News: Tristram Kenton’s stage archive – the musicals edition

Since it is the season of goodwill to all men, I’m not going to belabour the point that it is a shame that ‘musicals’ have been lumped together as a category here, whereas the likes of Pinter and Kane got their own specials, whither Sondheim, Herman and Tesori. Still, it’s lovely as ever to stretch back over years of musical theatre productions to see some of Tristram Kenton’s most iconic shots for the Guardian:
https://www.theguardian.com/stage/gallery/2020/dec/02/musicals-on-stage-in-pictures-tristram-kenton

Photos: Tristram Kenton

Review: Pretty Woman – the Musical, Piccadilly Theatre

Aiimie Atkinson is good but deserves far better than Pretty Woman: the Musical, the blatant cash grab at the Piccadilly Theatre

“Somebody pinch me, this can’t be true”

The publicity for Pretty Woman – the Musical invites, nay begs, you to invoke one of the movie’s iconic catchphrases so let’s have it. Mounting a show in 2020 in which the only roles for women are prostitutes or bitches? Big mistake. Huge. Charging £175 to sit on your front row? Big mistake. Huge. Encouraging the use of a grand piano for anything besides playing? Big mistake. Huge.  

The 1990 film directed by Garry Marshall from J F Lawton’s screenplay scored massive success for a rom-com but much like Grease, it is hard to view the story with a contemporary lens. Determined to view itself as a fairytale (of sorts), it takes the worlds of asset stripping and sex work and whisks them together without taking anything seriously. And Marshall and Lawton’s book for this musical adaptation does the same except with added songs by Bryan Adams (yes, that one) and Jim Vallance. Continue reading “Review: Pretty Woman – the Musical, Piccadilly Theatre”

Finalists of 2019 Stephen Sondheim Society Student Performer of the Year

Louise Cowling (The Hammond School, Chester)
Jamie Bogyo (RADA)
Aliza Vakil (Royal Conservatoire of Scotland)
Samantha Bingley (Brunel University)
Oisín Nolan-Power (Royal Academy of Music)
Lily Kerhoas (Royal Academy of Music)
Lucy Reynolds (Royal Welsh College of Music and Drama)
Cameron Burt (Guildford School of Acting)
Niamh James (Royal Central School of Speech and Drama)
Ahmed Hamad (ArtsEd)
Stuart Thompson (LAMDA) 
Paige Fenlon (Bird College)

Host: Joanna Riding
Judges: Edward Seckerson (Chair), Julia McKenzie, Daisy Maywood, Peter Polycarpou, Gareth Valentine