Review: The Windsors – Endgame, Prince of Wales Theatre

Sadly a case of theatricus horribilis, The Windsors: Endgame proves a disappointing TV adaptation at the Prince of Wales Theatre

“I send you my very best wishes”

It almost feels to obvious to say it but given how often it seems to happen, it’s gotta be done – adapting a half-hour TV show to a 2 hours plus stage show (or film, for that matter) is difficult, you gotta have a real sense of purpose about why you’re doing it. Too often, there’s the feeling that it can be treated as an extended TV episode or even accorded less respect than that, meaning success is often hard to come by.

Which is all a longwinded way of saying I really didn’t enjoy The Windsors: Endgame, currently occupying the Prince of Wales Theatre while the Book of Mormon guys make their way back from Uganda. Though it is written by the same guys George Jeffrie and Bert Tyler-Moore (Jeffries having sadly passed away last year), it loses so much of the magic of the TV show, not least in recasting more than three quarters of the main roles. Continue reading “Review: The Windsors – Endgame, Prince of Wales Theatre”

TV Review: The Windsors, Series 3

Series 3 of The Windsors sees the show tailing off just a little, as it struggles to work out how fit Meghan in as a comic character

“There could be tanks on the streets of Kensington and Chelsea”

After a couple of years off-air, Series 3 of The Windsors returned with an avowed aim of real topicality but given the way that Harry and Meghan’s departure from royal life and the subsequent revelations have played out, it can sometimes be a tricky watch (if you’re pro-Meghan that is…).

I’d argue that the series does best when cutting a little looser from this territory too. Charles and Camilla’s visit to the Middletons’ is inspired as is the dip into accidental Satanism, Fergie choosing between Eugenie and Beatrice at Glastonbury is hilarious as is their diversion to chalet life in Verbier. Continue reading “TV Review: The Windsors, Series 3”

TV Review: The Windsors, Series 2

Series 2 of The Windsors ups the absurdity and the satire of this cracking TV show, with Vicki Pepperdine’s Anne a real highlight 

“You lied to me when you went to bed with Nicola Sturgeon in her holiday persona of Flame”

Series 2 of The Windsors ups the absurdity and the satire of this cracking TV show as Theresa May (Gillian Bevan), Nicola Sturgeon (a genius Amy Booth-Steel) and Donald Trump (Corey Johnson) (and Ellie Goulding too – nice to see Lizzy Connolly on TV) all make appearances to further lampoon our blessed Royal Family. 

Harry Enfield’s Prince Charles comes in for some particular stick as his organic credentials, urban planning skills and predilection for interfering in geopolitical affairs all get raked over the coals to great comic effect. Elsewhere, most everyone else gets away with flights of fancy rather than having their actions similarly scrutinised, for the most part. Continue reading “TV Review: The Windsors, Series 2”

TV Review: The Windsors, Series 1

Series 1 of The Windsors proves that Hugh Skinner can do no wrong, nor Haydn Gwynne for that matter 

“We’ve outgrown our usefulness like nipples on men”

Despite starring several of my theatrical faves, I’d never quite got around to watching The Windsors. But given that I’m off to see the stage show The Windsors: Endgame tomorrow, I thought I’d give Series 1 a whirl since it is on Netflix. And I have to say I absolutely frigging loved it. 

George Jeffrie and Bert Tyler-Moore’s parody of the House of Windsor takes the form of a fast-moving soap opera, which means that the joke rate is phenomenal and as in the fashion of many a comedy show, if you’re not enjoying a particular turn, you don’t have to wait more than a few minutes before the next one appears. Continue reading “TV Review: The Windsors, Series 1”

London theatre update for June

The Kenneth Branagh Theatre Company has announced that tickets are on sale for a brand new production of Terence Rattigan’s much loved play The Browning Version. The production will play for 3 weeks at Riverside Studios from 5 – 29 August with Branagh directing. Tickets are available now from branagh-theatre.com.

The cast is made up of all RADA graduates with Branagh playing Andrew Crocker-Harris. He will be joined by Kemi Awoderu (Taplow), Joseph Kloska (Frank Hunter), Lolita Chakrabarti (Millie Crocker-Harris), Wendy Kweh (Dr Frobisher), Victor Alli (Peter Gilbert) and Sarah Eve (Mrs Gilbert).

The production will be designed by Frankie Bradshaw, Lighting Design will be by Paul Pyant and Sound Design by Emma Laxton. Continue reading “London theatre update for June”

An assortment of October theatre news

Full casting has been announced for Queen’s Theatre Hornchurch’s upcoming production of Misfits, an innovative new hybrid of live theatre and digital content, playing 12-22 November 2020. Bookers will purchase a ticket which will allow them the choice of watching the show be performed live onstage in front of a socially
distanced audience or streamed to their homes, right up until the day of the show.

