With its third instalment The Promise, Messiah loses its way a little bit given the high standards of the first two serials
“I wasn’t alone, other people were there”
The problem with doing things so damn well, is that you then have to live up to those standards. Messiah found itself in such a position after a first and second series that helped to redefine the serial killer genre and with 2004’s The Promise, it struggled to meet that bar. Written again by Lizzie Mickery, it suffers from the unnecessary compulsion to cleave to the template of prior series rather than having the boldness to step outside.
So with Ken Stott’s Red and Neil Dudgeon’s Duncan pasts having figured so heavily in the last two series, it isn’t hard to work out that it is Frances Grey’s Kate to have a go through the emotional wringer. It starts sooner than you might think with a daring opening sequence set in a prison that is highly effective. And as deaths of people involved start to mount up, long buried secrets prove the key to finding the killer and saving the day. Continue reading “TV Review: Messiah – The Promise (2004)”
The short and sweet fifth series of Sally Wainwright’s excellent Last Tango in Halifax is a much-needed shot of the warm and fuzzies
“I’m not deluded. Nice things do make me happy”
With an almost unerring sense of timing, Sally Wainwright gave the nation a shot of the warm and fuzzies with the perfectly short and sweet fifth series of Last Tango in Halifax. Having to wait for three years for it certainly built anticipation but it also had a powerful effect on the storytelling. In a series that has long been rooted in everyday life, allowing so much of that life to happen before revisiting them (as opposed to the laziness of a time jump) really deepens the context. Also, the official confirmation of the Wainwright shared universe was a real delight, how I would watch these avengers assemble!
So the ‘opposites attract’ element of Alan and Celia’s late-blooming relationship is now manifested in deeper ideological differences on subjects such as Brexit. And Derek Jacobi and Anne Reid play this sense of shifting priorities beautifully as his attention turns to his new job at the supermarket and hers is swallowed up the potential of a new kitchen. And as their families look on slightly aghast, there’s a real sense over the four episodes that this core marriage might actually be in peril. Continue reading “TV Review: Last Tango in Halifax, Series 5”
Sally Wainwright’s Last Tango in Halifax returns in fine form for its fifth series, making Sunday nights great again
“Some people like getting on a bus”
The churlish among us might have grumbled that they felt a little short-changed by the fourth series of Last Tango in Halifax only consisting of two episodes. Having had to wait over three years for the arrival of a fifth, I’m now just ecstatic it is back (with four episodes this time around).
And in the best way, it feels like it has never been away. Derek Jacobi and Anne Reid’s bickering married couple, Nicola Walker and Sarah Lancashire searching for self-sufficiency as their daughters, and associated friends and family members dipping in and out with their varied capers. Continue reading “TV Review: Last Tango in Halifax, Series 5 Episode 1”
“You’re not going down South?”
It’s hard not to be a little disappointed with the fact that Series 4 of Last Tango in Halifax
consists of only two episodes. But when the drama is of this good a quality, you can’t begrudge Sally Wainwright taking her foot off the pedal here just a little (her Brontë Sister drama To Walk Invisible
is also on over the festive period). And even with just 2 hours of television to play with, she still packs a lot in.
Still mourning the loss of Kate and adjusting to life as a single mother to Flora, Sarah Lancashire’s Caroline uproots her family to the rural outskirts of Huddersfield as she’s taken a new headship at a state school there. And newlywed Gillian is struggling with guilt of what she did to her new husband’s brother, to whom she was also married. Meanwhile, Alan and Celia are sucked into the world of am-dram.
Continue reading “TV Review: Last Tango in Halifax Series 4”
“You can’t put a price on avoiding deep vein thrombosis”
I sat down to watch the new episodes of Last Tango in Halifax on the iPlayer but only as it started, did I realise that I had somehow neglected to watch Series 3 when it aired a couple of years ago. So having tracked it down, I indulged in a good old binge of quality Sally Wainwright drama. I loved Series 1 and Series 2 but in the final analysis, found this third season to be a little disappointing by comparison.
