and David Yazbek’s score, it is hard to feel that director Bartlett Sher has really nailed it here either.

For something based on a Pedro Almodóvar film, there’s a shocking uncertainty of tone, or more accurately a lack of any real sense of tone at all. The story in set in late 80s Madrid but there’s little concession to either this particular decade or country (though there is bafflingly one incongruously Hispanic accent). One could argue that this is a wise decision but the issue lies in that no overarching conceit of any substance has replaced it. Continue reading “Review: Women on the Verge of a Nervous Breakdown, Playhouse Theatre”