I was introduced to (and deeply impressed) by Dragonflies Theatre a while back when I saw The HIV Monologues and so I’ve been keeping an eye out on what they’ve been doing ever since. One of their newest project is this three part webseries – The Grass Is Always Grindr – the first instalment of which you can now see below.
Commissioned by 56 Dean Street with support from Wandsworth Oasis, the series see writer Patrick Cash and director Luke Davies delving deep into Grindr and questioning what the hook-up app is doing to the community and the ways in which we communicate to each other. Continue reading “YouTube: The Grass Is Always Grindr / A Gay Victorian Affair”
“He was wandering around topless, clearly drug-fucked, asking random guys to have sex. I took his hand and he grabbed me urgently, blue eyes intent and blazing.”
Patrick Cash’s The HIV Monologues slayed me last year so the opportunity to see another of his plays with Dragonflies Theatre was not one I wanted to pass up. The Chemsex Monologues did great business at the King’s Head last year and with that venue’s current tendency towards extremely LGBT-friendly material, it has made an unsurprising return here. Directed by Luke Davies, Cash’s storytelling winds together the tales of four people engaged – to varying degrees – in London’s chemsex scene.
For the uninitiated – it’s a gay subculture where guys get high and have sex with each other, but as post-club chillout parties have been transformed by harder and harder drugs, it has become a world not without its challenges. And without judgement, without condemnation, The Chemsex Monologues gives a real insight into the ways in which people get drawn in. A sexual health worker feeling lonely, a guy who can’t believe his luck at pulling the fittest guy in the club and unwilling to let the night end, a faithful fag hag, a pretty boy with insecurities – anyone, everyone? Continue reading “Review: The Chemsex Monologues, King’s Head Theatre”