The finalists of The Offies 2021

The finalists for the 2021 Offies (for productions in 2020) have been announced and congratulations to the 47 finalists across 16 of the 28 Offies categories. The winners will be announced at the Offies Awards Ceremony, being held online on 21 February 2021.

The following categories are not going forward for 2021 awards as there were insufficient nominations due to theatre closures arising from Covid-19 lockdowns:

  • Design: Costume
  • Design: Video
  • Choreography
  • Company Ensemble
  • Musicals: New Musical
  • Opera
  • Panto
  • Plays: Most Promising New Playwright
  • Plays: Production
  • Theatre for Young People: Production (0-7)
  • Theatre for Young People: Production (13+)
  • Theatre for Young People: Production (8+)

Continue reading “The finalists of The Offies 2021”

Review: Sunset Boulevard in Concert, Curve Leicester at home

As a piece of digital theatre, Curve Leicester’s Sunset Boulevard in Concert plays excitingly with the possibilities of this developing form 

“There’s nothing else – just us and these cameras”

Damned if do, damned if you don’t. Curve Leicester boldly took steps in the autumn to reimagine their auditorium in order to be able to mount a post-Lockdown #1 season of socially-distanced concert performances of previous hits. The ongoing mismanagement of the pandemic and the dance of the tiers put paid to those plans, even as technical rehearsals had already started but in a move that would please Norma Desmond herself, Sunset Boulevard in Concert has still found its way to the spotlight.

Nikolai Foster’s reconception of his initial adaptation of his original production sees him lean heavily into Sunset Boulevard’s cinematic origins, taking full advantage of the lack of audience to ditch the traditional notions of semi-staged concerts and create an inventive fusion of theatre and film. And with those restraints fully loosed, this production unfurls across every inch of the auditorium – Norma first appears from the back of the circle, Joe’s rooms are tucked into the fly tower, the ensemble watch impassively from the empty seats in an almost Brechtian manner of observation. Continue reading “Review: Sunset Boulevard in Concert, Curve Leicester at home”

News: Dear Audience coffee table book announced

If you’re still writing your lists for Santa, then Dear Audience could be just what you’re looking for. A theatrical coffee table book filled with over 140 pages showcasing the Arts industry, with exclusive imagery, personalised letters to audiences and much more besides.

There’s a veritable who’s who of stage folk involved, from Sally Ann Triplett, Michael Xavier and Frances Rufelle to Oliver Tompsett, Linzi Hateley and Andy Coxon, and the book has been put together by Sophie Ross and Danny Kaan’s Digi Creative. Pre-orders can be made now and are guaranteed for Christmas delivery.

UK theatre casting news – November update

Theatre Royal Bath will reopen on 3 December with a revised performance schedule for Oleanna and Copenhagen, the final two plays in the theatre’s Welcome Back Season.

David Mamet’s provocative  drama Oleanna, directed by Lucy Bailey will star Rosie Sheehy  and Jonathan Slinger, who replaces John Heffernan in the role of John. The play will now run in Theatre Royal Bath’s Ustinov Studio from 3 December to 22 December and again from 4 January to 16 January 2021. Reduced capacity at the Ustinov Studio will allow for an audience of 60 persons per performance.

The November run of Michael Frayn’s multi award-winning  Copenhagen has been postponed until the new year when it will play Theatre Royal Bath’s Main House from 20 January to 6 February 2021.  Directed by Polly Findlay it will star Haydn Gwynne, Philip Arditti, and in a change to original billing of Michael Gould, Malcolm Sinclair. Continue reading “UK theatre casting news – November update”

News: September theatre news gathers apace

Lockdown may have returned but theatres are boldly looking ahead – the David Tennant-starring Good and Six the Musical are moving theatres, Haydn Gwynne is back and The Last Five Years extends at the Southwark Playhouse

CP Taylor’s Good, starring David Tennant, Fenella Woolgar and Elliot Levey and directed by Dominic Cooke, which was due to open this October, has announced new dates for 2021 and a new run at the Harold Pinter Theatre.

Produced by Fictionhouse and Playful Productions, Good was originally scheduled to begin performances at the Playhouse Theatre on Tuesday 6th October. Due to the current global situation, the production was postponed and will now preview at the Harold Pinter Theatre from Wednesday 21st April  to Saturday 17st July 2021.

Current ticket holders will be given priority for the new dates and do not need to do anything. The point of purchase will be in touch with ticket holders to reschedule or refund their booking. Extra tickets for the new dates for Good at The Harold Pinter Theatre go on sale at 10am, Monday 12 October 2020. Continue reading “News: September theatre news gathers apace”

Casting news for early September

As some theatres look to a careful reopening and others consolidate their online offers, casting news of four intriguing shows breaks 

The Last Five Years at Southwark Playhouse will star Molly Lynch (Cathy) and Oli Higginson (Jamie) who return to their roles after they were cut short on 16 March. They will be appearing in the show from 1 – 31 October and will be in the same ‘support bubble’ so the show won’t adhere to socially distancing staging.

