Katherine Kelly’s lead performance is excellent but I’m not sure there’s enough here to justify reviving Innocent into an anthology series
“Everything they stole from me, I want it all back”
Three years after its first series, Matthew Arlidge and Chris Lang’s Innocentreturns to ITV, re-emerging as an anthology series. So we’re now in the Lake District, focusing on the murder of 16-year-old Matty Taylor for which teacher Sally Wright has done several years inside. Five years down the line, new evidence has exonerated her and laced with vengeance, she returns to Keswick to reclaim what she believes is hers.
Initially, it’s an intriguing twist on the format as Katherine Kelly plays Sally with all the spikiness and rough edges that you would expect from someone who believes they’ve been wrongfully imprisoned. Removing children from the equation, which instantly created sympathy for Season 1’s ‘victim’ David, there’s a more visceral sense of injustice permeating this narrative, which is paired with Kelly’s impassive forthrightness as Sally. Continue reading “TV Review: Innocent (Series 2)”
Edition #5 of the Royal Court’s Living Newspaper takes a more reflective approach to great effect
“Most people do it. Not me, I have a conscience”
The Royal Court’s Living Newspaper continues with edition #5 which feels a little less reactive to the headlines and a little more reflective on the state of the world as we find it today. It looks back, probing into how our history has shaped us but it also identifies the precipice of the current moment and how, more than ever, so very much is at stake.
The quiet fury of Dalia Taha’s A Warning takes aim at Israeli border policies through the medium of books, Kayla Meikle’s devastatingly contained performance a real stand out. And Zia Ahmed’s elegiac scene/unscene finds a brutal poetry in its takedown of the systemic racism in the theatrical establishment, skewering good liberal intentions perfectly. Continue reading “Review: Royal Court’s Living Newspaper #5”
Written by Zia Ahmed, Leo Butler, Guillermo Calderón, Nick Cassenbaum, E.V. Crowe, Maud Dromgoole, Nessah Muthy, Iman Qureshi, Marcelo Dos Santos, Nina Segal, Dalia Taha, Joel Tan and Maya Zbib.
Who has created our country’s past and who is shaping its future? Who gets to have their cake and eat it?
Edition 5 sets out to dismantle histories – be that personal or political – whilst finding allies in bookshop glances, questioning who is desperate for hygge comfort and looking to our comrades and weather reporters for the true future.
Launching new audio drama platform Sound Stage, Mark Ravenhill’s Angela is a profoundly moving account of his mother’s experience of dementia
“I don’t like it when they change the story, I wish they would stick to the story”
I don’t know why I put myself through dementia dramas. They tap into one of my deepest fears and more often than not leave me terribly distressed but who says art should ever be easy? Mark Ravenhill’s autobiographical Angela launches the Sound Stage platform created by the Royal Lyceum theatre and Pitlochry Festival theatre, adding in virtual theatregoing elements to the audio drama experience and predictably, is gut-wrenchingly yet beautifully felt.
Drawing directly on his mother’s journey with Alzheimer’s and how that impacted the whole family, Ravenhill places her experiences at the heart of his play, a boldly disconcerting move which feels entirely right. As we slip from present to past, as an encounter here triggers a memory there, a portrait is built of the richness of a life lived, even as recollections of it are slipping away from her grasp. Continue reading “Review: Angela, Sound Stage”
The Royal Lyceum Theatre Edinburgh and Pitlochry Festival Theatre, in association with Naked Productions and BBC Radio 3 are delighted to announce the cast for Sound Stage’s first production; Angela, a brand-new autobiographical play by Mark Ravenhill airing 26 – 28 March.
Angela centres on the playwright’s mother, at the age of 84 and suffering with dementia, as she looks back across her life. Intercutting between Angela in her old age, her memories and mind failing her, and in her youth; growing up, moving away from her roots as the world of drama welcomed her. The Play depicts her struggle with depression and the challenges of her own aspirations, and becoming a mother, poignantly set against Mark’s experience of beginning to learn ballet, his lifelong passion, in his fifties. Continue reading “News: Cast announced for the premiere of Mark Ravenhill’s first autobiographical play Angela”
With an unerring sense of timing, our dark November evenings now have the chance of being brightened by the theatrical wonder that was Morgan Lloyd Malcolm’sEmilia. An archived recording of the show’s 2019 West End production is being made available online for two weeks from 10th November.
The Unicorn Theatre has announced a pair of great-looking online productions in Grimm’s Tales and The Twits. Adopting a storytelling perspective, a crack team of directors and actors will be putting their spin on these classic tales.
The Twits, directed by Ned Bennett, will star Martina Laird and Zubin Varla and is hosted on the Guardian’s website.
Appearing in those productions will be: Justin Audibert directs Nadia Albina reading Hansel and Gretel Rachel Bagshaw with Le Gateau Chocolat reading Rumpelstiltskin Polly Findlay directs Colin Morgan reading The Devil With the Three Golden Hairs Tristan Fynn-Aiduenudirects Andy Umerah reading The Boy Who Left Home to Find Out About the Shivers Ola Ince directs Susan Wokoma reading The Brave Little Tailor Bijan Sheibanidirects Cecilia Noble reading Cinderella
The venue will also re-release its hit production of Anansi the Spider Re-Spun to mark Black History Month, with the hit show available from 1st-31st October on YouTube.
With its love for Enya and Rory Kinnear camping it up, Series 2 of Beautiful People is another riotous delight
“There’s not many blokes who can say they’ve been felt up by Ross Kemp”
I loved reminding myself of the first series of this most camp of shows and the second series of Beautiful Peoplewas just as much fun, albeit with more bits I had forgotten. Or more accurately, there’s bits that resonate differently with different actors – Rory Kinnear doing gay this way is quite something!
Jonathan Harvey’s adaptation of Simon Doonan’s memoirs remain highly witty and as the timeline pushes more into teenage years, it also becomes more overtly gay in a sweet but insistent way, mirroring the journey towards being comfortable enough to come out. Continue reading “TV Review: Beautiful People (Series 2)”
The nominees for the 9th annual Mousetrap Awards are announced
These awards are voted for by young people, anyone aged 15-29 is invited to have their say as to who should pick up the trophies at the ceremony on Sunday 19th April. And while usual suspects Dear Evan Hansen, Waitress and & Juliet are leading the pack, it is nice to see such love for Small Island here too.
Mousetrap Theatre Projects strive to make London’s theatre scene accessible to young people, low-income families, mainstream and SEND state schools, and those with additional needs.