Jeffrey Seller and Cameron Mackintosh, producers of the West End production of Lin-Manuel Miranda’s Hamilton, have announced new casting for the show. They’ll deliver their first performance at the Victoria Palace Theatre on 21st June 2022, where tickets are currently on sale to 1st October 2022.
Reuben Joseph will play the title role of Alexander Hamilton with Simon-Anthony Rhoden as Aaron Burr, Allyson Ava-Brown as Angelica Schuyler, Shan Ako as Eliza Hamilton, Roshani Abbey as Peggy Schuyler/Maria Reynolds, Trevor Dion Nicholas as George Washington, Waylon Jacobs as Marquis De Lafayette/Thomas Jefferson, Emile Ruddock as Hercules Mulligan/James Madison, Jake Halsey-Jones as John Laurens/Philip Hamilton and Joel Montague as King George III. At certain performances the role of Alexander Hamilton will be played by Alex Sawyer. Continue reading “News: Reuben Joseph to lead new cast of Hamilton”
At more than three hours, The Tragedy of Macbeth stretches the patience at the Almeida Theatre, despite strong work from Saoirse Ronan and James McArdle
“Let not light see my black and deep desires”
The tragedy of Macbeth is that it is a notoriously difficult play to stage well and given its ubiquity on school curricula, it is staged hella often. At least it is one of Shakespeare’s shortest plays but the further tragedy of this Macbeth is that it breaks the three hour mark with its running time. And as I left Yaël Farber’s production at the Almeida Theatre, I can’t say I felt it had made the case for such indulgence.
The Tragedy of Macbeth initially grabbed headlines for marking the UK stage debut of Saoirse Ronan (she has previously been on Broadway in The Crucible) and so to get your hands on a ticket in this intimate theatre is a job in itself (streaming could be your friend, details below). And much of Farber’s innovation in recalibrating this show has been to seriously beef up Lady Macbeth’s presence in the play, physically as well as verbally, something which is intermittently very effective. Continue reading “Review: The Tragedy of Macbeth, Almeida Theatre”
Maybe I missed the point but I really rather enjoyed the campy, ridiculous side of submarine drama Vigil
“They’ve tried to disable us. Now they’re hunting us”
I think a lot of people were expecting Vigil to be the new Line of Duty, the Guardian even set up one of their episode-by-episode blogs. But somehow I missed that memo, assuming it was less of a serious drama and more of a campy thriller from the off, hence finding its increasingly improbable twists and turns juicily enjoyable and never expecting much realism from it.
Which is how I think we should take most TV shows these days, escapism serving as a valuable corrective tool for our times and allowing drama to flourish in enjoyable ways. Created by Tom Edge, Vigil is a police procedural mostly set on a Trident submarine and thus has even more opportunity to piss off the growing number of armchair experts whose voluble online responses are increasingly being used as new stories by an increasingly lazy media. Continue reading “TV Review: Vigil”