News: a whole load of UK musical tour casting announcements

Priscilla Queen of the Desert will restart its tour at the Everyman Theatre, Cheltenham on 23rd June. Miles Western will take on the role of Bernadette, with Nick Hayes as Adam/Felicia and Edwin Ray playing Tick/Mitzi. They are joined by Daniel Fletcher (Bob), Rebecca Lisewski (Marion), Kevin Yates (Miss Understanding), Gracie Lai (Cynthia) and Ronan Burns (Frank). The Divas will be played by Claudia KariukiRosie Glossop and Aiesha Pease, and the cast is completed by Emma Katie Adcock, Jak Allen Anderson, Allie Daniel, Martin Harding, Clarice Julianda, Jemima Loddy, Nathan Ryles, Tom Scanlon and Jermaine Woods. Continue reading “News: a whole load of UK musical tour casting announcements”

News update for Christmas theatre in London

Regions across the UK were hoping to win the lottery but with the news of Tier 2 (for now) for London, here’s some Christmas theatre news 

The Donmar Warehouse announces today that it will present a special concert online to mark the festive season. LOOKING A LOT LIKE CHRISTMAS will be performed in the beautiful setting of St Paul’s Church (affectionately known as The Actors’ Church), in the heart of Covent Garden and premiere online for free on the Donmar’s YouTube channel on Wednesday 16 December, 7.30pm. The concert will be captioned, and an audio introduction will be available in partnership with Vocaleyes.

This hour-long concert of musical numbers, sketches and seasonal poetry will be directed by Simon Evans (Staged, The Resistible Rise of Arturo Ui) with musical direction by Nigel Lilley (Piaf, Caroline, or Change) and production design by Grace Smart (My Beautiful Laundrette, One Night in Miami). Continue reading “News update for Christmas theatre in London”

News: November news aplenty

An unnecessary amount of theatre news exploded forth today, maybe everyone was just too busy watching CNN all of last week…  I’m just going to rattle through it all quickly to save everyone time.

Jason Robert Brown’s Songs From A New World will play the Vaudeville Theatre for a month from 5th February. David Hunter, Rachel John, Cedric Neal , Rachel Tucker and Shem Omari James, who all reprise their roles from the London Palladium gigs in October.

The previously announced Lynn Ahrens and Mike Ockrent’s A Christmas Carol has revealed its supporting cast around Brian Conley’s Scrooge. Lucie Jones, Sandra Marvin, Martyn Ellis, Cedric Neal, Jeremy Secomb, Matt Jay-Willis and Jacqueline Jossa will join him at the Dominion Theatre from 7th December. Continue reading “News: November news aplenty”

Album Review: #ZoologicalSociety

New musical #ZoologicalSociety, written by Vikki Stone and Kate Mulgrew, gets a well-timed concept album release

“You’ve been here for one day mate, I’ve been here for years”

With a sense of impeccable timing, new musical #ZoologicalSociety launches with a concept album. The plan was to accompany the digital release with a live concert performance at BEAM 2020, the UK’s leading showcase of new British musical theatre but whilst that obviously isn’t happening, the album is now available for our delectation, thanks to Joe and Nikki Davison at Auburn Jam Music who produced, recorded, mixed and mastered the music.

The first of a series of entirely original musical commissions from Northampton’s Royal & Derngate, Vikki Stone and Katie Mulgrew’s #ZoologicalSociety takes its simple concept – animals going through the same societal pressures as humans – and fashions a rather winning musical comedy out of it. Continue reading “Album Review: #ZoologicalSociety”

fosterIAN awards 2018

 WinnerRunner-upOther nominees
Best Actress in a PlayLeah Harvey, Clare Perkins & Vinette Robinson, EmiliaSarah Gordy, JellyfishPatsy Ferran, Summer and Smoke
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking
Best Actor in a Play
Kyle Soller, The InheritanceHans Kesting, OedipusBen Batt, The York Realist
Ian Bonar, Jellyfish
Paapa Essiedu, The Convert
Richard Harrington, Home I'm Darling
Shubnam Saraf, An Adventure
Best Supporting Actress in a PlayCecilia Noble, Nine NightMartha Plimpton, SweatAdjoa Andoh, Leave Taking
Eva Feiler, A Midsummer Night's Dream (Watermill)
Penny Layden, Jellyfish
Lashana Lynch, ear for eye
Charity Wakefield, Emilia
Best Supporting Actor in a PlayPaul Hilton, The InheritanceForbes Masson, Summer and SmokeLouis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories
Best Actress in a MusicalRosalie Craig, CompanyKaisa Hammarlund, Fun HomeBonnie Langford, 42nd Street
Eva Noblezada, Hadestown
Caroline O'Connor, The Rink
Gemma Sutton, The Rink
Adrienne Warren, Tina the Musical
Best Actor in a MusicalSteven Miller, Sunshine on LeithAndrew Finnigan, DripPaul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mather, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home
Best Supporting Actress in a Musical
Patti LuPone, CompanyAmber Gray, HadestownNaana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary McLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors
Best Supporting Actor in a MusicalJonathan Bailey, CompanyPatrick Page & André de Shields, HadestownAlex Cardall, Sweet Charity (Watermill)
Alex James Ellison,
The Secret Garden

Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors

2018 Best Supporting Actor in a Play + in a Musical

Best Supporting Actor in a Play

Paul Hilton, The Inheritance
How many times and in how many ways can the same man break your heart? Hilton is exquisitely, agonisingly, pitch-perfect in The Inheritance no matter who he is playing, a much needed voice of experience in among the tight, bright young things, an unforgettable, powerfully moving tribute to generations lost.

