One of the all-time greatest musicals Anything Goes, today announces it will open this summer at London’s Barbican Theatre from Friday 23 July for a strictly limited 12 week season until Sunday 17 October. This year’s must-
see musical will star Emmy & SAG Award winner Megan Mullally (Will & Grace) who is making her West End musical debut as Reno Sweeney, and Tony, Olivier & BAFTA Award winner Robert Lindsay (Me & My Girl, Dirty Rotten Scoundrels) as Moonface Martin. They will join Evening Standard Theatre Award winner Felicity Kendal (The Good Life), also making her West End musical debut as Evangeline Harcourt and leading West End musical actor Gary Wilmot (Chicago, London Palladium Pantomimes) as Elisha Whitney. Tickets are on sale now.
The producers are also delighted to announce that Samuel Edwards (Les Misérables / Wicked), who is one of the UK’s most exciting young musical theatre actors, will be performing the role of Billy Crocker. Completing the principal cast is Nicole-Lily Baisden (The Book of Mormon / Let’s Face The Music) as Hope Harcourt, Carly Mercedes Dyer (West Side Story/Chicago) as Erma and Haydn Oakley (A Christmas Carol / An American in Paris) as Lord Evelyn Oakleigh. Further casting will be announced soon. Continue reading “News: Anything Goes – new casting and dates announced”
Outstanding Comedy Series
Curb Your Enthusiasm (HBO)
The Marvelous Mrs. Maisel (Prime Video)
Silicon Valley (HBO)
Unbreakable Kimmy Schmidt (Netflix)
Outstanding Drama Series
The Americans (FX)
The Crown (Netflix)
Game of Thrones (HBO)
The Handmaid’s Tale (Hulu)
Stranger Things (Netflix)
This Is Us (NBC)
Westworld (HBO) Continue reading “70th Primetime Emmy Awards nominees”
“My first night in New York and I’m high-fiving Denzel Washington”
Of everything that I saw or considered seeing in New York, It’s Only A Play possibly best exemplifies the dilemma I faced. Being such an actor junkie, the prospect of Stockard Channing and Nathan Lane and Megan Mullally (the latter two for the first time) was hugely tempting but I could scarcely ignore the fact that they were in a backstage farce. But the lure of the Lane was strong and so I booked myself in, hoping that low expectations would allow me to enjoy it.
And did I? I can’t really say, even now. I certainly laughed quite a bit, chuckling along with the theatre industry references of which there were masses and marvelling at how many modern touches Terrence McNally had managed to stuff into his updated text (James Franco’s x-rated selfies, Shia LeBeouf’s erratic behaviour and Alec Baldwin’s red-hot temper just a few that I can recall). But the whole thing does still feel curiously old-fashioned and perhaps a little self-satisfied.
Continue reading “Review: It’s Only A Play, Gerald Schoenfeld Theatre”