Lockdown Theatre Review: One Man, Two Guvnors, National Theatre at Home

I really love National Theatre at Home
I really don’t love One Man, Two Guvnors 

“I’ve paid for these sausage rolls, so why waste ’em”

To start on a positive, I think we can agree that National Theatre at Home is a huge success. The type of scheme that only large institutions can hope to really pull off but even so, managing the kind of appointment-to-view occasion that was its debut with One Man, Two Guvnors was still a remarkable achievement. Because it is more than just releasing digital versions of plays on streaming services, it is about trying to capture just a spark of that special charge of electricity that comes with going to see live theatre.

Whilst that particular pleasure is denied us during the Covid-19 crisis, this strategy of drip-releasing the NT’s considerable archive on a weekly basis feels like an extremely canny move. Clamouring voices have been demanding that every production they can think of be released but a mass dump of everything would be counter-productive, too easily forgotten once the initial excitement has passed. Heck, even I was excited for this Thursday to arrive to take part, despite being no lover of One Man, Two Guvnors or James Corden. Continue reading “Lockdown Theatre Review: One Man, Two Guvnors, National Theatre at Home”

Review: Lost In Yonkers – Watford Palace

“It’s not so important that you hate me, it’s only important that you live”

Neil Simon’s play Lost in Yonkers starts in August 1942 and after their mother dies of cancer and their father has to take on a job away from home to pay off the debts for her treatment, young teenagers Jay and Arty Kurnitz find themselves deposited at the door of their grandmother’s flat on top of a sweet shop in the city of Yonkers. But there’s no warm family embrace waiting for them, Grandma Kurnitz barely spoke to her son and initially doesn’t even want to take in her grandchildren. She finally relents and so the boys stay there for a year, learning a whole new set of life lessons as she rules the roost with the harshest rod of steel and they get reacquainted with the aunts and uncles they hardly know.

Trapped with no chance of escape, the trials and tribulations of Jay and Arty are highly amusingly played by Jos Slovick and the playful Keith Ramsay, the misfortune of their situation more than tempered by their teenage concerns and constant mini-battles against the strictness of their new life regime. Some light relief comes in the form of the presence of their childlike Aunt Bella, their dodgy Uncle Louie and the later arrival of Aunt Gert complete with random speech impediment and the boys find themselves fitting into an entirely new family dynamic and one which their presence subtly changes. Continue reading “Review: Lost In Yonkers – Watford Palace”

Review: One Man Two Guvnors, National Theatre

“My honour has been fiddled with”

I’ve spoken before about the unwiseness of booking for shows that you don’t fancy even though they have very appealing casts and that goes double when it is a form of theatre that you know you can’t stand. Yet despite this, I still booked a pair of £12 tickets for One Man, Two Guvnors at the Lyttelton in the vain hope that I might be won over. For as you may or may not know, farce is one of my least favourite styles of theatre, I rarely find it funny, though I have tried, but this is compounded here by the casting of James Corden in the central role, a man whose ubiquity and public persona I find most objectionable. So why on earth did I book? Good question, but it was in the interests of trying to keep my theatrical experiences as broad as possible, the promise of a wonderful sounding supporting cast and the intriguing addition of songs by Grant Olding being introduced into the mix.

Based on the Italian comedy The Servant of Two Masters by Carlo Goldoni, Richard Bean has relocated the play to 1960s Brighton, thus mixing its commedia dell’arte origins with a British sitcom sensibility and augmented by the ever-present in-house band The Craze who provide musical entertainment before the show starts and during the interval as well as interspersing the action. The plot, for what it’s worth, concerns Francis Henshall, a (assumedly) cheeky chappy who’s down on his luck with no money and a huge appetite. He falls into a job as a minder for a gangster Roscoe Crabbe who is in town to collect £6,000 and then as chance would have it, he gets a second job working for a guy called Stanley Stubbers who is staying in the same hotel. But all is not what it seems: Roscoe is actually his twin sister Rachel in disguise as Roscoe was murdered by her boyfriend and she wants to collect the money to run away with her beloved, who just happens to be Stanley who is in hiding from the police. This being a farce, Francis then has to keep the two from discovering each other though they are staying in the same pub as he wants to keep the two pay packets and thus be able to eat and get his end away. Continue reading “Review: One Man Two Guvnors, National Theatre”