Honourable mention: Forbes Masson, Summer and Smoke
I’ve long been a fan of Masson’s, going back to seeing his hysterical musical Stiff! back in my uni days, so it was great to see him as such a vibrant and vital part of the ensemble in this Rebecca Frecknall production, standing out as a pair of patresfamilias.

Louis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories

8-10

Oliver Alvin-Wilson, Nine Night; Kevin Harvey, The Wild Duck; Samuel H Levine, The Inheritance

 

Best Supporting Actor in a Musical

Jonathan Bailey, Company
Done well, ‘Getting Married Today’ is a highlight of any production of Company but here, making Amy Jamie works an absolute treat in showing both how far we’ve come and how little there is between us all when it comes to gay marriage. Partnered perfectly with Alex Gaumond’s patiently lovestruck Paul, this vignette becomes even more heart-breakingly, soul-raisingly fantastic.

Honourable mention: André de Shields & Patrick Page, Hadestown
Between de Shields getting the party started with his twinkling charm and Page’s basso profundo doing all sorts of things to me, I couldn’t split these two on the way down to Hadestown

Alex Cardall, Sweet Charity (Watermill)
Alex James Ellison, The Secret Garden
Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors

8-10
Maison Kelley, Brass the Musical; Sean Kingsley, Once; Jordan Shaw, It’s Only Life

Review: Little Shop of Horrors, Open Air Theatre

Audrey II as a drag queen? Maria Aberg’s take on Little Shop of Horrors at the Open Air Theatre gives me life

“Oh, don’t you see?
Finally I’ll be
Somewhere that’s green”

It’s something of a relief when you’ve seen a version of a much-loved show that is nigh-on perfect, it really does take the pressure off those that follow. So I was able to visit a verdant Open Air Theatre to see Little Shop of Horrors – one of my all-time favourites, if not the actual one – excited by the prospect of what Maria Aberg had done, and secure in the knowledge that Derek Bond absolutely nailed it for the Royal Exchange a couple of years ago. 

Chief among her innovations is giving Audrey II much more life than they’ve ever had before, by casting drag queen Vicky Vox in the role. So from twitching, voracious puppet plant (designed by Max Humphries with Tom Scutt) emerges a strutting shrub of sinful sass and it is an inspired choice. Making her a Mephistophelean figure who can prowl around the amphitheatre flips Audrey II into something as thrilling as threatening, Vox revelling in the lasciviousness of “feed me” and the most scathing raised eyebrow you ever did see. Continue reading “Review: Little Shop of Horrors, Open Air Theatre”

Review: Flashdance – The Musical, Shaftesbury

“Just a steel town girl on a Saturday night”

I was originally meant to see Flashdance -The Musical at the Shaftesbury Theatre a couple of weeks ago but that first preview was cancelled due to technical difficulties, so when I finally made it to one of the last previews, my heart sank as we waited for the curtain to rise and the announcement came that the start of the afternoon’s show was being delayed due to, you’ve guessed it, technical difficulties! Having been outraged at the merchandising in the foyer (£60 for a special Barbie! £15 for a pair of legwarmers!) I was thus prepared with sharpened knives for what was coming my way. Perhaps my lowered expectations had something to do with then, but I ended up having quite a good time!

Based on the Paramount Pictures film, Flashdance – The Musical has a book by Tom Hedley & Robert Cary, music by Robbie Roth and lyrics by Robbie Roth and Robert Cary, but also features choreography from Arlene Phillips (who really does belong back on our screens at the weekend). Set in Pittsburgh in the 1980s, we meet Alex, apprentice steel welder by day, club dancer by night (who isn’t!) who dreams of love and life in dance school. Watching this reminded me of just how many times I have seen variations of this story played out in countless films, of someone fighting against the odds to, delete as appropriate, date a black guy/rise above working class roots/honour a dead relative/not be a stripper and get to the audition in time to wipe the smile off that smug auditioner’s face in order to secure a place at an amazing dance school for which they are eminently unsuitable. But I love each and every one of them, there’s nothing like a cheesy teen dance film to raise the spirits! And as Flashdance got in there at the beginning, it can consider itself mistress of the genre. Continue reading “Review: Flashdance – The Musical, Shaftesbury”