“Donna Noble has left the library. Donna Noble has been saved”
And here we are, my favourite series of Doctor Who. So much huge wonderfulness and even its less good moments are still more than halfway decent. Key to the series’ success is Catherine Tate’s Donna Noble – gobby and one-dimensional in her introductory episode the Christmas special The Runaway Bride, her character journey throughout this season is magisterially constructed, a true awakening of self (with thankfully no romantic inclinations towards our Time Lord) and one given unbearable poignancy due to its frustratingly tragic end.
It’s also one of the best constructed series in terms of its over-arching season arc, its warnings and clues layered meaningfully into several stories and building into a momentous and properly climactic finale, which lands just about the right level of grandiosity. There’s also the first companion-lite episode (the superbly creepy Midnight) to go with the Doctor-lite one (the achingly beautiful dystopian Turn Left); a typically brilliant Moffat double-header in Silence in the Library and Forest of the Dead with gorgeous work from Alex Kingston as the soon-to-be-hugely-significant River Song; and if the return of Rose undoes some of the emotional impact of the Series 2 finale, Billie Piper’s work is spikily powerful. These are episodes I can, and have, watched over and over again.
Continue reading “Countdown to new Who: Doctor Who Series 4”
The Olivier Awards 2017 has announced the list of people who’ll be handing out awards at the ceremony, hosted by Jason Manford of all people, on Sunday 9th April in the august surroundings of the Royal Albert Hall.
Presenters this year include – deep breath – David Baddiel, Alfie Boe, John Boyega, Michaela Coel, Leanne Cope, Julian Clary, Robert Fairchild, Ben Forster, Phoebe Fox, Andrew Garfield, Denise Gough, Matt Henry, Ruthie Henshall, Amanda Holden, Rufus Hound, Cush Jumbo, Nathan Lane, Rose Leslie, Maureen Lipman, Danny Mac, Audra McDonald, Lin-Manuel Miranda, Laura Mvula, Paul O’Grady, Tracy-Ann Oberman, Sophie Okonedo, Charlotte Ritchie, Mark Rylance and Russell Tovey. Continue reading “News: Olivier Awards presenters revealed”
“We do serious plays – Russian plays and that sort of thing”
The pleasures of theatregoing, especially in London, are many and varied but amongst my favourites are the chances offered to see some of our best actors in the most intimate of surroundings. So the opportunity to see the glorious Celia Imrie in the 50 seater Finborough Theatre in Earls Court was one I was never likely to miss. She is part of a large company performing Drama At Inish, a 1933 Irish comedy by Lennox Robinson which has not been seen in London for 60 years, in a strictly limited engagement. Also known as Is Life Worth Living?, the play is something of a farcical comedy, set in the small village of Inish where a travelling repertory company arrive for the summer, replacing the usual circus with their weightier fare of Ibsen, Tolstoy, Strindberg and Chekhov. But their serious drama soon begins to impact massively on the mood of the town with the inhabitants sinking into a melancholy morass of neuroses, unduly influenced by the theatre going on around them.
Fidelis Morgan’s production is full of hustle and bustle as the cast of thirteen swirl around the Seaview Hotel, where the entire show takes place, spread over a week. The actor couple of Hector De La Mare and Constance Constantia – a delightfully expansive pair of performances from Rupert Frazer and Juliet Cadzow – watch on bemusedly as their drama plays out in real life with character after character affected by what they see: political consciences, long hidden romances and secret dead children are exposed, people are moved to attempt suicide and murder, but it is all played with a jovial silliness that lifts the heart. Continue reading “Review: Drama at Inish, Finborough Theatre”