However, in the venue, there will be strict social distancing measures in place. For full info on that head here and click on the Covid-19 FAQS tab: https://southwarkplayhouse.co.uk/the-large/the-last-five-years/#covidfaqs Continue reading “Casting news for early September”

News: line up for New UK Musicals launch concert

A fine array of West End stars will perform new musical theatre songs to celebrate the launch of NewUKMusicals.co.uk

You’ll of course be aware of New UK Musicals thanks to my recent interview with the site’s founder Darren Clark and he’s now called on some of his more famous friends to help him round off the launch in some style with an all-star concert on 23rd June, highlighting some of the best new musical theatre composers around. 

The cast includes: Rachel Tucker (Wicked, Come From Away), Tyrone Huntley (Jesus Chris Superstar), Rebecca Trehearn (Showboat, City of Angels), Zizi Strallen (Mary Poppins), Tori Allen Martin (The Season), Luke Baker (Everybody’s Talking About Jamie), Yazdan Qafouri (The Band, The Wicker Husband), Claire-Marie Hall (Operation Mincemeat), Harrison Knights (BBC One’s All Together Now), Molly Lynch (The Light in the Piazza) and award winning comedian Sooz Kempner. Continue reading “News: line up for New UK Musicals launch concert”

Lockdown treat: You’ll Never Walk Alone – Irish West End stars

Some of the West End’s leading Irish names, along with Irish Youth Musical Theatre, came together for Carousel’s ‘You’ll Never Walk Alone’, a weepie at the best of times!

The video features some of the West End’s leading Irish names, including David Shannon (Come From Away), Brian Gilligan (The Lion King), Jessica Cervi (The Commitments), Shane O’Riordan (Les Misérables), Alison Arnopp (Hair), Faoileann Cunningham (Amélie The Musical), Emma Warren (Les Misérables), Chris McGuigan (The Phantom of the Opera), Raymond Walsh (Les Misérables), Andrew Linnie (The Commitments), Caroline Kay (The Clockmaker’s Daughter), Brigid Shine (Angela’s Ashes), Claire O’Leary (Les Misérables), Molly Lynch (The Light In The Piazza) and Oisin Nolan (Rags).

It also features young Irish actors in training Niamh Long, Sarah McFarlane, Gavin Ryan, Fionan O Carroll, Eimear Friel, Enya Loughlin, with signing by Abbie O’Neill.

Heart vector created by starline – www.freepik.com

July theatre round-up

I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw  in July.

On Your Feet, aka the rhythm will get you, sometimes
the end of history…, aka how can you get cheese on toast so wrong
Equus, aka hell yes for Jessica Hung Han Yun’s lighting design
Games for Lovers, aka straight people be crazy
Captain Corelli’s Mandolin, aka the one that got my goat
The Girl on the Train, aka Philip McGinley in shorts
A Midsummer Night’s Dream, aka Another Dream? dream on
Uncle Vanya, aka I really need to stop booking for plays like this with casts like that 
Jellyfish, aka justice for the second best play of last year
Sweat, aka Clare Perkins should always be on in the West End
Sue Townsend’s The Secret Diary of Adrian Mole Aged 13 3/4 The Musical, aka yay for lovely new musicals in the West End
The Light in the Piazza, aka Molly Lynch fricking nails it
Jesus Christ Superstar, aka was third time the charm?
Continue reading “July theatre round-up”

June theatre round-up

I might have taken a break from reviewing in June, but I didn’t stop going to the theatre – I had too many things already booked in. Here’s some brief thoughts on what I saw.

Betrayal, Harold Pinter
Shit-Faced Shakespeare – Hamlet, Barbican
The Knight of the Burning Pestle, Cheek By Jowl at the Barbican
Somnium, Sadler’s Wells
Les Damnés, Comédie-Française at the Barbican
Vanya and Sonia and Masha and Spike, Theatre Royal Bath
Blithe Spirit, Theatre Royal Bath
The Hunt, Almeida
Present Laughter, Old Vic
Europe, Donmar Warehouse
The Deep Blue Sea, Minerva
Plenty, Chichester Festival Theatre
Pictures of Dorian Gray, Jermyn Street
The Light in the Piazza, Royal Festival Hall
J’Ouvert, Theatre503
Hair of the Dog, Tristan Bates Continue reading “June theatre round-up”