A rare summer in the city for me means I can take in some of the family shows on in the West End right now – Mr Gum and the Dancing Bear the Musical, The Scarecrow’s Wedding, Where is Peter Rabbit? and Monstersaurus
“Microscopic Bobby was my wife”
The world of Mr Gum and the Dancing Bear the Musical(suitable for 7yrs+) as imagined by director Amy Hodge and designer Georgia Lowe is a fantastically bizarre one, full of warm and witty touches that shoud delight children and adults alike. Tiny gingerbread professors, menacing sunflowers, dancing doughnuts, a rainforest of umbrellas, it is an impressive and inventive take on imaginative world-building that perfectly suits Andy Stanton’s storytelling.
All things told, it is a fairly slight tale – bears, beers, butchers, you know the usual, but there’s just such a sense of fun about the whole proceedings. The cast revel in non-sequiturs aplenty (Helena Lymbery, Steve Furst and Gary Wilmot particularly impress), Jim Fortune’s eclectic score builds in post-modern layers that further pique the interest, and the show even manages to sneak in some pretty powerful messaging among all the madness. Recommended. Continue reading “Family theatre in August”
The historic walls of Wilton’s Music Hall – the last surviving grand music hall in the world – may be old but they are far from old-fashioned. After their major refurb, the shift into becoming a producing venue has seen them adopt a varied multi-disciplinary programme of comedy and music as well as theatre (look out for the Tobacco Factory’s highly-rated Othello coming soon).
“Worlds of things to try, how can you refuse them?”
Everyone’s gotta start somewhere and for writer Lynn Ahrens and composer Stephen Flaherty, their musical theatre career began with their 1988 showLucky Stiff. They’d go on to win Tony Awards for shows like Ragtime but this work definitely has the feel of a writing team still finding their feet. An adaptation of the Michael Butterworth novel The Man Who Broke the Bank at Monte Carlo, this musical farce makes bold claims from its opening number ‘Something Funny’s Going On’ but sometimes you’re left wondering if its funny-haha or just funny-odd.
It’s an unevenness that is underlined by MKEC Productions’ approach here at the Drayton Arms, director Marc Kelly reaching ambitiously to give us all the conventions of a farce, as it plays out here in a Monte Carlo hotel but on limited means, failing to conjure much luxury or laughter. Without the knowing wink to acknowledge the naffness, in a manner like Acorn Antiques say, the attention can’t help but be drawn to unwieldy yet wobbly door frames and barely disguised camp beds, which is a shame as this enthusiastic company deserve better. Continue reading “Review: Lucky Stiff, Drayton Arms Theatre”