“All these cases where people pretends to be one thing for half a century and then turn out to be something else”
The insanity that is the scheduling wars between the BBC and ITV often throws up random anomalies but rarely has the result been something as rewarding as a surfeit of Nicola Walker. Having recently made River for the BBC and Unforgotten for ITV, both police dramas were premiered in the same week and as six-part dramas, are reaching their climax at the same time too. And what has been particularly pleasing is the fact that both have proved to be highly watchable and interesting takes on the genre.
Chris Lang’s Unforgotten focused on a cold case from nearly 40 years ago as skeletal remains are found in the basement of a derelict house and in the cleverly constructed first episode, the four disparate characters that we have been following are eventually tied together as their phone numbers are found in the victim’s diary. Walker’s DCI Cassie Stuart and Sanjeev Bhaskar’s DS Sunny Khan soon identify him as a Jimmy Sullivan but the show focuses as much on the effect of long-buried secrets on the potential suspects as it does on the case itself. Continue reading “TV Review: Unforgotten”
“People don’t stand for anything; they just exist”
The Country, by Martin Crimp is another collaboration between the Arcola Theatre and Iceni Productions (last year saw them do Mamet’s The Shawl) but actually marks the first time I have seen a Crimp play. I have seen plays that he has translated but never one of his original works so I was intrigued to see how I would react to this rather polarising playwright in his own words. But there was another reason I wanted to go, as the building is being converted (into luxury flats, what else) and so the Arcola is on the move. Although not too far, to the Colourworks building (which is next door to the Printhouse where I used to work) right by the new Dalston Junction station, but change is most definitely afoot and I wanted to make sure I make the most of its current set-up as it has been one of my favourite venues to visit in the last couple of years.
The play follows a middle class family as they relocate from an urban lifestyle to one in the countryside. Richard is a doctor and Corinne a housewife but their domestic quiet is shattered when he brings home an unconscious young woman late at night. For Rebecca, as we find out her name to be, is much much more than just a stranger and her arrival provokes an unravelling of secrets from the past and uncertainties in the present as her presence forces a reassessment of the turmoil that we now see in beneath the paper-thin façade of this marriage. Continue reading “Review: The Country, Arcola Theatre”