Re-review: Wicked, Apollo Victoria

As Wicked powers towards its 13th year on the West End, Alice Fearn’s Elphaba ensures visitors to the Apollo Victoria won’t be disappointed

“Ah tum ah tum eleka nahmen…”

Off the top of my head, I couldn’t tell you how many times I’ve seen Wicked now – it feels like loads – so it’s useful that I have it all written down in a blog… I do know it is a good while since I last saw it, five years in fact, which was evidently my third visit to the Apollo Victoria and one which left me disappointed. So it has taken a little while for me to get interested in taking up an opportunity to go see it again but we got there, eventually.

And I have to say I enjoyed my return trip to Oz, mainly because of the sensational performance of Alice Fearn as Elphaba. It’s always nice to see a performer rewarded for paying their dues, working their way up through ensemble and chorus roles until they get that chance to shine. And because of that background, that experience, that starring role has the real sense of being a career-defining opportunity. Continue reading “Re-review: Wicked, Apollo Victoria”

Review: Pipe Dream, Union Theatre

”You wonder where your heart can go”

As unlikely as it seems, there are still Rodgers and Hammerstein shows that have never been performed in the UK and in the hope of unearthing a little gem, Sasha Regan’s Union Theatre took on the 1955 flop Pipe Dream and given it the chamber treatment. Some of the songs may be familiar from State Fair which was recently very well-revived by the Finborough and unfortunately, it’s a comparison which does Pipe Dream few favours, as I couldn’t help but feel that this show had little to really commend it and pretty much deserves the obscurity in which it has languished.

Based on two John Steinbeck novels, Sweet Thursday and Cannery Row, the show focuses on the deadbeat end of society – prostitutes and layabouts populate this Depression-era world, an innovation which popular wisdom would have was too outrageous for 1950s audiences. The problem seems more to be the coyness with which Rodgers and Hammerstein treat this though – Suzy the heroine of the show works in the local whorehouse yet the conservatism of the writing never explains it properly, and this cripples her burgeoning relationship with marine biologist Doc which forms the backbone of the show, their pairing stuttering and staggering over obstacles which are never quite clear. Continue reading “Review: Pipe Dream, Union Theatre”