With so much uncertainty still blighting the West End, Frozen the Musicalhas announced that it is taking tickets offsale and postponing its premiere until a new timetable can be confirmed. But to sweeten the pill, they’ve also revealed the final members of their company.
Chris Fung and Kerry Spark will join the already announced cast, led by Samantha Barks (Elsa) and Stephanie McKeon (Anna), as well as Obioma Ugoala (Kristoff),Craig Gallivan (Olaf), Oliver Ormson (Hans), Richard Frame (Weselton), and alternating the role of Sven, Mikayla Jade and Ashley Birchall.Continue reading “News: updates for Frozen in the West End.”
Fourth Wall Live and The Hippodrome Casino London are thrilled to announce a series of over 40 shows at the Hippodrome Casino this winter. The season runs from 18 November every week for 5 weeks and will include two shows nightly at 7.00pm and 9.00pm.
Friday theatre news from the National Theatre, Everybody’s Talking About Jamie and Roles We’ll Never Play
In a canny move, the National Theatre is bringing panto to its main stage as Jude Christian and Cariad Lloyd’s hilarious and heartfelt version ofDick Whittington, first staged at Lyric Hammersmith in 2018 and freshly updated for 2020, will open in the socially distanced Olivier theatre on 11th December.
Directed by Ned Bennett, this wild and inventive production explores what it is like to come from a small town and arrive in a big city today, exploring the ideas of community and togetherness. Initial casting includes Dickie Beau,Amy Booth-Steel,Lawrence Hodgson-Mullings,Georgina Onuorah,and Cleve September.
They have also announced the next show to open as part of the Olivier in-the-round season in February 2021 is Larry Kramer’sThe Normal Heart,ina co-production with Fictionhouse. Directed by Dominic Cooke, Kramer’s largely autobiographical play about the AIDS crisis in 1980 New York has not been performed professionally in London since its European premiere in 1986. Ben Daniels will perform the role of Ned Weeks, the co-founder of an AIDS advocacy group fighting to change the world around him, with Danny Lee Wynter as Tommy Boatwright, Daniel Monks as Mickey Marcus and Stanley Townsend as Ben Weeks. Vicki Mortimeris Set Designer and Paule Constable is Lighting Designer.
Featuring the likes of Jenna Russell, Matt Henry and Carrie Hope Fletcher, Episode 1 of The Theatre Channel is a roaring success
“Believe me, my admiration for you hasn’t died”
As big question marks remain over if and when theatre doors will start opening again, the move to online delivery of musical theatre has taken an interesting turn with the arrival of The Theatre Channel. It is officially described as a web series but it is basically a musical theatre version of classic Top of the Pops online, ie heaven!
Set on location in (and on top of) The Theatre Café, the first episode was a slick half hour of cracking entertainment that really gladdened the heart. Director Bill Deamer offers a slice of real variety across its six numbers but also maintains a high level of quality, right down to the witty timing of the snippets of choreography he introduces via the inhouse ensemble. Continue reading “Review: The Theatre Channel – Episode One”
SIX reunite, The Theatre Channel switches on, The Shows Go On return and casting is revealed in Bath
The Reunion is the first stage+streaming concert performance by seven powerhouse vocalists who rose to fame as the original West End queens of the musical SIX: Aimie Atkinson,Alexia McIntosh,Grace Mouat,Jarneia Richard-Noel,Maiya Quansah-Breed,Millie O’Connell, and Natalie Paris. The show will be livestreamed by theatre platform Thespie but a lucky few will also be able to get tickets to see the concerts live on Saturday 10th and Sunday 11th October.
Performances will be held in Oval Space, a spacious and well-ventilated East London venue that has been entirely reimagined for safe, seated music and theatre performances. The seating plan is entirely flexible which allows seating to be customised to the audience that books. Audiences book for themselves and their household or support bubble only (to a maximum of six), and Thespie’s technology determines a seat plan that ensures safe spacing between households and optimises use of the space. Continue reading “More September theatre news”
Adam Blanshay Productions and The Theatre Café are delighted to present a brand-new musical theatre-based web series, The Theatre Channel. Bringing together talents from the theatre world, both on and off stage, the series will showcase well-known musical theatre classics; performed by some of the industry’s most beloved performers, many of whom hold a close connection to The Theatre Café.
