“I heard a voice, like the sound of sorrow
After the huge success of A View From The Bridge (now successfully transferred into the West End), there’s no doubting that Belgian director Ivo van Hove has been sucked into the mainstream consciousness of British theatregoers, hence this sold out run of Antigone at the Barbican. The presence of Oscar winner Juliette Binoche probably helped in that regard but there’s clearly no dimming in the sense of ambition here as this pan-European work, produced by…(deep breath)…the Barbican and Les Théâtres de la Ville de Luxembourg, in association with Toneelgroep Amsterdam, and co-produced by Théâtre de la Ville-Paris, Ruhrfestspiele Recklinghausen and Edinburgh International Festival, launches an eight month tour across Europe and the USA.
So it’s now the turn of Greek tragedy to get the van Hove treatment, Sophokles’ play has received a new translation here by Canadian poet and classicist Anne Carson which instantly elevates the work into a realm of heightened theatricality as the coils of its language wind elegantly around the ongoing troubles of this royal family. In the aftermath of a civil war in which the sons of Oidipous, Eteokles and Polyneikes, have killed each other fighting over the right to rule Thebes, it is Kreon – the brother of his wife (and mother) Jocasta – who takes the throne. Grieving for the loss of his own son, Kreon institutes a newly authoritarian rule, one which declares Polyneikes a traitor and thus unable to receive burial rites and this incenses Oidipous’ daughter Antigone and the pursuit of honouring her brother puts them in direct conflict. Continue reading “Review: Antigone, Barbican”
Ros is looking for romance. Richard needs a new companion. They’re a match! But the year is 2020, and dating isn’t simple. From glitchy Zoom introductions, to their socially distanced first date in an actual restaurant, Adventurous follows the twists and turns of Ros and Richard’s relationship as they negotiate technology, treachery…and tortoises.
