Review: Royal Court’s Living Newspaper #3

The third edition of Royal Court’s Living Newspaper moves online only, with some seriously fierce political writing this time around

“You want me stuffing my face in Pret A Manger so your city can feel real again”

The flexible and modular nature of the Royal Court’s Living Newspaper series means that it is sufficiently adaptable to cope with ever-changing lockdown restrictions. Previous editions had the option of being consumed either digitally or in-person at Sloane Square but this third edition is online only. #3

As a multi-authored, rapid-response foray into theatre-making, structured loosely around the section of a newspaper, it possesses an up-to-the-minute urgency that is rarely captured seen onstage. Pithy soundbites from Boris Johnson are torn apart (in the corking Crocus of Hope that forms the first page), the hollowness of Emily in Paris is exposed, and there’s variety in the vitriol too. Continue reading “Review: Royal Court’s Living Newspaper #3”

Review: Pufferfish, VAULT Festival

Pufferfish is a complex, nuanced, deeply disturbing play about Jeffrey Dahmer and his crimes at the VAULT Festival

“Him…noticing me”

The necessities of quick get-ins and -outs at the VAULT Festival means that not unreasonably, many a show’s design has relied upon easily packable archive boxes. Clearly, Charlotte Espiner didn’t get the memo as her design for Pufferfish makes for hugely impressive impact on entrance to the Cage with its suspended marble effect torsos and plinth.

Nick Bruckman’s play (of which I was allowed to attend a preview) takes a riveting and spine-chilling fresh look at Jeffrey Dahmer, the serial killer responsible for the death and dismemberment of 17 young men in the 1980s. Pushing past lurid headlines, Pufferfish seeks to try and understand something of the man as well as the murderer, delving deep not only into his psychology but into that of his victims too. Continue reading “Review: Pufferfish, VAULT Festival”