Rafe Spall and Esther Smith continue to be charm personified in the second series of Apple TV’s Trying
“No-one’s laminated my life story yet”
As Apple TV continues to try and meaningfully break through, its commitment to its original series is commendable. Ted Lasso is riding the slowburn train to award success and also getting a second series if somewhat more under the radar, sweet comedy Trying has also returned.
The show centres on thirty-something Camdenites Nikki and Jason and their efforts to grow their family. The first series tackled their (lack of) fertility and the start of their journey through the adoption process and this second sees them continuing to navigate this bureaucratic and emotional minefield. Continue reading “TV Review: Trying Series 2 (Apple TV)”
“Do not blaspheme! Do not blaspheme!”
To mark Series 10 of Doctor Who starting on BBC1 next week, I’ve been counting down the weeks with a rewatch of all 9 of the previous series of new Who. And now we’re within touching distance, I’m counting down the days talking about each one. For once though, I’m going to keep these posts (relatively) short and sweet, following the below format.
With just the one series to judge him on, and that series being the very first when everyone was still finding their feet, Christopher Eccleston’s Nine often gets a bit of a raw deal. And some of his zany moments are undoubtedly really quite awkward to watch but for me, they’re easily outweighed by the emotional weight of his more serious work, especially when hinting at the considerable darkness of the events of his recent past that had left him so haunted. A solid re-entry back into the televisual world. Continue reading “Countdown to new Who: Doctor Who Series 1”
“It’s just once you have the thought…”
I was late to my appointment with Doctor Foster, only getting round to watching episode 1 on Monday but I loved it so much (how could I not when the opening subtitle is “belt buckle being undone” and Bertie Carvel soon strips to his boxers) that I mainlined the next three so that I could watch the finale with the rest of the world. Written by noted playwright Mike Bartlett (King Charles III, Cock, Love Love Love amongst many others), it’s a fierce revenge drama anchored by a cracking performance from Suranne Jones as the titular medic with the errant husband.
From the moment she discovers a long blonde hair on her husband’s scarf, the scene is set for an almighty showdown but Bartlett’s skill is in stretching that moment tantalisingly over the entire series. Secret after secret tumbles out of the closet as she pulls at the thread but almost as destructive as his conduct (and Carvel is brilliantly craven as the slippery Simon) is the behaviour it unleashes in Gemma, her forthright determination cutting swathes through her employment prospects, her friends and neighbours and even her relationship with their 11-year-old son Tom. Continue reading “TV Review: Doctor Foster, BBC1”
“I haven’t taken a taxi since Rotherham”
It’s hard to imagine a time, in the near future at least, when multiculturalism in the UK won’t be a hot button issue – if nothing else, what would certain elements of the press be pitifully obsessed with instead? So naturally, John Hollingworth’s play Multitudes – his first – feels well timed, how could it not – Jihadi John and schoolgirl recruits for Islamic State dominate the front pages, the shockwaves of Charlie Hebdo are still rippling around with inflammatory polls further stirring the pot and the nefarious impact of UKIP on British politics remains impossible to escape,
Trying to make sense of these multiple strands is a job and a half for even the most seasoned of commentators and it’s not immediately apparent that Hollingworth is the man for the job as he layers all this and more into his play. But once Indhu Rubasingham’s production finds its feet in the swirl of the melting pot and one becomes accustomed to its rhythms, Multitudes’ noisy energy makes sense. Hollingworth doesn’t set out to give us answers, such as they could possibly exist, but rather gives a portrayal of of the messiness of race debates in British society. Continue reading “Review: Multitudes, Tricycle Theatre”
“We’ve got an elf tied up and Christmas is under threat, that’s about the size of it”
Given there are two other shows with the same title but aimed at the family market, it would be advisable to check in advance that Anthony Neilson’s The Night Before Christmas is the one you intend to see. For blessed with adult content warnings and a sense of humour as dark as black ice, it’s not one for the kids. Christmas Eve sees an intruder in Gary’s warehouse and he calls ex-con mate Simon for help but as he arrives, he’s managed to apprehend them. Thing is, he dressed as an elf and claims to have fallen from the sky, so naturally they decide to interrogate him.
Neilson’s comedy really is as black as they come, with topical jokes and references abounding (though one wonders if the Mandela one is still present, written as it was before his death…) and the premise allows for a daftness which is hugely appealing. When they find trackmarks on his arms, Simon sees this as confirmation that he’s a junkie on the make yet Gary believes the elf’s story of a tragic addiction to fairydust – it’s silly but charming and so the choice to adapt it into a musical doesn’t come from too far left-field. Continue reading “Review: The Night Before Christmas,Soho Theatre”
Another collection of short films that I’ve been pointed to or had recommended to me and which I’ve enjoyed watching. If you have anything you think I should see, drop me an email at the address on the sidebar, and to read other short film reviews, click on the ‘film’ tag at the end of the post.
The Door (trailer) from Andrew Steggall on Vimeo.
Based on the HG Wells tale The Door in the Wall, Andrew Steggall’s short film The Door is a rather lovely piece of film – with a stunningly good cast – which delves into the ambiguous world of between personal memory and boyhood fantasy as an older man tries to make sense of a key event from his past. Charles Dance plays the older Thomas Arlington with a resigned enigmatic quality as he debates with his son, a sharply-suited Elliot Cowan, but clearly distracted by his memory of discovering a magical green door into a extraordinary world.
Continue reading “Short film reviews #8”