Series 2 of Ted Lasso looks like it is continuing the success of the first, plus with added Sarah Niles
“Jan Maas is not being rude, he’s just being Dutch”
The first series of Ted Lasso was a real lockdown boon, a perfectly bittersweet heart-warmer that showed the best way that American people can do shows about football is by making them about something else altogether – in this case, being a thoroughly decent human being.
This Apple TV show treads the line between being unbearably twee and really very touching with real skill, and this second series looks set to continue that trend as AFC Richmond deal with relegation, life in the Championship and the presence of a sports psychologist in their midst. Continue reading “TV Review: Ted Lasso, Series 2 Episodes 1+2”
Messiah 2: Vengeance Is Mine keeps the gruesome intensity of this series effectively and chillingly high
“For every wrong conviction we’ve made, an innocent person could die”
Following on from the success of the first series, Messiah 2: Vengeance Is Mine continues in the same vein though it does so with an original screenplay from Lizzie Mickery, who adapted Boris Starling’s novel first time around. And much like the first series of certain successful Scandi-dramas, it manages the transition away from a highly personal narrative for its leads into something (slightly) more general.
That’s not to say that the cases here aren’t intimately linked to the key investigating team of Red Medcalfe (Ken Stott), Kate Beauchamp (Frances Grey) and Duncan Warren (Neil Dudgeon) but there’s only so far you can drag a tortured soul so directly through the mire. A subplot featuring Red’s brother does it best but you can’t deny its effectiveness in mirroring the key themes here, humanising the conflicts. Continue reading “TV Review: Messiah 2: Vengeance Is Mine (2003)”
After a brilliantly brutal opening, the third series of No Offence twists into something different as the team face off against the far-right
“We’ve all led each other to each other”
The third series of No Offence started with a real bang as they kept us all on our toes by offing one of its lead characters. And though things calmed down considerably, the ongoing main story of Friday Street’s battle against the rising far-right threat offered an interesting spin for the series.
Paul Abbott’s writing always excels when it puts its characters in the forefront and it’s no different here. Dealing with grief (in their own inimitable way) only added to the portrayals, as Joanna Scanlan, Elaine Cassidy and Will Mellor all rose to the occasion, and it was great to see more of Paul Ritter’s maverick forensics guy. Continue reading “TV Review: No Offence Series 3”
The third series of Paul Abbott’s No Offence returns to Channel 4 in brilliantly unsentimental form
“What the f*** just happened?”
No Offence makes a welcome return to our television screens but with a quirk of timing, finds itself occupying some of the same space as Bodyguard. Who knows whether Paul Abbott and Jed Mercurio met in a pub to compare storylines and in any case, when they’re both done as compellingly as this, it really doesn’t matter.
We return to Friday Street police station and the big concern for the Manchester Met is currently local politics, a mayoral race potentially being derailed by the efforts of a far right pressure group. And during a hustings event, things go terribly, tragically wrong in a way that seems set to shape the emotional palette for the entire series to come. Continue reading “TV Review: No Offence Series 3 Episode 1”
|© Trevor Leighton
|Given how she’s doing such amazing work in Follies at the minute, it’s kinda gobsmacking to discover that Janie Dee has not one but two cabaret shows lined up for the beginning of October. Returning to Live at Zédel, fans have the pick of Janie Dee at the BBC – album launch or Janie Dee – Off the Record… or you can do both on the same night for a couple of dates if you’re that way inclined! I’m seriously tempted!
Continue reading “Round-up of news and treats and other interesting things”
“Watch what I do, not what I say”
So Series 4 of Jed Mercurio’s Line of Duty winds up to its insanely tense climax and once again it satisfies the requirements of event TV – giving some answers but withholding others, in the full anticipation of further seasons in which to explore the overarching stories that still remain. This did also mean that it didn’t quite push all of my buttons the way I would have liked for it to be as spectacular as the end to Series 3.
With the Caddy arc being resolved so thoroughly then, I very much enjoyed the fresh slate of AC12’s investigation of an entirely new case here (review of Episode 1 here). And Thandie Newton’s superbly slippery DCI Roz Huntley was an excellent antagonist, the potential framing of a suspect being only the beginning of the twistiest of tales that threatened to swallow up any and everyone around her, good or bad, corrupt or misogynist. Continue reading “TV Review: Line of Duty Series 4”
“For your love I pray you, wrong me not”
Any filmed adaptation of The Merchant of Venice is up against it for me as I adore the Al Pacino version from 2004 which makes so much sense of so many of the difficulties of the play. This Trevor Nunn production was a big success for the National Theatre, transferring from the then-Cottesloe to the Olivier, winning all sorts of awards and then filmed for the US’s Masterpiece Theatre.
And as is often the case with these stage-to-screen adaptations, it’s a little flat and disappointing, little concession made to the change in medium and so the abiding feeling is that one is left wishing one could have seen it onstage. Which is a shame, as Henry Goodman makes an excellent Shylock, viciously vengeful but clearly victimised too in this adroit resituating of the play to the 1930s. Continue reading “DVD Review: The Merchant of Venice (2001)”
“Cantankerous I’ve never been”
Joel Hopkins’ The Love Punch was a film that worked far better than one might have expected, a lovely surprise in the cinema back in 2014, so I’ve been looking forward to catching up with his earlier 2008 movie Last Chance Harvey. And once again I was caught unawares, even as I knew that I would probably like it, I had no idea I would love it so completely.
Dustin Hoffman’s Harvey is a washed-up US jingle-writer, finding himself on the fringes of his daughter’s London wedding in place of a beloved stepfather; Emma Thompson’s Kate has found life has passed her by, still single and struggling with an overbearing mother. That the two will end up together somehow is never in doubt but the joy of Hopkins’ film is in making the journey so beautifully, emotionally real. Continue reading “DVD Review: Last Chance Harvey”
“When Tessa dies, can we go on holiday?”
Now is Good is a remarkably clear-eyed entry into the teen weepie genre, based on Jenny Downham’s novel Before I Die. Ol Parker’s film centres on Tessa, a girl dying of leukaemia but who has put together a bucket list to ensure she enjoys every last moment. Chief among these is losing her virginity and falling in love, giving the story its main thrust, but more moving is Tessa’s relationships with her family and friends and even with herself as the inevitable comes ever closer.
Dakota Fanning is the sole US interloper in what is otherwise a very British film but her strong and sarcastic performance and the mordant strain of humour – mainly delivered by Edgar Canham’s younger brother Cal – keeps the sentimentality from overwhelming much of the story. Jeremy Irvine’s Adam is a more interesting love interest than one might expect and the delicacy of their emotional journey is well-handled throughout. Continue reading “DVD Review: Now Is Good”
Sometimes, the simplest things are the best, and so it proves with Manjinder Virk’s film Forgive. A two-hander split between two timeframes, an estranged father and son reaching out but at different times, forgiveness paling into insignificance in the face of forgetting. Sacha Dhawan and Abdi Gouhad are both superb as the scars left by the sins of the past bite hard, but not quite hard enough to eradicate all traces of familial love as the unpredictability of the future shakes all certainties. Beautifully restrained film-making at its best.
Continue reading “Short Film Review #31”