In this ‘special circumstances’ year, the Offies 2021 Awards Ceremony celebrated the creativity and resilience of artists in fringe, alternative and independent theatre in a time of crisis who have found new ways to produce fresh and inventive work for thousands of stay-at-home audiences.
The Offies are OffWestEnd’s main awards, for shows with at least 10 performances, and awards were given to the best of the shows presented before lockdown and the few who managed to go ahead in the summer
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in May 2020. Additionally, the winner of the OffFest award for theatre shows in festivals was also announced, alongside extra OneOff awards for innovative work and initiatives in 2020, especially in the light of the Covid lockdown. Continue reading “2021 Offie & ONCOMM Award Winners”
The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in
1. Recording pre-lockdown (direct)
(i.e. with little or no editing)
Going Viral / Daniel Bye
Hysteria / Spymonkey
Jane Clegg / Finborough Theatre
The House Of Bernarda Alba / Graeae
2. Recording pre-lockdown (edited)
(i.e. with significant editing)
Bubble / Theatre Uncut
Cyprus Avenue / Royal Court & Abbey Theatre
SeaWall / Simon Stephens
The Encounter / Complicité Continue reading “The finalists of The ONCOMMs 2021”
Not quite ‘when shall we three Zoom again’, Big Telly Theatre’s imaginative online version of Macbeth has some impressive moments
“Present fears are less than horrible imaginings”
With its cast members scattered across Belfast, Deal, Deptford, Dublin and London, it’s a remarkable achievement in and of itself that this production of Macbeth can exist at all in these Covid-19 times. But founder and artistic director of Big Telly Theatre Zoe Seaton has been quick off the mark to explore the creative opportunities of these constraints and this marks her fifth lockdown production.
And you can see how deftly experienced hands are shaping this new kind of experience. An inspired bit of pre-show business brilliantly skewers the government’s daily Covid briefings as it introduces its own version of track and trace which is implemented on some unsuspecting audience members. It also frames the world of this production as a plaything of the weird sisters, the ones who are truly in charge here. Continue reading “Review: Macbeth, Big Telly Theatre”
Doing the Macarena with the Queen of Hearts? But of course. Alice – A Virtual Theme Park does an excellent job of blending technical innovation with live theatre
“There ought to be a book written about me”
There’s rarely a dearth of opportunities to visit Wonderland, Lewis Carroll’s ever-popular source material a frequent presence in theatres but with Alice – A Virtual Theme Park, there’s a very much 21st century take which works surprisingly well. And given Covid-19, it isn’t a play but rather a multiplatform, multiple choice experience.
Let the Cheshire Cat guide you through your Zoom settings and listen to Leda Douglas’ inquisitive Alice as she takes us down the rabbit hole, and the scene is then set for an inspired, interactive and family-friendly journey with these familiar characters, effectively curated by Creation Theatre. Continue reading “Review: Alice – A Virtual Theme Park”