“When we have found all the mysteries and lost all the meaning, we will be alone on the empty shore”
With London audiences pondering The Hard Problem and struggling to find the answer (we’re insufficiently classicly-educated apparently, though the journalist getting the name of the play wrong here is hardly a great start to counter that assertion) fans of Tom Stoppard can also catch his more celebrated play Arcadia in this English Touring Theatre and Theatre Royal Brighton co-production, directed by the ever-interesting Blanche McIntyre. I hesitate to call it a nationwide tour as it doesn’t appear to heading any further north than Birmingham but it is still a healthy enough trek for this pleasingly complex but affecting play.
As is customary with this playwright, it is a play full of weighty ideas – complex mathematics and chaos theory, entropy and existential truths, and takes place in the same country house drawing room in two time periods simultaneously, 1809 and the present day. Along the length of a fine dining table, the past rubs up against the present as the scientific rigour of the intellect goes head to head with the emotional poetry of the soul as Stoppard ultimately explores what it simply means to be human (and also what stirring rice pudding really represents). It is perhaps easy to get caught up in the density of the detail during the play but it would take the hardest of hearts not to be swept up the heart-breaking swing and sway of the final scene. Continue reading “Review: Arcadia, Churchill Theatre Bromley”