Review: A Chorus Line, Curve Leicester

Adam Cooper and Carly Mercedes Dyer continue a brilliant year for both of them in this vibrant production of A Chorus Line at Curve Leicester

“Maddening poise, effortless whirl”

There’s something almost wilfully perverse about the Curve mounting A Chorus Line as their festive production. For though it may possess one of the all-time great jazz-hands classics in ‘One’, aka the one song most people will know from it, the show is far from the stereotypical luvvie-fest that the too-prevalent preconceptions about musical theatre insist it must be.

For James Kirkwood and Nicholas Dante’s book used real-life testimonies to break down the painful realities of the auditioning process and gives us all the blood, sweat and tears of what it takes to make it. And at this final audition for the chorus of a new Broadway show, 17 hopefuls have been shortlisted for 8 places and they have to lay their souls bare if they’ve any chance of sealing the deal. Continue reading “Review: A Chorus Line, Curve Leicester”

Early September theatre news

Full casting has been announced for the brand new stage adaptation of British comedy The Good Life which tours the UK this Autumn. The acclaimed cast will include actress and presenter Preeya Kalidas as ‘Margo Leadbetter’, Dominic Rowan as ‘Jerry Leadbetter’, and Sally Tatum as ‘Barbara Good’, joining the previously announced actor and comedian Rufus Hound as ‘Tom Good’. Also featured will be Nigel Betts and Tessa Churchard.

The new comedy by Jeremy Sams, is based on the classic television series by John Esmonde and Bob Larbey which entertained countless millions in the 1970s and which I have never seen an episode of. Directed by Jeremy Sams, this world premiere production will be the first time that the iconic characters of suburban neighbours the Goods and the Leadbetters will be seen on stage. The Good Life will open at Theatre Royal Bath on 7 October 2021, before dates at Cheltenham Everyman, Salford Lowry, Oxford Playhouse, Cambridge Arts Theatre, Malvern Theatres, Richmond Theatre and Chichester Festival Theatre. Continue reading “Early September theatre news”

News: some good-looking non-London shows to consider

‘My hands are shaking you know. I haven’t been so keyed up about anything since I was the Virgin Mary.’

Sheffield Theatres announces their new production of Talent, written by Victoria Wood, at the Crucible Theatre from Wednesday 30 June to Saturday 24 July 2021. Cast in the play are: Richard Cant (The Country Wife), Daniel Crossley (Me and My Girl), Jamie-Rose Monk (Dick Whittington), Jonathon Ojinnaka, (Coronation Street)James Quinn (Democracy) and  Lucie Shorthouse  (Everybody’s Talking About Jamie).

Directing Talent is Paul Foster (Kiss Me, Kate). Originally scheduled for the summer of 2020, Talent tells the story of a young woman with dreams of showbiz glory. Continue reading “News: some good-looking non-London shows to consider”

Review: The King and I, Palladium

So much to like in The King and I at the London Palladium, not least the exquisite costumes and a superb Kelli O’Hara

“Getting to hope you like me…”

Despite my love of a classic musical, it has taken me a wee while to work up the enthusiasm to go and see The King and I at the Palladium. A big Broadway success, Bartlett Sher’s production kept its leads of Kelli O’Hara and Ken Watanabe but with that pedigree comes an element of playing it safe, which is what I think has kept me at bay.

And in watching the show, you can’t ever really escape this feeling of sedateness, splendidly mounted as it is. Catherine Zuber’s costume work is beyond lush, Michael Yeargan’s set has an epic scale and the sweep of Christopher Gattelli’s take on Jerome Robbins’ original choreography is quite often breathtaking – they don’t make em like this any more etc etc. Continue reading “Review: The King and I, Palladium”