Misfits intertwines four inspirational tales of Essex resilience to make an unmissable world premiere by four of the region’s most exciting playwrights: Anne Odeke, Guleraana Mir, Kenny Emson and Sadie Hasler and will be co-directed by QTH Artistic Director Douglas Rintoul and Emma Baggott. The cast is Anne Odeke, who is also writing part of the piece, Gemma Salter, Mona Goodwin and Thomas Coombes. Continue reading “An assortment of October theatre news”

Film Review: The Personal History of David Copperfield (2019)

Armando Iannucci’s rollicking adaptation of The Personal History of David Copperfield is huge amounts of fun to watch

“You can’t complain about a nice bit of kipper”

You might not have picked a Charles Dickens adaptation for an Armando Iannucci big screen feature but evidenced in The Personal History of David Copperfield, it’s a pretty darn fantastic match. It’s a rollicking romp through the story, absolutely refreshed by this treatment as its warm comedy is sprinkled with notes of ruminative reflection on class and identity and just a touch of satirical bite. And by employing a truly diverse and talented ensemble, there’s something special here. 

For all the magnificence of Tilda Swinton’s Betsey Trotwood (truly exceptional), Peter Capaldi’s Mr Micawber and Ben Whishaw’s malevolent Uriah Heep, the real joy in the casting comes from the opportunities now given. Nikki Amuka-Bird is fantastic as the starched Mrs Steerforth, the kind of role she just hasn’t gotten to play before; so too Benedict Wong as Wickfield, it’s great to see such talent stretch their acting muscle this way, and so well too. Continue reading “Film Review: The Personal History of David Copperfield (2019)”

Lockdown TV review: The Dresser (2015)

Sirs Ian McKellen and Anthony Hopkins do much to banish my bad memories of Ronald Harwood in a spectacular version of The Dresser

“One Lear more or less in the world won’t make any difference”

Despite its stellar casting and excellent notices, it has taken a while to bring myself to watch the TV version of The Dresser.  In advance of the 2016 production which toured before hitting the West End, playwright Ronald Harwood took precisely no prisoners and gave exactly no shits in giving a series of interviews (#1, #2) which, to put it lightly, did not endear him to me. And rightly or wrongly (only being human), I let that colour my appreciation of his art.

A little distance has softened me though and I have to say, I found much to appreciate in this televised version, not least the presence of Sirs Ian McKellen and Anthony Hopkins  and Ian McKellen in the two central roles of an ageing Shakespearean and his manservant. Its the middle of the Second World War and their production of King Lear is still touring the regions, even though its leading man is perilously close to losing his faculties. Continue reading “Lockdown TV review: The Dresser (2015)”

Lockdown TV Review: Spooks Series 6

AKA the one that doesn’t work and the one that you should avoid if you’re feeling angsty about the current situation – approach Spooks Series 6 with caution

“The only option will be national quarantine and burial pits”

Series 6 is one of the trickier ones to watch right now so be warned – it opens with a two-parter called ‘The Virus’ which makes for a eerily chilling watch. It’s also a curious season as whilst the introduction of a series-long storyline – Iran seeking to gain nuclear capability – for the first time seems like it should work no problem, the reality doesn’t hang together quite as well as it ought.

The major level conspiracy theory takes too long to click into gear, and never really reaches the high-stakes territory it needs to hit home hard. The ‘mole in MI-5’ thread doesn’t pay off convincingly, recruiting another journalist off the street tests the patience (sorry Ben) and where one fake-out death of a major character might be permitted, two in the space of three episodes feels lazy. A major disappointment following the highs of Series 5.

Nicola Walker-ometer
Absolute zero, it’s as if she never existed. Fucking Harry. Continue reading “Lockdown TV Review: Spooks Series 6”

June theatre round-up

I might have taken a break from reviewing in June, but I didn’t stop going to the theatre – I had too many things already booked in. Here’s some brief thoughts on what I saw.

Betrayal, Harold Pinter
Shit-Faced Shakespeare – Hamlet, Barbican
The Knight of the Burning Pestle, Cheek By Jowl at the Barbican
Somnium, Sadler’s Wells
Les Damnés, Comédie-Française at the Barbican
Vanya and Sonia and Masha and Spike, Theatre Royal Bath
Blithe Spirit, Theatre Royal Bath
The Hunt, Almeida
Present Laughter, Old Vic
Europe, Donmar Warehouse
The Deep Blue Sea, Minerva
Plenty, Chichester Festival Theatre
Pictures of Dorian Gray, Jermyn Street
The Light in the Piazza, Royal Festival Hall
J’Ouvert, Theatre503
Hair of the Dog, Tristan Bates Continue reading “June theatre round-up”