Eleanor Rhode offers up a vibrantly contemporary production of King John for the RSC, with a striking lead performance from Rosie Sheehy
“Mad world! mad kings! mad composition!”
You wouldn’t normally turn to King John for an eye-openingly modern piece of Shakespeare but this 2019 RSC production really seems to buck the trend. Vibrantly directed by Eleanor Rhode with some superb design work from Max Johns, it’s ostensibly set somewhere in the mid-20th century, powerful parallels emerge with the vagaries of our contemporary administration.
Rosie Sheehy is a vivid presence as the titular monarch, full of artifice in her public persona but unable to stop a full moral disintegration eating away from within. And Charlotte Randle is awesome as Constance, the King’s sister-in-law and mother to a rival pretender to the throne. pushing home the personal costs of a cut-throat political system that takes no prisoners in any of its battles.
Photo: Steve Tanner
King John is available to watch on Britbox
At more than three hours, The Tragedy of Macbeth stretches the patience at the Almeida Theatre, despite strong work from Saoirse Ronan and James McArdle
“Let not light see my black and deep desires”
The tragedy of Macbeth is that it is a notoriously difficult play to stage well and given its ubiquity on school curricula, it is staged hella often. At least it is one of Shakespeare’s shortest plays but the further tragedy of this Macbeth is that it breaks the three hour mark with its running time. And as I left Yaël Farber’s production at the Almeida Theatre, I can’t say I felt it had made the case for such indulgence.
The Tragedy of Macbeth initially grabbed headlines for marking the UK stage debut of Saoirse Ronan (she has previously been on Broadway in The Crucible) and so to get your hands on a ticket in this intimate theatre is a job in itself (streaming could be your friend, details below). And much of Farber’s innovation in recalibrating this show has been to seriously beef up Lady Macbeth’s presence in the play, physically as well as verbally, something which is intermittently very effective. Continue reading “Review: The Tragedy of Macbeth, Almeida Theatre”
We’re beginning to see the fruits of some more of the lockdown programming that has seen theatres across England respond in a variety of impressive ways
Nottingham Playhouse’s Unlocked Festival continues to rocket up the must-see list as it announces more details. Their local writing commission has ended up with two winners – Wayward Thread’s Hand Me Down and Lapelle’s Factory’s Shuck, both of which will now receive work-in-progress performances as part of the festival.
Casting has also been announced for James Graham’s Bubble, which will star the marvellous Pearl Mackie and the equally marvellous Jessica Raine. They join the likes of Mark Gatiss and Jade Anouka reading ghost stories on
Halloween, new work from Naomi Obeng and a concert starring Rosalie Craig, Sandra Marvin and Jodie Prenger. Continue reading “News: October UK theatre news update”
The second series of Motherland continues to peel back layers of articifice around cultural ideas of motherhood – still bruisingly comic but sometimes just bruising
“Life’s too short to dick about with aubergines”
There’s a boldness to this second series of Motherland that is sometimes breath-taking. The show, created by Sharon Horgan, G*a*a* L*n*h*n, Helen Linehan and Holly Walsh, has never been sentimental about motherhood, brutally comic about the varying difficulties of being a parent/partner/employee/friend all at the same time and being utterly unafraid to show its characters failing at one if not more of them on an episodal basis.
This second season though, all now available to watch on t’iPlayer, tightens the screws even more, really pushing out the limits of what these people are willing to inflict on others in the name of just getting through the day. It makes for a bracing watch but even I was wondering whether the brutality shouldn’t be reined in just a bit… Continue reading “TV Review: Motherland (Series 2)”
Best Actor in a New Production of a Musical
Andy Nyman, Fiddler on the Roof, Menier Chocolate Factory
David Hunter, Waitress, Adelphi Theatre
David Ricardo-Pearce, Kiss Me, Kate, The Watermill Theatre
Kayi Ushe, Kinky Boots, UK Tour
Tom Bennett, Only Fools and Horses: The Musical, Theatre Royal Haymarket
Tyrone Huntley, The View UpStairs, Soho Theatre
Best Actress in a New Production of a Musical
Amara Okereke, Oklahoma!, Chichester Festival Theatre
Audrey Brisson, Amélie The Musical, UK Tour
Caroline Sheen, 9 to 5 The Musical, Savoy Theatre
Rebecca Trehearn, Kiss Me, Kate, The Watermill Theatre
Samantha Pauly, Evita, Regent’s Park Open Air Theatre
Sheridan Smith, Joseph and the Amazing Technicolor Dreamcoat, London Palladium Continue reading “2019 BroadwayWorld UK Awards Shortlist”