Since we’re more than two years down the line now, I think I can safely discuss the main reason for this – the killing-off of Nina Sosanya’s Kate in an unexpected incident of Dead Lesbian Syndrome. It was a high value example of the trope as well, considering it happened on the day after her wedding to Sarah Lancashire’s Caroline and whilst she was heavily pregnant with the child they intended to raise together. Continue reading “TV Review: Last Tango In Halifax Series 3”
“It’s quite different after you’ve grown up”
The hills are alive, with the sound of questions. Like, why. The UK’s first fully live musical theatre television broadcast saw ITV produce Rodgers and Hammerstein’s The Sound of Music though the result was a curious experiment that fell uneasily between two stools. Lacking the crucial energy that propels the best live theatre (which comes from an audience too), the production values (though often impressive) naturally fell short of the opportunities of filmed work
Which ultimately begs the question, what’s the point. Is the UK hankering for a new production of the show? It’s hardly as if we’re lacking for productions popping up regularly in theatres across the land. Is it showcasing the best of British musical theatre talent? In that case why cast someone like Strictly winner and former Eastender Kara Tointon as Maria and shunt the likes of Julie Atherton (one of the most outstanding performers we have, bar none) into the nun ensemble. Continue reading “TV Review: The Sound of Music Live”
“If she’s sat through King Lear, she’ll want to lie down”
Series 1 of Last Tango in Halifax really was a piece of great British television and so it was most gratifying to see it receive critical and commercial acclaim and thus be recommissioned for a second series. And clearly conscious of what made it such a success first time round, Sally Wainwright hasn’t changed much at all, especially not the quality of her writing, or the show’s (sadly) remarkable focus on the older generations.
We left Series 1 with (almost) childhood sweethearts Alan and Celia reunited at his hospital bed after her homophobia and his heart attack but moving swiftly on, the focus of this new set of six episodes subtly shifted towards their daughters – Sarah Lancashire’s somewhat prim Caroline and Nicola Walker’s earthy Gillian. And the show really benefitted from this I think, these two superb actresses relishing the richly complex characterisations of two richly complex women. Continue reading “TV Review: Last Tango in Halifax Series 2”
“One works. One looks around. One meets people. But very little communication takes place”
An unexpected delight, David Storey’s much-celebrated but rarely performed Home proved to be something rather lovely in its strange way, almost anti-dramatic in its structure and conventions, but beautifully moving in its deliberate poetry and pitch-perfect performances. Amelia Sears’ production for SEArED reconfigures the smaller Arcola studio into the round and Naomi Dawson’s design is just beautiful, hinting at where we might be but carrying much of the ambiguity that is contained within the play itself.
We start with a gorgeous sequence between old hands Jack and Harry, bantering and chatting about the old days in a most fragmented way, lamenting the Britain of the past and delivering their old patter routines to while away the hours as if two old friends had just met up. But their reverie is shattered by the arrival of Kathleen and Marjorie as we soon realise that we’re actually in the grounds of a mental asylum, something confirmed by the final addition, the genuinely disturbed, and much younger, Alfred. Continue reading “Review: Home, Arcola”
“We’re not burglars, we’re pensioners”
Going to the theatre as much as I do means that there’s a limit to the number of TV shows that I can watch as they air and so I have to make choices. And opting not to watch Sally Wainwright’s Last Tango to Halifax was one of the poorer decisions of recent times as I soon found out from the rapturous reception from many around me. But lucky boy that I am, the DVD of the show was one of my birthday presents and so I was able to binge on the six episodes over a weekend.
And of course it justified its Best Drama Series BAFTA within its opening minutes and completely entranced me with its world-beating quality and utter classiness. Its main premise is the reconnection between childhood sweethearts Alan and Celia who are now both widowed, in their 70s and just discovering the joys of Facebook. When their IT-literate grandchildren engineer a meeting between the pair, the old flame splutters back into life and we follow the gorgeously sensitive and romantic road that they tread to try and recapture that youthful happiness. Continue reading “TV Review: Last Tango in Halifax Series 1”
“It’s the children…”
Well I don’t think anyone saw that coming. A darker spin-off from Doctor Who that took a little while to find its feet in its first couple of years, the third series of Torchwood – sub-titled Children of Earth – saw the show graduate to BBC1 (all the more impressive given its original BBC3 origins) with a 5-parter of some considerable drama that pushed the boundaries of anything previously shown in the Whoniverse (apologies for that word!) And though it is here due to being one of the first times that Lucy Cohu entered my consciousness, I was pleasantly surprised to find it populated with actors that I have latterly come to admire – Ian Gelder and Cush Jumbo in particular.
Children of Earth was so successful for me because although its main premise is rooted in the sci-fi world – a mysterious alien presence arrives on Earth, seizing control of the minds of all its children and demanding their sacrifice – so much of the conflict comes from the human drama, the moral ambiguities that arise as times of crisis require difficult decision making. And having established a Spooks-like level of turnover with its cast with the Series 2 finale, it added another, even crueller, twist of the screw, made all the more distressing for its unassuming nature. Continue reading “DVD Review: Torchwood – Children of Earth”