Big doesn’t always mean better, size does matter, it’s not how big it is it’s what you do with it – whatever the pun, Big the Musical is a severe disappointment at the Dominion Theatre
“I want my room,
I want my bed.
I want my mom,
I want to go home”
A crucial moment in Big the Musical sees Zoltar the fortune-telling machine say “make your wish, make your wish…” and I think my wish is that one day the Dominion Theatre will find a show that properly suits it, and that can fill it – once again, this is not the one. Director/choreographer Morgan Young’s production of the classic 1980s movie initially looks swish – Simon Higlett’s design dominated by an impressive curved HD video wall but a raft of questionable decisions mitigate against it, almost at every step.
You can see the thinking behind the casting – a Strictly winner, someone off Corrie, a member of Girls Aloud even – but they just don’t feel like the best people for the roles by any stretch. Jay McGuiness doesn’t exude anywhere near the requisite amiability and charisma to be this kind of leading man and whilst he’s technically right there with the dancing – the Act 1 closer is brilliantly choreographed by Young – but there’s no emotion carrying through with it, near fatal when you’ve got Tom Hanks to live up to. Continue reading “Review: Big the Musical, Dominion Theatre”
“You gotta remember that December is the time for glitz”
I have to say I was sceptical about Elf the Musical, not least because it was Bonfire Night (5th November for you heathens) when I saw it but to my pleasant surprise, I was soon won over by its classic charms. If you’ve seen the film, then you’ll know that its soundtrack was a dip into the Christmas chapter of the Great American Songbook – Ella Fitzgerald’s ‘Sleigh Ride’, Ray Charles’ ‘Winter Wonderland’ etc – but the score for the musical is original yet pays great homage to those standards.
Matthew Sklar’s music and Chad Beguelin’s lyrics succeed by being entirely both warm-hearted and open-hearted and in this recording, is powered by the practically Duracell-bunny-like enthusiasm of Ben Forster’s Buddy, the kid who found his way into Santa’s bag of presents and ended up being raised at the North Pole. The heart of the story is his re-entry into the human world to find his birth father and in tracks like ‘World’s Greatest Dad’, you realise just how big and real his emotions are. Continue reading “Album Review: Elf the Musical (2015 Original London Cast Recording)”
“I can’t believe people were sat there as if it was any other evening”
You have to love the creative process that ends with the thought ‘we need Jimmy Nail’, but Jeff Wayne’s musical version of The War of the Worlds really isn’t like any other show. A quick glimpse at the casts of previous arena tours, of which there have been many, gives a bit of insight as to their mindset – (former) pop stars like Westlife’s Brian McFadden, Jason Donovan and Atomic Kitten’s Liz McClarnon, reality show offcasts like Rhydian, even the Kaiser Chiefs’ Ricky Wilson – now a judge on The Voice – has got in on the act. And now The War of the Worlds has landed at the Dominion Theatre and the casting has gotten no less random.
This time, I think someone came across a copy of Now 51 in a charity shop and so we have Daniel Bedingfield and former Sugababe Heidi Range making their West End debuts, alongside original cast member David Essex (whose character is naturally named The Voice of Humanity), Michael Praed and Madalena Alberto who, as per the poster, has the ridiculous snub of being the only one not to get a headshot (though she will be used to billing controversies in this theatre by now). And then there’s Jimmy Nail who at 61 gets Range, 32, as his wife…, it all makes for an oddly compelling though deeply strange affair. Continue reading “Review: The War of the Worlds, Dominion Theatre”
“I always get a special glow when the snow comes falling down”
There’s something a little perverse about a show as intrinsically Christmassy as Elf the Musical opening on Bonfire Night but with a limited run finishing sharply on 2nd January, the time to get festive starts now. Based on the 2003 film starring Will Ferrell and directed by Jon Favreau, the musical capitalises on the feel-good charm of the movie to create something deliciously old-school in feel but with a definite contemporary spin on things. My four star review for Cheap Theatre Tickets can be read here.
Running time: 2 hours 40 minutes (with interval)
Booking until 2nd January