Moments of dark humour are scattered throughout Edition #6 of the Royal Court’s Living Newspaper but elsewhere it is a bit more hit and miss
“I loved every minute of it, yeah, fuck it, why not, five stars!”
Originally planned as a six-edition run, the Royal Court’s Living Newspaper will actually be gaining a bonus seventh instalment with pieces written by writers aged 14-21. But Edition #6 is now live with its intention of exploring “the strange and contradictory relationship between a closed theatre building and the world outside; asking questions about why we gather together and who we might have lost when we do so again”.
There are some short, sharp stabs of real brilliance here. Stacey Gregg picking through the minefield that is talking about Northern Ireland whether in English, ISL or BSL; Rory Mullarkey raking theatre critics over the coals in the highly amusing This Play (Louisa Harland, Sule Rimi and Micllicent Wong clearly having lots of fun); Amy Bethan Evans’ scabrously funny take on the agony aunt in Neurodiverge-Aunt, delivered beautifully by Cian Binchy. Continue reading “Review: Royal Court’s Living Newspaper #6”
The cast and writers of Edition 6 of Living Newspaper have been announced. It will be written by Pamela Carter, Hester Chillingworth, Tim Crouch, Molly Davies, Amy Bethan Evans, Robert Alan Evans, Stacey Gregg, Rose Lewenstein, Simon Longman, Rory Mullarkey, Lettie Precious, Pavel Pryazhko, Testament, Joe Ward Munrow, Kit Withington and Rachael Young. Pavel Pryazhko’s contribution will be translated by Sasha Dugdale.
Edition 6 explores the strange and contradictory relationship between a closed theatre building and the world outside; asking questions about why we gather together and who we might have lost when we do so again. It takes us on a journey from the familiarity of an old English pub, down the streets of Belarus, into the heady territory of global financial markets, stop briefly on a quiet park bench before bringing us back into the heart of the Royal Court itself. Continue reading “News: writers and cast for Living Newspaper #6”
“It all got too much and we did something we shouldn’t have”
Continuing the season of new writing downstairs at the Hampstead Theatre is Pamela Carter’s play Skåne. I was particularly interested in this when it was first announced as having previously lived in Sweden, I was able to recognise the title ‘Skåne’ as the southernmost region in Sweden – basically the equivalent of calling a play Dorset – and advise all and sundry on the correct pronunciation: it sounds something like Skor-ner with the emphasis on the first syllable. But sadly there wasn’t the shedload of Swedish references that I could have nodded sagely at nor the attention to detail with props that I longed to recognise. Instead, there’s a tale of the repercussions of a heady affair as both parties belatedly decide return to their respective partners and families.
We open in the midst of a joint family conference, called by the wronged partners, Siri and Kurt, to allow the adulterous Christian and Malin to explain to their children and spouses exactly why they disappeared off together, and more significantly, why they have opted to return. It is a fascinating beginning, full of tension and intrigue, contrasting family dynamics and whole worlds of emotions as everyone reacts differently to the news that things will be returning to just as they were. What then follows is [spoiler alert] a journey back in time as scenes play out showing how the characters had been affected by the impact of the affair and how they all interacted – in some cases, providing surprising revelations – ending up at the beginning of the liaison in all its bare sexuality. Continue reading “Review: Skåne, Hampstead Downstairs”