TV Review: The Good Fight Series 4

Covid meant we sadly only got 7 episodes of Series 4 of The Good Fight, that’s just not enough Christine Baranski, Audra McDonald and Cush Jumbo

“We need evidence, no conspiracy theories”

Just a quickie for this as the truncated fourth season of The Good Fight meant that it had a rather abrupt finish that cheated the creators out of the fullness of the stories they wanted to tell. What we did get was the customary tackling of huge up-to-the-minute issues – racism in the workplace, political parties trying to reach marginalised communities and in the daring final episode, Jeffrey Epstein.

Baranski’s Diane Lockhart remains one of the great TV characters but I’m not sure anyone was particularly well served by the larger themes of the show. The ramifications of the buyout were tiresome, Memo 618 didn’t get the resolution it needed and Lucca’s plot strand smacked of them not knowing what to do with the character, given how little she ended up interacting with the rest of the main cast. Continue reading “TV Review: The Good Fight Series 4”

Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration

On the one hand, so much to love with such an inordinate array of talent assembled to mark Sondheim’s 90th birthday. But on the other, where’s the editor, there’s a real sense of the rambling here too. Fortunately as this has been put together in lockdown (and very well too) it is easier than ever to skip to the bits you want (in the spirit of these times, I ain’t telling you who disappointed me).

For me, I loved the unexpectedness of Katrina Lenk’ ‘Johanna’, the cuteness of Beanie Feldstein & Ben Platt’s ‘It Takes Two’, and the energy of Alexander Gemignani’s ‘Buddy’s Blues’. And of the heavy hitters in the finale, Donna Murphy and Patti LuPone nailed ‘Send in the Clowns’ and ‘Anyone Can Whistle’ respectively, and there’s huge fun (if not finesse) in Christine Baranski, Meryl Streep & Audra McDonald giving us their ‘Ladies Who Lunch’. Continue reading “Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration”

Nominations for the 2020 Drama Desk Awards

Outstanding Play
The Inheritance, by Matthew Lopez
Heroes of the Fourth Turning, by Will Arbery, Playwrights Horizons
Cambodian Rock Band, by Lauren Yee, Signature Theatre
Greater Clements, by Samuel D. Hunter, Lincoln Center Theater
Halfway Bitches Go Straight to Heaven, by Stephen Adly Guirgis, Atlantic Theater Company/LAByrinth Theater Company

Outstanding Musical
A Strange Loop, Playwrights Horizons/Page 73 Productions
Octet, Signature Theatre
The Secret Life of Bees, Atlantic Theater Company
Soft Power, The Public Theater
The Wrong Man, MCC Theater Continue reading “Nominations for the 2020 Drama Desk Awards”

News: Sondheim’s 90th birthday concert line-up announced

Legendary Broadway composer Stephen Sondheim will be toasted with an all-star birthday concert, streaming live on Sunday 26th April. Hosted by Raúl Esparza, with musical direction by Mary-Mitchell Campbell, and coinciding with the 50th Broadway anniversary of Sondheim’s CompanyTake Me to the World: A Sondheim 90th Birthday Celebration can be seen for free on YouTube. 

This once-in-a-lifetime event, benefiting ASTEP (Artists Striving to End Poverty), will include a range of songs from the Sondheim catalogue performed by many of the artists who delivered iconic turns in his musicals, including Meryl Streep, Bernadette Peters, Patti LuPone, Mandy Patinkin, Audra McDonald, Christine Baranski, Donna Murphy, Kristin Chenoweth, Sutton Foster, Brian Stokes Mitchell, Kelli O’Hara, Aaron Tveit, Maria Friedman, Katrina Lenk, Michael Cerveris, Brandon Uranowitz, Elizabeth Stanley, Chip Zien, Alexander Gemignani, Iain Armitage, Stephen Schwartz and, from the cast of Pacific Overtures at Classic Stage Company, Ann Harada, Austin Ku, Kelvin Moon Loh and Thom Sesma.

Nominations for 2020 Lucille Lortel Awards

Outstanding Play
BLKS Produced by MCC Theater Written by Aziza Barnes
Halfway Bitches Go Straight to Heaven Produced by Atlantic Theater Company and LAByrinth Theater Company Written by Stephen Adly Guirgis
Heroes of the Fourth Turning Produced by Playwrights Horizons Written by Will Arbery
Is This A Room Produced by Vineyard Theatre Conceived by Tina Satter
Mrs. Murray’s Menagerie Produced by Ars Nova Created by The Mad Ones and Phillip James Brannon, Brad Heberlee, Carmen M. Herlihy, January LaVoy
 
Outstanding Musical

A Strange Loop Produced by Playwrights Horizons in association with Page 73 Productions. Book, Music, and Lyrics by Michael R. Jackson
In The Green Produced by Lincoln Center Theater/LCT3. Book, Music, and Lyrics by Grace McLean
Octet Produced by Signature Theatre. Book, Music, and Lyrics by Dave Malloy
Soft Power Produced by The Public Theater and Center Theatre Group Play and Lyrics by David Henry Hwang, Music and Additional Lyrics by Jeanine Tesori
The Secret Life of Bees Produced by Atlantic Theater Company Book by Lynn Nottage, Music by Duncan Sheik, Lyrics by Susan Birkenhead. Based on the novel by Sue Monk Kidd

Continue reading “Nominations for 2020 Lucille Lortel Awards”

Someone to hold you too close – 10 takes on Being Alive to celebrate Company’s opening

My top 10 Losing My Minds post has been one of the most popular on the site (the most recent spike sadly being because of Marin Mazzie’s untimely passing – RIP), so I thought I would repeat the exercise with what is arguably Company’s most iconic song ‘Being Alive’. 

“Somebody make me come through”

1. Alice Fearn
An unexpected favourite mainly due to the combination of its achingly beautiful strings (arranged by Ben Goddard) and the delicacy of Fearn’s beautiful delivery.

2. Raúl Esparza
This. In all its ferocious power, I just can’t imagine it being better done by a man.

Continue reading “Someone to hold you too close – 10 takes on Being Alive to celebrate Company’s opening”