Full casting for the first Dublin and UK Tour of Girl From The North Country has been announced. Written and directed by Conor McPherson with music and lyrics by Bob Dylan, the production embarks on its first UK tour following an opening 5-week season at 3Olympia Theatre Dublin from 25 June 2022.
The full cast includes Keisha Amponsa Banson (Mrs Neilsen), Ross Carswell (Elias Burke),Colin Connor (Nick Laine), Frankie Hart (Ensemble), Joshua C Jackson (Joe Scott), Eli James (Reverend Marlowe), Justina Kehinde (Marianne), Teddy Kempner (Mr Perry), Graham Kent (Ensemble), Owen Lloyd (Ensemble), Nichola MacEvilly (Ensemble), Chris McHallem (Dr Walker),Frances McNamee (Elizabeth Laine), Gregor Milne (Gene Laine), Eve Norris (Katherine Draper), Daniel Reid Walters (Ensemble), James Staddon (Mr Burke),Neil Stewart (Ensemble)and Rebecca Thornhill (Mrs Burke). Continue reading “News: casting announced for Girl From The North Country tour”
Fresh faces do much to highlight the energy of Spring Awakening at Manchester’s Hope Mill Theatre
“You ain’t seen nothing yet – gonna teach you right”
In many ways, the teenage energy of Duncan Sheik and Steven Sater’s Spring Awakening is a great match for the youthful verve of Manchester’s Hope Mill Theatre. The creative upstarts of this fringe powerhouse are maintaining its burgeoning reputation extremely well and with this raucous take on Frank Wedekind’s 1891 play, look set to continue.
Luke Sheppard’s production hangs on its superb casting, drawing talent fresh from drama school (Darragh Cowley and Teleri Hughes) as well as a couple of more experienced hands (Ragtime’s Seyi Omooba) And the company fill the stage with a rough-edged vitality that marks out lots of potential for musicals to come. Continue reading “Review: Spring Awakening, Hope Mill”
I was sad to see Mrs Henderson Presents close prematurely in the West End, having enjoyed it both there and in its first run at the Theatre Royal Bath, but pleased that we at least had a cast recording to remember the show by. I have to say though, that this was one of those occasions where just listening to the musical failed to capture what made it work on stage.
The period charms of George Fenton and Simon Chamberlain’s pastiche-laden score feel rather old-fashioned on record – not simply in the age that they are trying to evoke but in its very nature. Without the visual, it soon becomes clear that there isn’t a huge amount of narrative drive in the songs, they set the mood of the piece well but don’t tell much of a story on their own. Continue reading “Album Review: Mrs Henderson Presents (Original London Cast Recording)”
I really enjoyed Mrs Henderson Presentswhen I saw it last year in Bath, it came 13th out of all the shows I saw in 2015, so I was most delighted to hear that it would be transferring into the West End. It managed the journey with its main cast almost entirely intact, Tracie Bennett, Ian Bartholomew and Emma Williams all there, just Mark Hadfield dipping out to (re)join The Painkiller and replaced by Jamie Foreman, and its opening at the Noël Coward Theatre has been largely very well received.
And second time around, it pleased me just as much as the first. Terry Johnson’s direction of this ineffably British show (as withAndy Capp, playing the spoons is up there with the Union Jack) and from my memory, I don’t think that much has significantly changed (though I’ve seen a lot in the intervening 7 months…). That means that the shonky narrator/compere role is still there, which still wears thin quickly, but it also means that its generosity of spirit and warmth of heart is very much present. Continue reading “Re-review: Mrs Henderson Presents, Noël Coward Theatre”
2016 is nearly upon and for once, I’ve hardly anything booked for the coming year and what I do have tickets for, I’m hardly that inspired by (the Garrick season has been ruined by the awfulness of the rear stalls seats, and I only got Harry Potter and the Cursed Child tickets due to FOMO). Not for the first time, I’m intending to see less theatre next year but I do have my eyes on a good few productions in the West End, fringe and beyond. Continue reading “20 shows to look forward to in 2016”
That woman is of course Laura Henderson, a rich widow who in 1937 decides to save the Windmill Theatre from closure and together with Jewish entrepreneur Vivian Van Damm, introduces a continuous variety revue called Revudeville. And seeking to keep their nose ahead of their competitors, nudity is added to the bill, a la Moulin Rouge though unprecedented in the UK, but the censorship battles with the Lord Chamberlain’s office pales into insignificance once war breaks out and the theatre becomes a landmark, refusing to close even as London is battered by the Blitz.
Terry Johnson’s book for Mrs Henderson Presentswisely adapts Martin Sherman’s screenplay from the film of the same name to create a more tightly encapsulated world centred on the backstage lives of the theatre folk. It dives straight into the main story from the outset and switches things about just enough to keep anyone familiar with the film on their toes. And George Fenton and Simon Chamberlain’s score dances around the period beautifully, pastiche songs evoking the 30s spirit perfectly with a smattering of vaudevillean fun here and driving musical theatre anthems there, always remaining tuneful. Continue reading “Review: Mrs Henderson Presents, Theatre Royal Bath”
A rather successful foray into the world of internet chatrooms, somewhat akin to Enda Walsh’s Chatroom, Mike Walsh’s uwantme2killhiminvites descriptors such as darkly compelling and timely as it follows two teenagers sucked into a morass of online deception. Directed by Andrew Douglas, it takes a fairly traditional approach to representing digital communication – they speak as they type, which let’s face it, a lot of us do anyway – but the complications thrown up by their actions are thoroughly modern.
Based loosely on a true story, the film opens with Joanne Froggatt’s fervent Detective Inspector trying to work out why Mark has stabbed John, a schoolmate supposed to be his friend. We then loop back to the beginnings of Mark’s venturing into chatrooms and in particular with his friendship with Rachel, who turns out to John’s older sister. She’s in a witness protection program and has a violent boyfriend but Mark has fallen head over heels and will do anything for her. And ultimately he does do anything for her. Continue reading “DVD Review: uwantme2killhim (2013)”