Emma Stone and Emma Thompson have lots of fun in the entertaining Cruella, which is only just a little bit too long
“Darling, if I’m going to need to repeat myself a lot, this isn’t going to work out”
There’s something a little curious about a film that simultaneously wants to highlight one of cinema’s most iconic villains yet also neuter her most defining attributes. So we can rest assured that no dalmatians are harmed in the telling of this story (or presumably making of this movie) nor is there a cigarette holder to be seen. So what’s left for Cruella to do?
A fair amount as it turns out. Craig Gillespie’s film finds an origin tale for her in 1970s London (story by Aline Brosh McKenna, Kelly Marcel, and Steve Zissis), locating her at the vanguard of the nascent punk movement (or at least a Disneyfied version of it). It’s a nifty move that forefronts her creative endeavours, whilst adding to a notorious canon of fashion geniuses gone ‘woo-hoo’. Continue reading “Film Review: Cruella (2021)”
Not even with Neil Cross writing and Russell Tovey and Bertie Carvel starring can I recommend the dullness of TV show The Sister
“You know how these things can spiral out of control”
With Neil Cross (he of Luther) adapting his own novel and a cast led by Russell Tovey and Bertie Carvel, plus Amanda Root lower down the bill, hopes were high for new ITV drama The Sister but boy, were they crushed. Sadly, I think it is one of the dullest shows I’ve seen in ages, rivalled only by Roadkill which I’m struggling through at the same time.
Stripped over a week, this four-parter follows Tovey’s Nathan, whose apparent marital bliss is shattered by the arrival of Carvel’s Bob, a sinister figure from his past with whom he shares some dark secrets. Namely, that after a particularly intoxicated New Year’s Eve involving a random hookup, said hookup ended up dead and buried in the forest. Continue reading “TV Review: The Sister”
As the clocks go back, the prestige TV shows come out, so I checked out the first episodes of The Undoing, Roadkill and The Sister to find not one but two Scandiqueens
“Sounds like we’re digging in for a long answer”
With a company that includes Noma Dumezweni and the empress of jumpers Sofie Gråbøl, I was initially a little disappointed that neither appeared in the first episode of new HBO show The Undoing. But when your leads are Nicole Kidman and Hugh Grant, your writer is David E Kelley and your director is Susanne Bier, then there’s little to complain about. Based on a Jean Hanff Korelitz novel and set in the dripping wealth of the Upper East Side, the tantalising promise of murder and adultery is skilfully woven across this opening episode and I’m definitely hooked. Continue reading “New TV shows for winter”
James Graham’s Quiz makes a marvellous leap from stage to screen
“People still want to gather as a nation, to experience something big together”
Not a huge amount to say about the TV adaptation of James Graham’s Quiz, a show I enjoyed in the West End, not least because of its interactive elements (even if we lost). It bloomed in the televisual treatment, losing a little of its structural intricacy but gaining a narrative through-line that really worked, the explosive arrival of Helen McCrory’s QC making it worth the while. And the story remains as intriguing as ever, though just as free from doubt for me.
They totally did it, right – the Ingrams may have been stitched up in court by the tinkered-with evidence (and credit to Matthew Mcfadyen and Sian Clifford for two excellent performances) – but they totally did it. Fun to see cameos like Paul Bazeley’s Lionel from Legal and Maggie Service’s Kerry the Floor Manager, and original cast members like Sarah Woodward and Keir Charle too.
The latest venue to announce the opening of their digital archive in order to satisfy our theatrical cravings is the Hampstead Theatre who, in partnership with The Guardian will re-release the live stream recordings of Mike Bartlett’s Wild, Beth Steel’s Wonderland and Howard Brenton’s Drawing the Line for free.
