A BBC adaptation of The Other Boleyn Girl is unforgivably shonky, even with Natascha McElhone and Jodhi May leading the cast
“I believe beauty in a woman comes in many different forms”
Five years before Hollywood got their hands on The Other Boleyn Girl, writer and director Philippa Lowthorpe adapted a version of the Philippa Gregory’s novel for the BBC but I’d have to say it is best forgotten. Lowthorpe’s approach is admirable because or maybe in spite of its low budget, using handheld camera at times and confessional videos at others, it is clearly attempting to do something different for a period drama.
But it fudges it quite badly. Despite the atmospheric surroundings of Berkeley Castle where it was shot, the filming tricks are distracting rather than illuminating and sadly feel amateurish, leaving the whole production with an air of student shonkiness, particularly as it completely fails to conjure any sense of the royal court. Some shifts and adaptations of the story as written also feel a bit peculiar, the straightening of George and the excision of much political and religious context (which was already sparse in the book). Best avoided.
Just wanted to spotlight this photo feature in the Guardian, looking at various Royal Shakespeare Company queens from across the ages. Costume, hair and design really do bring it when it comes to Cleopatra eh?!
Clearly, the first before-they-were-famous photo montage was a click-winner for the Guardian as they’ve gone back into Tristram Kenton’s archive for a second dip of notable actors earlier in their careers:
Photos: Tristram Kenton
I’m loving this deep dive that the Guardian is doing into Tristram Kenton’s archive, this time taking a turn into the many Open Air Theatre productions he has been witness to. Highly recommended:
Photos: Tristram Kenton
“Lie down madam and legs apart
Now brace yourself for this may smart”
Helen Edmundson’s Queen Anne played a well-received run at the RSC the winter before last and it has now transferred to the Theatre Royal Haymarket for a summer season. It contains two excellent performances from Romola Garai as Sarah Churchill (stepping into the role created by Natasha McElhone) and Emma Cunniffe as the titular monarch and you can read my four star review for Cheap Theatre Tickets right here.
Running time: 2 hours 50 minutes (with interval)
Booking until 30th September
“I feel so absolutely stumped on the floor”
Proving that not even Kenneth Branagh is infallible when it comes to Shakespearean adaptations, this musical version of Love’s Labour’s Lost sees him really come a cropper. Relocating the story to 1939 on the eve of the Second World War and swapping out three-quarters of Shakespeare’s text for a handful of Cole Porter songs to evoke the feel of a classic Golden Age musical, it is a curiously insubstantial enterprise and at its worst, somewhat smug.
It doesn’t help that the play itself ain’t a classic, as evidenced by the rarity with which it is produced but still, the approach here just doesn’t work. There’s a game cast of actors who are clearly up for it but their every weakness in singing and dancing is left exposed, there’s a paucity of triple threats here which just leaves you wondering why bother? And when you see the amazing moves of Adrian Lester or the sweet tones of Alessandro Nivola’s voice, you get hints of what might have been. Continue reading “DVD Review: Love’s Labour’s Lost (2000)”
“He might like some of my bottled pears”
A world where the purchase of pilchards instead of coley is the height of excitement seems about right for Ladies in Lavender, the 2004 film written and directed by Charles Dance, from a short story by William J Locke. In a sleepy Cornish fishing village, sisters Janet and Ursula Widdington are living out their days in content co-habitation but the discovery of a shipwreck victim on the beach near their house rumples their quiet existence as they nurse the foreigner back to health.
It’s all very genteel and formally unexciting, the writing veers from soapy contrivances to unsatisfying denouements and it’s hard to get too excited about the film. Where Ladies in Lavender delivers in bucketloads is in casting Maggie Smith and Judi Dench as the sisters, allowing them to work wonders with the slightest of material. Smith’s forthright war widow and Dench’s more wistful spinster imbue their scenes with such aching grace, that you almost forgive the plotting. Continue reading “DVD Review: Ladies in Lavender”
“For never was a story of more woe
Than this of Juliet and her Romeo”
It takes a special sort of person to substantively rewrite the dialogue of Romeo and Juliet yet Julian Fellowes still took it on himself to declare Shakespeare’s writing as too impenetrable for da kidz and so replaced it with his own cod-Elizabethan script. It’s a baffling decision – the sheer wrongheadedness aside – as since the narrative of the play remains the same, and the story remains set in vaguely age-appropriate times, nothing intelligent has been done with the adaptation to mark it out as a worthy enterprise.
It’s not helped by a fatally miscast Hailee Steinfeld as Juliet, underpowered in her delivery of the text and mismatched with Douglas Booth’s Romeo, there is precisely zero chemistry between these “star cross’d lovers”. There’s always something a bit tricky about how to play the ages of these two (Juliet is meant to be 13…) but as long as they’re cast well together, it works. Here though, they are not, there’s never any danger of believing that they’ve tumbled hard and fast in love (Steinfeld being 15 would make that illegal of course!) and director Carlo Carlei is clearly at fault along with his casting directors. Continue reading “DVD Review: Romeo & Juliet (2013)”