The thought of outdoors theatre was fine earlier this week, not so much right now! For the brave, Regent’s Park Open Air Theatre have confirmed full casting for Rodgers and Hammerstein’s Carousel, which plays 31 July – 25 September. Joining the already announced Carly Bawden (Julie Jordan), Declan Bennett (Billy Bigelow), John Pfumojena (Enoch Snow), Joanna Riding (Nettie Fowler) and Natasha May Thomas (Louise Bigelow) are Brendan Charleson (Mr Bascombe), Jo Eaton-Kent (Mrs Mullin), Sam Mackay (Jigger Craigin), Ediz Mahmut (Young Enoch) and Christina Modestou (Carrie Pipperidge).
The ensemble includes: Chanelle Anthony, Craig Armstrong, William Atkinson, Shay Barclay, Sarah Benbelaid, Madeline Charlemagne, Freya Field, Sebastian Goffin, Amie Hibbert, Tim Hodges, Lukas Hunt,Tessa Kadler, Lindsay McAllister, Matthew McKenna, Jack Mitchell, Charlotte Riby, Lisa Ritchie and Daisy West. Continue reading “News: West End musical castings confirmed”
Producers Jamie Lambert and Eliza Jackson have announced a production of Carmel Dean’s song cycle, entitled Well-Behaved Women, to be performed at Cadogan Hall on 3rd September and directed by none other than Julie Atherton. The show explores how the behaviours and attitudes of leading ladies throughout history have changed the world today and thus features the likes of Boudicca, Cleopatra and Mary Magdalene.
The line-up features Maisey Bawden as Lady Liberty, Anna-Jane Casey as Billie Jean King and Janet Armstrong, Janie Dee as Eleanor Roosevelt, Nicole Raquel Dennis as Eve, Hiba Elchikhe plays Cleopatra and Malala Yousafzai, Kerry Ellis as Boudicca, Gabriela Garcíaas Frida Kahlo, Cassidy Janson as Virginia Woolf, Rachel John as Maya Angelou, Linda John-Pierre as Harriet Tubman and Rachael Wooding as Mary Magdalene.
Some of the cast of Pretty Woman reunite for this Thespie Reunited concert Never Give Up On A Dream
“It’s a hard winter’s day I dream away”
With Aimie Atkinson as their creative producer, it is perhaps little surprise that Thespie’s Reunited series has a Pretty Woman the Musical special leading its programming into the new year. But no-one should begrudge them that and Never Give Up On A Dream has much to commend it.
If you’re feeling festive and missing musical theatre, then All I Want For Christmas Is Theatre is the place to be
“But it’s not like Christmas at all I remember when you were here”
Thespie’s Reunited series has been a fun way of getting your musicals fix over the past few weeks and in a rather clever move, they’ve managed to put together a Christmas special featuring the companies already featured, plus some brand new special guests. So All I Want For Christmas Is Theatre so we get to see Team Schwartz and Team Girl Power again and my personal faves, Team Juliet as they tackle a range of festive classics.
For me though, it was the promise of concerts to come that proved most exciting. The tight harmonies of Heathers alumni Sophie Isaacs, Jodie Steele and T’Shan Williams were a particular delight on both ‘Santa Claus is Coming to Town’ and ‘Christmas (Baby Please Come Home)’ and the women of Pretty Woman are in wonderfully high spirits on both ‘Last Christmas’ and ‘Santa Baby’ so consider my appetite whetted for their forthcoming gigs. Continue reading “Review: All I Want For Christmas Is Theatre”
Join stars of the West End stage for festive fun galore at West End Wonderland, a week of unique performances with plenty of stardust. All right in the heart of theatreland at the Welsh Chapel, Charing Cross Road.
Cabaret Whores, Sarah-Louise Young’s brilliant musical character comedy is packed with hilarious original songs, bitingly funny stories and lightning quick changes. Named as one of Time Out’s Top Ten Cabaret Acts of the Year, Sarah-Louise has appeared in the West End with Fascinating Aida, Julie Madly Deeply, La Soirée and Showstopper! The Improvised Musical.
Yes Queens is the West End’s first female-led improvised comedy night, featuring top UK improv talent from Olivier Award-winning productions such as Showstopper! The Improvised Musical, Austentatious andMischief Theatre. Interactive Theatre at its best. Continue reading “News: West End Wonderland announced”
Aiimie Atkinson is good but deserves far better than Pretty Woman: the Musical, the blatant cash grab at the Piccadilly Theatre
“Somebody pinch me, this can’t be true”
The publicity for Pretty Woman – the Musical invites, nay begs, you to invoke one of the movie’s iconic catchphrases so let’s have it. Mounting a show in 2020 in which the only roles for women are prostitutes or bitches? Big mistake. Huge. Charging £175 to sit on your front row? Big mistake. Huge. Encouraging the use of a grand piano for anything besides playing? Big mistake. Huge.
The 1990 film directed by Garry Marshall from J F Lawton’s screenplay scored massive success for a rom-com but much like Grease, it is hard to view the story with a contemporary lens. Determined to view itself as a fairytale (of sorts), it takes the worlds of asset stripping and sex work and whisks them together without taking anything seriously. And Marshall and Lawton’s book for this musical adaptation does the same except with added songs by Bryan Adams (yes, that one) and Jim Vallance. Continue reading “Review: Pretty Woman – the Musical, Piccadilly Theatre”
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
2010 EP Quietby Tony winner Gavin Creel is really rather lovely indeed. Six tracks of acoustically-inclined folk pop co-written with Robbie Roth, it is a short but sweet album of real heart that emphasises the musicality of this musical theatre star, and also shows a wise progression from his first album. And if we’re to believe the lyrics here, that heart is a substantially bruised one which works out very well for fans of a melancholy ballad.
Such fans are particularly well served by the opening pair of tracks. The delicate ‘Green To Grey’ and the plaintive reality check of ‘Love Fell Down’ are desperately heartfelt and beautifully moving as Creel allows a husky tenderness to colour his voice to gorgeous effect. The collection is intelligently sequenced too, allowing a note of hope to creep in with the late realisation of ‘Small Words’ and the gentle humour of closer ‘Hot Ohio’. Continue reading “EP Reviews: Gavin Creel – Quiet (2010) / Oliver Tompsett – Gravity (2013)”