The Bletchley Circle – San Francisco sees half the original crew decamp to the US and you really, really wish that they hadn’t
“People don’t just walk in here and solve crimes”
The injection of dollars has revived the fortunes of many of a TV show but as with the case of Torchwood, it can come at quite the cost. Financed as a British and Canadian co-production The Bletchley Circle – San Francisco came as a spin-off of The Bletchley Circle but as it lost half its cast on the trip over the ocean, it also lost more than half the magic that made it work.
The series follows Millie (Rachael Stirling) and Jean (Julie Graham) as they decamp to San Francisco when a couple of murders there follow the pattern of the killing of one of their former colleagues Claire. Naturally, they fall in with a pair of former US codebreakers Iris (Crystal Balint) and Hailey (Chanelle Peloso) to try and crack the case the best way they know how. Continue reading “TV Review: The Bletchley Circle – San Francisco”
Hattie Morahan makes a more than able replacement for Anna Maxwell Martin in Series 2 of The Bletchley Circle
“Well ladies, let’s get cracking”
Series 2 of The Bletchley Circle at least has one more episode in it than the first, as it takes the form of two two-part stories but as it is the last season, it is also tinged with sadness. It is also a little curiously structured as Anna Maxwell Martin’s Susan departs after the first story, allowing Hattie Morahan’s Alice Merren – who appears as the protagonist of the opening mystery – to step up and replace her in the group for their final case.
Alice just happens to be another former colleague from Bletchley Park who, as the series opens, is awaiting trial for killing her old flame from those Bletchley days. Julie Graham’s Jean is sure she must be innocent and so reconvenes Lucy, Millie and a reluctant Susan to try and prove her innocence and solve the mysterious connections to a place called Porton Down… Continue reading “TV Review: The Bletchley Circle Series 2”
Rachael Stirling and Anna Maxwell Martin are fantastic in Series 1 of The Bletchley Circle, which I’ve finally gotten round to watching
“You really think that just by listening to the wireless, you can tell the police where to look for a murder victim”
I don’t really know how I have left it this late to finally watch The Bletchley Circle, just nine years since series 1 first aired in the UK. It is tailor-made for my interests too: Rachael Stirling, Anna Maxwell Martin, women in wartime(ish), oh and Rachael Stirling 😍 and with the show being on one of my streaming services, I finally took the plunge. This miniseries was written by Guy Burt and directed by Andy De Emmony, with Julie Graham and Sophie Rundle rounding out the lead cast.
And but of course, I loved it. An all-too-brief three episodes take us through the crime-solving exploits of four women who worked as codebreakers at Bletchley Park but now, in 1952, find their talents ignored by a resumption of traditional societal values. As a serial killer murders young women across London and the police fail to take their warnings sufficiently seriously, the foursome start to delve into the investigation themselves despite the intense danger that emerges. Continue reading “TV Review: The Bletchley Circle Series 1”
Ros is looking for romance. Richard needs a new companion. They’re a match! But the year is 2020, and dating isn’t simple. From glitchy Zoom introductions, to their socially distanced first date in an actual restaurant, Adventurous follows the twists and turns of Ros and Richard’s relationship as they negotiate technology, treachery…and tortoises.
Filmed in lockdown, this is the premiere of actor Ian Hallard’s debut play. Both comic and touching, Adventurous tells the unexpected story of two single souls with an unstable connection. It reunites Hallard with Olivier Award-winner Sara Crowe following their many double-acts in Jermyn’s Street Theatre’s 2018 production of Noel Coward’s Tonight at 8.30. This online production is a heartwarming and hilarious treat. Continue reading “A round-up of February theatre news”
Mike Bartlett’s new TV show Life is rich in middle-class miseries and stellar performances from Victoria Hamilton and Alison Steadman
“One can’t have blessings without sufferings”
My main feelings about Mike Bartlett’s Life revolve around Rachael Stirling and thus are somewhat spoilerific – consider yourself warned! I was highly excited to see Stirling back on our screens so I was a tad disappointed when it turned out that her character was in fact a ghost and could only be seen by her grieving husband Adrian Lester.
But then when it was revealed that she was in fact a bisexual ghost – a proper shout at the TV moment – and her entanglements drew in at least one other, it was a glorious pay-off which almost, almost made up for her not being a full-on member of the ensemble. And its a hefty ensemble, set in a large house split into four flats in which four sets of tenants are all facing their own trials. Continue reading “TV Review: Life (Series 1)”
Plays by writers including Mike Bartlett and EV Crowe that were forced to close early because of the pandemic will be revived on BBC Radio 3 and Radio 4 as part of a festival created by actor Bertie Carvel.
Lockdown Theatre Festival will feature actors including Katherine Parkinson, Rachael Stirling and Nicholas Burns, who will record their lines in isolation, to reimagine their performances for specially created radio versions of the plays.
The plays, which will be broadcast on June 13 and 14, are: The Mikvah Project by Josh Azouz, which had been running at the Orange Tree Theatre, the Lyric Hammermith Theatre’s Love Love Love by Bartlett, Winsome Pinnock’s Rockets and Blue Lights, from the Royal Exchange in Manchester, and Crowe’s Shoe Lady, which was being staged by the Royal Court in London. Continue reading “News: Lockdown Theatre Festival brings four cancelled shows to radio”
The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
I might have taken a break from reviewing in June, but I didn’t stop going to the theatre – I had too many things already booked in. Here’s some brief thoughts on what I saw.
Betrayal, Harold Pinter
Shit-Faced Shakespeare – Hamlet, Barbican
The Knight of the Burning Pestle, Cheek By Jowl at the Barbican
Somnium, Sadler’s Wells
Les Damnés, Comédie-Française at the Barbican
Vanya and Sonia and Masha and Spike, Theatre Royal Bath
Blithe Spirit, Theatre Royal Bath
The Hunt, Almeida
Present Laughter, Old Vic
Europe, Donmar Warehouse
The Deep Blue Sea, Minerva
Plenty, Chichester Festival Theatre
Pictures of Dorian Gray, Jermyn Street
The Light in the Piazza, Royal Festival Hall
Hair of the Dog, Tristan Bates Continue reading “June theatre round-up”