Producers Adam Blanshay of Adam Blanshay Productions and Ryan Woods of The Theatre Café – legendary for celebrating all things stagey in the West End and Broadway – have teamed up to produce this unique web series; bringing together the extortionary talents of some of the UK’s most sensational performers and West End stars to sing a selection of musical theatre favourites in a manner not seen before.
The pilot episode is set to premiere in September, with a full season of 9 further episodes planned to launch soon after. Each episode will feature a different line-up of star performers, run at approximately 30 minutes and feature a mix of 4-5 musical theatre songs, ordinarily set in a café, bar or restaurant but individually recontextualised and filmed on location at The Theatre Café. Every scene will make full use of The Theatre Café’s space – from the bar seating area to the downstairs office space – and ultimately standalone as individual performances, but each episode shall be linked by a fundamental premise. Continue reading “News: New Musical Theatre Web Series The Theatre Channel”
The Barn Theatre has announced an all-star line up for their second virtual concert, The Barn Theatre Presents: The Music of Finn Anderson, which will celebrate the work of the Scottish musical theatre composer Finn Anderson.
The concert, which will be hosted by Barn Theatre producer Jamie Chapman Dixon, will be the second of the Barn Theatre in Cirencester’s new virtual concert series, The Barn Presents, which celebrates the work of emerging British musical theatre composers.
Finn Anderson previously collaborated with the Barn Theatre on the music and lyrics for the theatre’s 2019 world premiere of Alan Pollock’s new version of Charles Dickens’ A Christmas Carol, starring Olivier Award nominee Patrick Ryecart (The Crown, The King’s Speech). He is also an Off West End Award nominee for his musical Islander and was recently announced as 2020’s Cameron Mackintosh resident composer at the Lowry and Hope Mill Theatre.
I’d managed to let The Musical Alphabet pass me by on Twitter but they’ve been putting together some impressive performances over the last month and now making a splash with an all-male version of Six‘s ‘Ex-Wives’
A complete lack of charm makes this musical adaptation of High Fidelity tough-going at the Turbine Theatre
“Ian’s here To offer a safe haven Where you can be yourself Unshackled and unshaven.”
I’d forgotten about Natalie Imbruglia, so I was happily grateful for the (albeit sneering) reminder about her in High Fidelity and popped her greatest hits on on the way home from Battersea’s Turbine Theatre. I was not tempted to listen again Tom Kitt’s score, which is a bit of a problem when you’ve just seen a new musical. It’s indicative of this choice of production at this new theatre, which at best could be described as curious, though problematic feels closer to the truth.
Though Nick Hornby’s novel and its inevitable cinematic adaptation garnered a level of popularity, they were very much products of their time, the 90s in microcosm. And David Lindsay-Abaire’s US adaptation, retooled here for the UK by Vikki Stone, does little to adjust that, ultimately coming up with something that already feels like a period piece. Oh look a geek, haha! Oh look a vegan, hahaha! Oh look a woman who’s way out of my league who was somehow my girlfriend and who I will stalk until she gets back together with me, hahahahahaha. Continue reading “Review: High Fidelity, Turbine Theatre”
Featuring a pleasing amount of new musical theatre writing, Carrie Hope Fletcher releases her debut album When The Curtain Falls
“Who you are is how you’re feeling”
Fresh from winning her second What’s On Stage Award, racking up her third novel, vlogging regularly and quite possibly plotting world domination, Carrie Hope Fletcher has now released her debut album When The Curtain Falls. A pleasingly varied tracklisting sees her cover as much new musical theatre writing (shoutout for the brilliant Natasha, Pierre & The Great Comet of 1812) as age-old classics, combined with a few family favourites to make an engaging collection.
There’s a innate prettiness to Fletcher’s voice that makes it extremely easy to listen to. And it is an over-riding characteristic across the album, which is fine when it comes to the likes of the sweetly lovely ‘Times Are Hard For Dreamers’ from the short-lived Amélie or the Disney tracks here, or smoothing the edges off of Jason Robert Brown’s ‘What It Means To Be A Friend’. Continue reading “Album Review: Carrie Hope Fletcher – When The Curtain Falls”