News: Wicked announces 2022 London cast

Wicked, the West End and Broadway musical phenomenon that tells the incredible untold story of the Witches of Oz, is proud to announce that Lucie Jones (Elphaba), Ryan Reid (Fiyero), Sophie-Louise Dann (Madame Morrible) and Gary Wilmot (The Wizard) will lead the new London cast at the Apollo Victoria Theatre from Tuesday 1 February 2022.

They will join Helen Woolf, who returns from maternity leave to continue her acclaimed performance as Glinda, Carina Gillespie (Nessarose), Nicholas McLean (Boq), Simeon Truby (Doctor Dillamond), Amy Webb (Standby for Elphaba) and Charli Baptie* (Standby for Glinda), who all continue in their starring roles. Continue reading “News: Wicked announces 2022 London cast”

News: Roles We’ll Never Play returns

After a successful West End debut in December 2020 at the Apollo Theatre, selling out two nights to 5-star reviews, Roles We’ll Never Play returns to the West End just in time for theatres opening!

Roles We’ll Never Play will see two star studded casts (a different cast each night) singing songs outside of their casting brackets. Notable performances in the last concert included a show stopping ‘All Male’ version of ‘Ex-Wives’ from Six The Musical and power house leading lady Alice Fearn ending the show with an incredible rendition of Santa Fe from Disneys Newsies. Continue reading “News: Roles We’ll Never Play returns”

Lockdown review: Les Misérables – The Staged Concert

Les Misérables – The Staged Concert is released on digital download, along with a bonus featurette which is highly amusing

“Minutes into hours, and the hours into years”

Striding over the barricades to alleviate lockdown tedium, Les Misérables – The Staged Concert has now been released on digital download. The release will raise funds for performers, musicians and the NHS as well as incurring additional donations (an extra £5 for every purchase) from The Mackintosh Foundation which will go to the charity Acting for Others, the Musicians Union Coronavirus Hardship Fund and Captain Tom Moore’s Walk for the NHS fund

You can actually watch Bringing It Home – A Les Miz Stay at Home Special below but I thought I’d give you fair warning as it has its pros and cons. Continue reading “Lockdown review: Les Misérables – The Staged Concert”

February news round-up

Lots to catch up on so here’s a quick round-up of some upcoming concerts and events that could well be worth your time

If you’re looking for the more social side of things to go along with your theatregoing, then have a look here. Getgo Club is like a book club for theatre. Each month they take members to amazing London theatre & host a pre-show mingle, followed by a post-show discussion. The event is curated and hosted by working artists who will  ensure that discussions take place in a safe, fun, & open environment. Members also receive extra goodies such as discounts on tickets & drinks. All for £5!

Getgo Club is a great way to join a community of arts lovers, and head to a variety of theatre as a group. It has  and The first meet-up is at the end of February and I hear they have very limited spaces left so why not find out more here or even just apply directly for a membership here. Continue reading “February news round-up”

Blogged: long-running shows and long-running blogs – what does the future hold

I revisit long-runners The Mousetrap, Les Misérables and Wicked, and come to a decision (of sorts) about the future of this blog

“Here’s to you and here’s to me”

Well 2019 has been an interesting year so far and one full of significance – I’ve turned 40, this blog has turned 10 and it’s all got me in a reflective mood. Personally, professionally, is this what I want to be doing? Do quote a Netflix show I haven’t even seen, does all this bring me joy…? Over the last couple of weeks, I’ve revisited a few long-running shows in the West End to consider what cost longevity. 

The longest running show in the West End is The Mousetrap – 66 years old with over 27,000 performances and their answer to keeping going is to not change a single bit – has the show even ever cast a person of colour? My limited research suggests not… On the one hand, it’s a policy that does seem to have worked and that record is a mighty USP, although does the number of empty seats at the St Martin’s that afternoon suggest a waning of interest finally? Continue reading “Blogged: long-running shows and long-running blogs – what does the future hold”

The Curtain Up Show Album of the Year 2018 nominees

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

Album reviews: Working / Bat out of Hell / 42nd Street

A trio of West End cast recordings (well, one’s off-West-End…) show that it is sometimes hard to recapture the stage magic 

© Robert Workman

Starting off with the best of this bunch, the Southwark Playhouse’s production of Working might not have seemed like the obvious choice for a cast recording but maybe the lure of a couple of new Lin-Manuel Miranda tracks was a real sweetener.

Truth is, it is the quality of the cast’s performances that make this a fantastic addition to the list of albums you need to hear. From Siubhan Harrison’s impassioned ‘Millwork’ to Dean Chisnall’s gleeful ‘Brother Trucker’, and the highly charismatic Liam Tamne nails both of Miranda’s contributions – the wilful ‘Delivery’ and a corking duet (with Harrison) on ‘A Very Good Day’.

Experience pays though, as Gillian Bevan and Peter Polycarpou take the honours with some scintillating work. The latter’s ‘Joe’ is beautifully judged, as is the former’s ‘Nobody Tells Me How’, both demonstrating the uncertainty that can come at the end of a long career, when retirement doesn’t necessarily hold the joyful promise it once did. Highly recommended.  Continue reading “Album reviews: Working / Bat out of Hell / 42nd Street”