Oscar Week Film Review: The Post

Star names can’t hide the dullness here

“My decision stands, and I’m going to bed”

No. No, no, no. No. The fact that The Post has any Oscar nominations is testament to how much in thrall to star power the Academy is. And fair enough, the trifecta of Steven Spielberg, Tom Hanks and Meryl Streep is a weighty one. But this is a dull film, rushed through production to try and capitalise on topicality, that is being severely over-recognised here.

 

23rd Critics’ Choice Awards nominees

Best Picture
The Big Sick
Call Me by Your Name
Darkest Hour
Dunkirk
The Florida Project
Get Out
Lady Bird
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Best Director
Guillermo del Toro – The Shape of Water
Greta Gerwig – Lady Bird
Luca Guadagnino – Call Me by Your Name
Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Christopher Nolan – Dunkirk
Jordan Peele – Get Out
Steven Spielberg – The Post Continue reading “23rd Critics’ Choice Awards nominees”

TV Review: Death Comes to Pemberley

“We must stay positive my dear, and hope that he at least died in a duel”

The jewel in the BBC’s Christmas programming for 2013 was the adaptation of PD James’ Death Comes to Pemberley, her continuation of Jane Austen’s Pride and Prejudice but in the vein of her own murder mystery style. Stripped over three days (because schedulers don’t seem to believe we can wait between episodes any more), the trio of hour-long, lusciously-filmed episodes were perfect for plumping in front of the telly for, without having to engage the brain too much, and proved an interesting exemplar of both the weaknesses and strengths of James’ enterprise.

The story begins six years after the wedding between Elizabeth Bennet and Fitzwilliam Darcy as the preparations for their annual ball are rudely disrupted by the wayward arrival of Lydia’s coach and her breathless announcement of murder. An investigation into the woods around Pemberley soon reveals a body and it is Lydia’s husband the dastardly Mr Wickham who is suspected of the deed. Thus follows a crime procedural (of sorts) as Lizzie and Darcy try to get to the bottom of who exactly killed the man, whilst negotiating their tangled history of their families and trying to avoid social shame.  Continue reading “TV Review: Death Comes to Pemberley”