Review: Love Me Now, Tristan Bates

Sex and love in the modern age gets a little confusing, for everyone, in Love Me Now at the Tristan Bates Theatre

“It can be anything you want it to be”

One of my favourite characters in early-season Dawson’s Creek was Abby. Allowed to walk on the wild side far more than any of the leads, she was a bright pop of colour in Capeside but because she liked a drink, she had to die. First-time-writer Michelle Barnette may not have intended this allusion but in this tale of casual sex gone awry, it was what sprung to mind.

But as Love Me Now attempts to explore “the toxicity of casual dating”, maybe it is an appropriate reference. Her characters A (Alistair Toovey’s ripped cocksure man-child) and B (Helena Wilson’s Insta-loving professional woman) are engaged in the kind of no-strings affair of Tinder’s dreams, only things have gotten complicated. She wants more commitment, he just wants more head. Continue reading “Review: Love Me Now, Tristan Bates”