Part of The Bomb: A Partial History – First Blast season at the Tricycle Theatre
Lee Blessing’s Seven Joys was the first introduction of an (initally) light-hearted note into the Tricycle’s The Bomb – a partial history. Set in a members’ club in Washington DC, the metaphor of exclusive membership to an institution is used extremely effectively to show the impossibility of maintaining exclusivity of something that is hugely desired, especially when that something is nuclear capability.
As loud American Cal revels in his club for one, helped out by faithful butler Harry, the calm atmosphere is shattered by the arrival of the blundering Russian Slava, who brings with him his symbol of eligibility of membership – a glowing egg and his Chinese chef. But as they discuss how they intend to control what it is that they possess, it turns out that their staff have now managed to become ‘members’ too – China and Britain, along with their friend Marianne, France. Continue reading “Review: Seven Joys, Tricycle Theatre”