Series 19 of Silent Witness sees the four-strong team click into gear whilst still not quite hitting earlier heights
“It’s not your job to ask those questions”
Having watched rather a lot of Silent Witness over the past months, Series 19 is the first one where I’ve started to feel, dare I say, perhaps just a little bored. I mean, it was never a show designed to be binged (and we’re talking 25 years’ worth of broadcasts) but even so, there’s a slight but undeniable sense that the writers haven’t really got much new to say or show.
It’s a bit of a shame as this series does see the reconfigured Lyell team finally settling into their new groove (with Liz Carr’s Clarissa finally getting her much-deserved pre-show credit). But between the police unit corruption and padeophiles being attacked, sexual assaults on women and one of the team having to question previous decisions, it feels too familiar ground to be genuinely exciting. Continue reading “TV Review: Silent Witness Series 19”
In 2020, for the first time in centuries, heavy red curtains swept closed on stages across the West End; all theatres were closed. Two actors – Lloyd McDonagh and Salvatore Scarpa- keenly feeling the loss of their theatre homes, turned to a form of art that could still thrive over the following months, and set about photographing the stage doors of the deserted city.
An extraordinary collaborative project almost two years in the making, Exeunt – The Stage Door Project collects together these moving images, alongside anecdotes from some of the world’s leading luminaries who have trodden the boards of the pictured theatres. Continue reading “News: Exeunt – The Stage Door Project book announced”
Kwame Kwei-Armah, Artistic Director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.
The 50th birthday year of work begins with three major commissions:
- The New Tomorrow– for the first piece of live theatre since the pandemic closed UK theatres, this weekend festival of speeches and monologues asks what the next fifty years hold. Writers and artists Jade Anouka, Marina Carr, Jasmine Lee-Jones, Ruth Madeley, Amy Ng, Stef Smith, Jack Thorne, Isobel Waller-Bridge and Steve Waters will explore the change that has come and is coming. Cast to be announced.
3 & 4 October, 4pm, Main House, free
As a means of bringing joy and creativity into homes during these uncertain times, the Rose is launching the ‘Readings from the Rose’ initiative
Several prominent actors and creatives in the industry have filmed themselves reading their favourite poems and the Rose will be releasing one reading every day at 1pm across 14 days.
These readings can be accessed by anyone completely free of charge on the Rose’s YouTube and Instagram channels, in the hope that they will bring some light entertainment to audiences while theatres are dark. Continue reading “News: Readings from the Rose launched”
Not even Juliet Stevenson and gay French holiday romances can really make this Departure land in a satisfying way
“We’re in France, French people talk about these things”
Near the top of my list of films to finally get around to watching, where it has been for a while, is Departure, written and directed by Andrew Steggall. His is a name that is familiar to me from the days when I regularly reviewed short films, as The Door was one of the more moodily memorable of those. Departure marked his feature film debut and with its heady mixture of gay boys on French holidays and Juliet Stevenson, it’s a wonder it has taken me this long to get round to watching it.
In some ways it does live up to that anticipation. Alex Lawther plays Elliott, a moody teenager marooned in the Languedoc village where his mother is packing up their family holiday home. His attention is far more focused on the strapping Clément who ends up helping with the move and in turn, offering something for Stevenson’s Beatrice to also be swayed by. Lawther plays the hypersensitive Elliott with a neatly sharp edge of self-absorption and what a joy it must be to have Stevenson in your cast – you can just write *cries in car* and she delivers heartbreaking work. Continue reading “Lockdown film review: Departure (2015)”
The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
So much goodness! The National Theatre have just announced details of productions stretching deep into 2020, and with writers like Lucy Kirkwood, Kate Tempest, Roy Williams and Tony Kushner, and actors like Lesley Manville, Maxine Peake, Conleth Hill, Cecilia Noble and Lesley Sharp, it is hard not to feel excited about what’s ahead.
Following a sell-out run at Rose Theatre Kingston, the acclaimed two-part adaptation of Elena Ferrante’s MY BRILLIANT FRIEND by April De Angelis is reworked for the Olivier stage by Melly Still (Coram Boy). When the most important person in her life goes missing without a trace, Lenu Greco, now a celebrated author, begins to recall a relationship of more than 60 years. Continue reading “News: the National Theatre announces 15 new productions for 2019 and 2020”
Despite a cast including Christopher Eccleston and Niamh Cusack, this proves another disappointment of a Macbeth as the RSC start their Autumn residency at the Barbican
“Better health attend his majesty”
Its enduring popularity on school curricula means we will probably never be free of it but in a year when both the National Theatre and the RSC have swung and missed with modern takes on Macbeth, surely it is time to give it a rest. Rufus Norris’s post-apocalyptic production felt unmoored and lacklustre in the unforgiving Olivier and now taking up residency at the Barbican, Polly Findlay’s interpretation for the RSC similarly lacks clarity and intent.
There’s plenty of ambition here and it is tempting to see the influence of a certain Dutch auteur (barefeet actors, clocks counting down to deaths…). But the over-riding aspect of Findlay’s direction is its headlong speed as it hurtles through a cut-down version of the text. Too much has been sacrificed here in the name of accessibility with precious little time given to allow emotional beats to play out, for motivations to be understood, the hurly-burly rules. Continue reading “Review: Macbeth, RSC at the Barbican”
The full cast for the RSC’s upcoming production of Macbeth has been announced.
Christopher Eccleston, making his debut at Stratford-upon-Avon, as Macbeth and Niamh Cusack as Lady Macbeth had already been announced and will be joined by:
- David Acton (Duncan)
- Raphael Sowole (Banquo)
- Edward Bennett (Macduff)
- Bally Gill (Ross)
- Luke Newberry (Malcolm)
- Tim Samuels (Lennox)
- Mariam Haque (Lady MacDuff)
- Donna Banya (Donalbain/Gentlewoman)
- Stevie Basaula (Bloody Captain/Second Murderer),
- Katy Brittain (Doctor)
- Raif Clarke (Boy)
- Paul Dodds (Chamberlain 1)
- Michael Hodgson Porter)
- John Macaulay (Chamberlain/Lord)
- Tom Padley (First Murderer)
- Josh Finan (Company)
- Afolabi Alli (Company)
The production will be directed by Polly Findlay and runs at the Royal Shakespeare Theatre from 20 March to 18 September with previews from 13 March.
As ever, the wait for the end-of-year lists of favourite plays and performances has to continue until I’ve actually stopped seeing theatre in 2017. But in the meantime, here’s a list of 11 of my top moments in a theatre in 2017, the things that first pop into my mind when someone says ‘what did you enjoy this year’. For reference, here’s my 2016 list, 2015 list and 2014 list.
Continue reading “11 of my top moments in a theatre in 2017”