In this ‘special circumstances’ year, the Offies 2021 Awards Ceremony celebrated the creativity and resilience of artists in fringe, alternative and independent theatre in a time of crisis who have found new ways to produce fresh and inventive work for thousands of stay-at-home audiences.
The Offies are OffWestEnd’s main awards, for shows with at least 10 performances, and awards were given to the best of the shows presented before lockdown and the few who managed to go ahead in the summer
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in May 2020. Additionally, the winner of the OffFest award for theatre shows in festivals was also announced, alongside extra OneOff awards for innovative work and initiatives in 2020, especially in the light of the Covid lockdown. Continue reading “2021 Offie & ONCOMM Award Winners”
The finalists for the 2021 Offies (for productions in 2020) have been announced and congratulations to the 47 finalists across 16 of the 28 Offies categories. The winners will be announced at the Offies Awards Ceremony, being held online on 21 February 2021.
The following categories are not going forward for 2021 awards as there were insufficient nominations due to theatre closures arising from Covid-19 lockdowns:
- Design: Costume
- Design: Video
- Company Ensemble
- Musicals: New Musical
- Plays: Most Promising New Playwright
- Plays: Production
- Theatre for Young People: Production (0-7)
- Theatre for Young People: Production (13+)
- Theatre for Young People: Production (8+)
Continue reading “The finalists of The Offies 2021”
Sugar Coat is an uncomproming but thrilling mix of theatre and gig at the VAULT Festival
Whether by an accident of fate or intentional programming, the Forge has been something of a revelation for me at the VAULT Festival, housing some of the more weird and wonderful shows I’ve seen there this year. Sugar Coat maintains that trend with an uncomproming but thrilling mix of theatre and gig.
Written by Joel Samuels (A Wake in Progress, which DESTROYED me last year) and Lilly Pollard, the show spares no prisoners in a forthright depiction of eight formative years of a young woman’s life as she experiences much – too much – of what life has to offer as sexual thrills sit next to shattering trauma. Continue reading “Review: Sugar Coat, VAULT Festival”