Don't bother, they're here
Clearly, the first before-they-were-famous photo montage was a click-winner for the Guardian as they’ve gone back into Tristram Kenton’s archive for a second dip of notable actors earlier in their careers:
https://www.theguardian.com/stage/gallery/2020/nov/13/stars-before-they-were-famous-in-pictures-rachel-weisz-damian-lewis-daniel-kaluuya
I’m loving this deep dive that the Guardian is doing into Tristram Kenton’s archive, this time taking a turn to the many David Hare productions he has been witness to. Highly recommended (the photos, not the Hare):
https://www.theguardian.com/stage/gallery/2020/sep/02/plays-of-david-hare-in-pictures
“I don’t have survivor’s guilt. I have survivor’s rage”
The inbuilt flexibility of the Bridge Theatre’s auditorium means that it was always going to be a contender for one of the first theatres to be able to reopen. And with this season of monologues, headlined by David Hare’s Beat The Devil, it is indeed now welcoming back socially distanced audiences with a remarkably smooth and efficient FOH operation that should put most any worry at ease.
And rather than go for escapism, we’re in full-on mask-wearing reality as Hare dramatises his experience of contracting Covid-19, exploring the sickness not only of his own body but in the governmental response. The result is an intermittently affecting blend of personal struggle and political outrage. Continue reading “Review: Beat The Devil, Bridge Theatre”
Award-winning poet and playwright Inua Ellams left Nigeria for England in 1996 aged 12.
An Evening With An Immigrant is a potent and personal account of life as an immigrant told through poetry and music telling Ellam’s ridiculous, fantastic and poignant story – escaping fundamentalist Islam, experiencing prejudice and friendship in Dublin, performing solo at the National Theatre and drinking wine with the Queen of England – all the while without a country to belong to or place to call home. Continue reading “News: the Bridge Theatre plots an autumn season of monologues”
I’m loving this deep dive that the Guardian is doing into Tristram Kenton’s archive, this time featuring the multitude of Hamlets he has been witness to. Recommended:
https://www.theguardian.com/stage/gallery/2020/aug/05/hamlet-branagh-rylance-rickman-in-pictures-tristram-kenton
“Just because you’re the Prime Minister doesn’t mean you can make up your own facts”
I’m not quite sure how I managed to let Official Secrets pass me by late last year, given how thesp-heavy its cast is. Practically every scene is filled with familiar faces of much-loved actors, so getting to catch up with it now was a real pleasure. Based on the book The Spy Who Tried to Stop a War by Marcia & Thomas Mitchell, Gavin Hood’s docudrama is eminently watchable and a salutary reminder of how far governments are willing to (over)reach in the face of uncomfortable truths.
It is based on the true story of Katharine Gun, a low-level GCHQ employee who leaked a secret memo that exposed the lengths that the US and UK were willing to go to in order to secure backing for their invasion of Iraq in 2003, in the face of the lack of any tangible WMDs. She copies the memo for a media friend, a front-page scoop follows and thus the consequences of breaching the Official Secret Act are brought to bear. Continue reading “Film Review: Official Secrets (2019)”
Following on from the success of its opening set of transmissions – One Man, Two Guvnors was viewed over 2.5 million times in the week it was available – the National Theatre has announced the next two productions it will be airing as part of National Theatre at Home. 2011’s Frankenstein with Benedict Cumberbatch and Jonny Lee Miller sharing its two main roles and 2018’s Antony and Cleopatra, starring Ralph Fiennes and Sophie Okonedo.
Both productions will be free to stream, premiering at 7.00PM BST and then available on demand for seven days. Further productions to be streamed as part of National Theatre at Home will be announced soon.
Today also sees the launch of the National Theatre at Home Quiz, to be played from home featuring familiar faces from the world of stage and screen as the quizmasters. Each quiz will include rounds of five questions on a wide variety of topics.
On the final Monday of each month people will be able join the virtual quiz directly from their homes via the NT’s YouTube channel and Facebook page live at 7pm. The first quiz will be on Monday 27 April with quizmasters Dame Helen Mirren, Sir Lenny Henry, Lesley Manville, and Sir Ian McKellen asking questions on topics including history, sport, nature, and of course, the National Theatre (bagsy team Manville).
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
BEST ACTOR in partnership with Ambassador Theatre Group
Bryan Cranston Network, National Theatre (Lyttelton)
WINNER – Ralph Fiennes Antony and Cleopatra, National Theatre (Olivier)
Ian McKellen King Lear, Minerva Chichester & Duke of York’s
Colin Morgan Translations, National Theatre (Olivier)
Kyle Soller The Inheritance, Young Vic & Noël Coward Theatre
NATASHA RICHARDSON AWARD FOR BEST ACTRESS in partnership with Christian Louboutin
Laura Linney My Name Is Lucy Barton, Bridge Theatre
Carey Mulligan Girls and Boys, Royal Court
Cecilia Noble Nine Night, National Theatre (Dorfman)
WINNER – Sophie Okonedo Antony and Cleopatra, National Theatre (Olivier)
Lia Williams The Prime of Miss Jean Brodie, Donmar Warehouse Continue reading “Winners of the 2018 London Evening Standard Theatre Awards”
The clocks have gone back and so it’s time to start reflecting on the year gone by. And first out of the gate in terms of the major theatre awards, the London Evening Standard Theatre Awards have released their shortlist. Winners to be announced on Sunday 18th November at the Theatre Royal, Drury Lane, London.
The expansion to five nominees feels like a good thing, making the lists feel a little less random, but I remain piqued at the differentiation between best actor/actress in a play and best musical performance, not least since it means no-one from Hamilton or Everybody’s Talking About Jamie is up for an individual nod, and Patti LuPone and Jonny Bailey end up robbed!
But that’s the joy of these things, they’re entirely subjective even when your panel consists of Henry Hitchings, Baz Bamigboye, Mark Lawson, Sarah Crompton and Matt Wolf. And I’m liking the love for Nine Night and The Prime of Miss Jean Brodie, wondering whether I should have made the effort to see Translations, and pondering whether I should be re-booking for Caroline or Change.
EVENING STANDARD THEATRE AWARDS 2018 – SHORTLIST
BEST ACTOR in partnership with Ambassador Theatre Group
Bryan Cranston Network, National Theatre (Lyttelton)
Ralph Fiennes Antony and Cleopatra, National Theatre (Olivier)
Ian McKellen King Lear, Minerva Chichester & Duke of York’s
Colin Morgan Translations, National Theatre (Olivier)
Kyle Soller The Inheritance, Young Vic & Noël Coward Theatre
NATASHA RICHARDSON AWARD FOR BEST ACTRESS in partnership with Christian Louboutin
Laura Linney My Name Is Lucy Barton, Bridge Theatre
Carey Mulligan Girls and Boys, Royal Court
Cecilia Noble Nine Night, National Theatre (Dorfman)
Sophie Okonedo Antony and Cleopatra, National Theatre (Olivier)
Lia Williams The Prime of Miss Jean Brodie, Donmar Warehouse Continue reading “The 2018 London Evening Standard Theatre Awards – Shortlist announced”