Guest stars such as Lesley Manville, Adam James and Elizabeth Berrington help elevate an interesting Series 3 of Silent Witness
“I’d’ve thought you’d learned by now, this is police work not yours”
Series 3 of Silent Witness brings a new recurring police team for us to get to know, a(nother) new handsome man from Sam’s past who is waiting to jump into bed with her, and a new set of cases for Sam to get overly invested in. It gets to beyond the point of mockery when almost every episode has a line like the above quote in it but you sense the writers acknowledging this, as the opportunity to work in a different capacity in London is presented at the end of the season.
Which is probably right as there can’t be many more police officers in Cambridge that Amanda Burton’s Sam Ryan hasn’t royally pissed off. And in a Midsomer Murders/Morse way, surely there’s a limit to the number of crimes that can take place in a single locale. The casting is on point in this series though – Adam James and Mark Umbers appearing as posh students and somone had clearly been watching Mike Leigh films as Lesley Manville, Heather Craney and Elizabeth Berrington all make appearances here.
Top guest appearences
- a baby Nicholas Hoult appears briefly as a grieving child
- a fresh-faced Adam James as an earnest undergrad who describes someone as “a bit of poof but he didn’t deserve to get beaten up” (1998 doesn’t feel that long ago…)
- there’s a performance of striking froideur from Lesley Manville in ‘Fallen Idol’
- Jimi Mistry makes up the numbers in the incident room for one scene in one of the cases early on, never to be seen again
- and no spoilers but Josette Simon is brilliant as the slick Drug Squad DCI at the heart of ‘Divided Loyalties’
As unlikely a Proclaimers musical may seem, this gorgeous production of Sunshine on Leith at West Yorkshire Playhouse is probably the best thing I’ve seen this year
“Your beauty and kindness
Made tears clear my blindness”
Is a jukebox musical still a jukebox musical when you don’t know most of the songs? You feel that most people would be hard pressed to name more than two songs by The Proclaimers and so it is part of the genius of Stephen Greenhorn (writer) and James Brining (commissioner and director) that they managed to fashion something so perfect, that somehow still feels so familiar, from the back catalogue of the Edinburgh brothers.
Sunshine on Leith was first seen at the Dundee Rep in 2007 and though it has toured Scotland a few times since, it has rarely been seen south of the border. So who else to revive it but Brining himself for West Yorkshire Playhouse. And what a straight-up, fantastic success it is. London has seen its fair share of big musicals open this month but none have made me cry, never mind feel so much as this. Continue reading “Review: Sunshine on Leith, West Yorkshire Playhouse”
“In Whitechapel, they die every day”
When low ratings for series 2 of Ripper Street saw the BBC decide to pull the plug on it, it was something of a surprise to hear Amazon Video would be taking it over (this was 2014 after all) in a deal that would see episodes released first for streaming, and then shown on the BBC a few months later. And thank the ripper that they did, for I’d argue that this was the best series yet, the storytelling taking on an epic quality as it shifted the personal lives of its key personnel into the frontline with a series-long arc to extraordinary effect.
And this ambition is none more so evident than in the first episode which crashes a train right in the middle of Whitechapel, reuniting Reid with his erstwhile comrades Drake and Jackson four years on since we last saw them. A catastrophic event in and of itself, killing over 50 people, it also set up new villain Capshaw (the always excellent John Heffernan) and brilliantly complicated the character of Susan, promoting her to a deserved series lead as her keen eye for business, and particularly supporting the women of Whitechapel, throws her up against some hard choices. Continue reading “DVD Review: Ripper Street Series 3”