“Thought I was cleverer than I am, I went in there, bloody swinging my dick. I offered him out and he sat me on my arse”
After a scorching first series, series 2 of Save Me, wittily named Save Me Too, picks up some 17 months later. South East London charmer Nelly had his world tipped upside down when his long-estranged daughter Jody was abducted and all signs pointed to someone he knew being deeply involved. And a tense finale saw him following the trail only to find a different kidnapped girl – Grace.
The slight time-jump of this second series is an effective tool as it allows James to explore the weight of tragedy with a little distance added in. Two years or so down the line, life has had to continue but the shadow of a child abuse ring naturally lingers heavily and we how see James’ Nelly, and to a lesser degree Suranne Jones’ Claire – Jody’s mum – have accommodated as best they can the vacuum in their world. Continue reading “TV Review: Save Me Too”
Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…
1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL!
2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective.
3 The Wicker Husband, Watermill
Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.
4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.
5 Romantics Anonymous, Bristol Old Vic
I don’t think I thought this delicious Koomin and Dimond musical would ever actually return, so this short run in the UK ahead of a US tour feels like a real blessing. Now where did I put my badge? Continue reading “20 shows to look forward to in 2020”
“I’ve just gone to see my dad”
Lennie James is billed as the creator of Save Me, as well as leading the cast alongside Suranne Jones, and it is a good thing he is up to the job as it has turned out to be a rather brutally brilliant series. Set in a tight-knit community in Deptford, it’s a clever take on the missing child genre that proved remarkably tense and completely gripping as it winds to a gut-punch of a conclusion.
James plays Nelson Rowe, Nelly to those that love him and it is clear that many do in this corner of South East London. He’s a total chancer, sleeping with any number of lovers, and balancing any number of side hustles in lieu of an actual job. But when the police come crashing through the door, everything changes. The daughter who he hasn’t seen since she was three has gone missing and she was on her way to see him, as her phone shows she’s been messaging with him for weeks. Continue reading “TV Review: Save Me (Series 1)”
“I love him
I love him so much but
One day, Jamie Samuel will appear in a play that doesn’t make me cry, but today is not that day. Along with co-star Remmie Milner in Ella Carmen Greenhill’s play Plastic Figurines, he exerted as persistent and powerful a hold on my tear ducts as he did in the glorious Jumpers for Goalposts as this quietly devastating piece of new writing unfolds its fractured narrative with all the bruised authenticity and honesty of the most intimate diary.
That feeling is appropriate too as though the play is fictional, it is inspired by elements of Greenhill’s own life as you can feel that in every jab and joke of the complicated sibling relationship here, and in the sensitive, nuanced depiction of autism on which the plot hinges. After their mother is diagnosed with terminal leukaemia, Rose has to leave university life in Edinburgh to return to the family home to look after teenage brother Mikey. Continue reading “Review: Plastic Figurines, New Diorama”