Available to watch on theguardian.com and hampsteadtheatre.com, the three productions will be made available, on demand, over three consecutive weeks as part of the theatre’s #HampsteadTheatreAtHome series and the first of these – Wild – is available now. And once you’ve watched it, take a look at the ways you can support the Hampstead Theatre here. Continue reading “News: #HampsteadTheatreAtHome launches this week”
With an all-star cast, Horrible Histories: The Movie – Rotten Romans is a perfectly good piece of family entertainment
“All say yah
Horrible Histories: The Movie – Rotten Romans is my first experience of the multimedia franchise and as a piece of light-hearted entertainment, I thought it was rather good fun. It is especially notable for getting quite the company together to have a rollicking good time of it, Kim Cattrall and Rupert Graves rub shoulders, Sam Spiro pops in for a cameo as do any number of British comics, and no less than Derek Jacobi reprises his (I,) Claudius.
It’s all in aid of a kid-friendly rendition of Boudicca’s rebellion against the Roman rulers, told from the perspective of a dorky Roman kid (Sebastian Croft’s Atti) who finds himself conscripted into the army sent to defend their British territories and Orla (Emilia Jones) a teenage rebel Celt who is determined to be a warrior like her flame-haired rival. And in pairing them up in a rather charming way, it entertains in a pleasingly unexpected way. Continue reading “Film Review: Horrible Histories: The Movie – Rotten Romans (2019)”
Created by playwright Ella Hickson (The Writer) and sound designers Ben and Max Ringham, ANNA is directed by Natalie Abrahami with real ingenuity, as individual audio headsets are used to give us a unique perspective on a play, directly from the viewpoint of Phoebe Fox’s Anna. It didn’t work for me.
Running time: 65 minutes (without interval)
Photos: Johan Persson
ANNA is booking at the National Theatre until 15th June
Whether you get to make your West End debut or not, James Graham’s Quiz is great fun at the Noël Coward Theatre
“It’s a 50:50 – guilty or not-guilty”
It’s taken me a little while to get around to seeing James Graham’s Quiz but it proved more than worth it as this particular matinée was undoubtedly enhanced by the West End debut of…me and my Aunty Jean! Treading the boards of the Noël Coward Theatre was an unexpected bonus to a highly enjoyable afternoon, and I look forward to the next role that Mr Graham creates for me…
But back to the matter at hand. Transferring over from Chichester, Quiz takes a cock-eyed look at the world of light entertainment, and the way in which ‘constructed reality’ has bled into the larger narrative not just of our television, but of our society. Using the ‘coughing major’ scandal of Who Wants To Be A Millionaire as a jump-off point, we dive into meaty notions of truth and justice in a media-dominated age. Continue reading “Review: Quiz, Noël Coward”
|© Trevor Leighton
|Given how she’s doing such amazing work in Follies at the minute, it’s kinda gobsmacking to discover that Janie Dee has not one but two cabaret shows lined up for the beginning of October. Returning to Live at Zédel, fans have the pick of Janie Dee at the BBC – album launch or Janie Dee – Off the Record… or you can do both on the same night for a couple of dates if you’re that way inclined! I’m seriously tempted!
Continue reading “Round-up of news and treats and other interesting things”
“It is known that the Doctor requires companions”
Right – the first season that I haven’t rewatched any of at all. Things get a bit hectic here as once again, the series got split in two, accommodating the mid-season departure of Amy and Rory and the (re-)introduction of new companion Clara Oswald, plus a pair of specials respectively marking the 50th anniversary of Doctor Who and the end of Matt Smith’s tenure as Eleven. It all adds up to a bit of a bloated mess to be honest, though not without its high points.
Amy and Rory feel a little ill-served by their final five, the introduction of Mark Williams as Rory’s dad detracts from their screen-time (yet he doesn’t feature in their farewell?), though the return of the Weeping Angels gives their noirish NY-set exit episode some real heft. And though I admire Jenna Coleman’s confident take on Clara, she’s a hard companion to warm to without any contrasting humanity to go with her intelligence and intensity.
The ‘Impossible Girl’ arc didn’t really tick my box and the grandiosity of Moffatt’s writing for the finale of The Name of…, The Day of… and The Time of the Doctor doesn’t really help (I was curiously unmoved by all the fan-service second time round). Still, Gatiss knocks it out of the park with the superb Ice Warrior tale Cold War and bringing mother and daughter Dame Diana Rigg and Rachael Stirling together on screen for the first time. Continue reading “Countdown to new Who: Doctor Who Series 7”